發(fā)布時間：2018-06-08 18:56

  本文選題：明代 + 民窯青花　； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2010年碩士論文

【摘要】： “線”是繪畫藝術(shù)最早的表現(xiàn)形式,從巖畫、穴畫的線刻到工具之上的劃線,直至彩陶上的畫線,“線”完成了自身所有的形式。繪畫藝術(shù)成熟以后,“線”便有了自己的性格,表現(xiàn)出了豐富多彩的形式。 明代民窯青花的“線”有一定的代表性和典型性,其“線”從單純輪廓線的作用走向了更獨(dú)立、更復(fù)雜的表現(xiàn)物象形體和工匠情感的作用中來。其以骨力的線條去概括物象的形神關(guān)系;通過線條的粗細(xì)強(qiáng)弱、曲直長短的變化,來表現(xiàn)形象的量感與質(zhì)感;以線條的剛?cè)�、動靜,來表現(xiàn)或淋漓奔放、或?qū)庫o幽雅的美感,簡約、力度、意象、氣韻、空間等等由線而生,更充分、更直接地傳達(dá)了豐富多變的情感。而明代民窯青花“線”的這一特征的形成是與民窯青花生產(chǎn)的商品性、勞動性、工藝性,明代的社會審美風(fēng)尚和民窯工匠的創(chuàng)作自由分不開的。對明代民窯青花“線”的情感表達(dá)這一優(yōu)秀傳統(tǒng)的探索與研究,對現(xiàn)代青花創(chuàng)作和其他藝術(shù)門類的創(chuàng)作都有重要的意義與啟示。
[Abstract]:"Line" is the earliest form of expression of painting art, from the line of rock painting, the line of cave painting to the line on the tool, until the line on the painted pottery, "line" has completed all its own forms. After painting art matures, "line" has its own character, showing rich and colorful forms. The "line" of Ming Dynasty Minyao blue and white flower has certain representativeness and typicality, and its "line" has moved from the function of simple contour line to more independence. The more complex performance of the physical form and artisans affect the role to come. It uses the lines of bone force to generalize the relationship between the shapes and spirits of the objects; it expresses the sense of quantity and texture of the image through the changes of the thickness of the lines, the changes of the length of the straight lines, and the tenderness and movement of the lines to express or to dripping freely, or the beauty of serenity and elegance, Simplicity, strength, imagery, charm, space and so on from the line, more fully, more directly conveyed a variety of emotions. However, the formation of this characteristic of the blue and white flower line of the Ming Dynasty is inseparable from the commodity, labor and craft of the blue and white flower production in the Ming Dynasty, the social aesthetic fashion of the Ming Dynasty and the freedom of the craftsman's creation. The exploration and research on the emotion expression of the blue and white flower line in Ming Dynasty is of great significance and enlightenment to the creation of modern blue and white flowers and other kinds of art.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 葉加貝;當(dāng)代青花藝術(shù)創(chuàng)作中的筆墨精神[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

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本文編號：1996849