本文選題：琉璃 + 琉璃瓦��； 參考：《南京大學(xué)》2011年碩士論文

【摘要】：琉璃瓦作為我國古代建筑的重要構(gòu)成元素,它伴隨著皇家建筑而生,是我國古代建筑禮制的重要組成部分。建筑琉璃技術(shù)和琉璃瓦雖然不是起源于中國,但是中國古代琉璃瓦在形制標(biāo)準(zhǔn)化、制作技藝及使用方法方面有很多獨特性的創(chuàng)造。這有兩個原因：一是我國古代低溫釉陶燒制技藝的進步,二是我國古代制瓦技藝的發(fā)展。 本文正文部分由四部分組成,分述如下： 第一部分梳理了琉璃瓦的歷史源流。據(jù)考古發(fā)掘,從北魏時期開始,中國古代的宮殿建筑和皇家寺廟建筑已開始使用琉璃瓦,歷經(jīng)隋、唐、宋、元,琉璃瓦的種類不斷增加,燒制技術(shù)已臻成熟,出現(xiàn)了專門燒制琉璃瓦的窯口。至明清時期,琉璃瓦的燒制技藝達到了頂峰,琉璃瓦件制作已經(jīng)趨于標(biāo)準(zhǔn)化,琉璃瓦的生產(chǎn)也初具規(guī)�；�。 第二部分,在類型學(xué)的分析中,筆者主要以明代的琉璃瓦為研究對象,因為在明代,琉璃瓦進入了它的全盛期。這一時期琉璃瓦的生產(chǎn),無論數(shù)量或質(zhì)量都超過過去任何朝代,官式建筑已經(jīng)高度標(biāo)準(zhǔn)化、定型化,瓦的色彩、題材均有嚴(yán)格規(guī)定,因此對明代琉璃瓦的分型研究具有較大的意義。 第三部分是關(guān)于琉璃瓦的窯業(yè)技術(shù)。主要從琉璃窯、琉璃瓦的燒造流程以及琉璃瓦的主要產(chǎn)地分布三方面闡述了琉璃瓦窯藝技術(shù)的硬件基礎(chǔ)與發(fā)展?fàn)顩r。據(jù)已經(jīng)發(fā)掘的琉璃窯資料,以南京聚寶山明代琉璃窯為代表,剖析了琉璃窯的結(jié)構(gòu)以及燒窯方式。在琉璃瓦的燒造流程這一部分中,詳細介紹了琉璃瓦的制胎、配釉、燒成各個流程。根據(jù)歷史文獻的記載以及考古實物資料,梳理了明代及以前的琉璃瓦的主要產(chǎn)地分布。 第四部分是建筑禮制。琉璃瓦至少在明清時期已形成系統(tǒng)的建筑禮制。這一部分主要從琉璃瓦的使用范圍、琉璃瓦的色彩等級、琉璃瓦的構(gòu)件規(guī)制等三方面闡述了這一禮制的具體內(nèi)涵。琉璃瓦的使用和封建等級制度是緊密相連的,在某種程度上構(gòu)成了封建王朝的建筑禮制體系。
[Abstract]:Glazed tile is an important component of ancient architecture in China. Although the building glazed tile and glazed tile are not originated in China, there are many unique creations in the form standardization, manufacture technique and use method of the glazed tile in ancient China. There are two reasons for this: one is the progress of ancient low-temperature glaze pottery sintering technology, the other is the development of ancient Chinese tile making technology. This paper is composed of four parts: the first part combs the history of glazed tiles. According to archaeological excavations, since the Northern Wei Dynasty, ancient Chinese palaces and royal temple buildings have begun to use glazed tiles. After Sui, Tang, Song, Yuan, and glazed tiles, the firing technology has matured. There is a special firing glazed tile kiln mouth. To the Ming and Qing dynasties, glazed tile firing technology reached its peak, glazed tile production has become standardized, glazed tile production has begun to take shape. In the second part, in the analysis of typology, the author takes the glazed tile of the Ming Dynasty as the research object, because in the Ming Dynasty, the glazed tile entered its heyday. In this period, the production of glazed tiles was higher in quantity and quality than in any previous dynasty. Official buildings had been highly standardized, formalized, and the color and subject matter of tiles were strictly regulated. Therefore, the research on the classification of glazed tile in Ming Dynasty is of great significance. The third part is about the kiln industry technology of glazed tile. The hardware foundation and development status of glazed tile kiln technology are expounded from three aspects: the firing process of glazed tile and the distribution of glazed tile. According to the data of glass kilns which have been excavated, the structure and firing mode of glaze kilns are analyzed in the Ming Dynasty of Jubaoshan, Nanjing. In this part of firing process of glazed tile, the tire making, glazing and firing process are introduced in detail. Based on the historical records and archaeological material data, the main distribution of glazed tiles in Ming Dynasty and before was combed. The fourth part is architecture etiquette. Glazed tiles at least in the Ming and Qing dynasties have formed a system of building etiquette. This part mainly expounds the concrete connotation of this ritual system from three aspects: the use range of glazed tile, the color grade of glazed tile and the component regulation of glazed tile. The use of glazed tiles is closely related to the feudal hierarchy system, and to some extent constitutes the feudal building ceremony system.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876.3

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 符娟;清朝工程營造中物料管理的法律規(guī)制探析[D];蘇州大學(xué);2013年

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本文編號：2026786