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西夏佛教藝術(shù)中的“家窟”與“公共窟”——瓜州榆林窟第29窟供養(yǎng)人的構(gòu)成再探

發(fā)布時間:2018-05-25 04:44

  本文選題:西夏 + 供養(yǎng)人。 參考:《敦煌學(xué)輯刊》2017年03期


【摘要】:此文重新檢索了榆林窟第29窟供養(yǎng)人的身份構(gòu)成,認(rèn)為此窟的性質(zhì)是一個有濃重官方背景的"公共窟"而非通常認(rèn)為的"家窟"。西夏占領(lǐng)河西走廊西端的瓜沙地區(qū)之后,統(tǒng)治該地區(qū)數(shù)百年之久的當(dāng)?shù)厥兰掖笞迨艿綒埧釕?zhàn)爭的重創(chuàng),已經(jīng)無力繼續(xù)作為開窟造像的中堅力量而被西夏政權(quán)的高官新貴所取代。西夏文武官員集合財力權(quán)力開創(chuàng)新窟,使瓜沙地區(qū)的西夏石窟具有了與前代佛窟不同的性質(zhì)和功能。
[Abstract]:This paper researches the identity of the providers of the 29th Grottoes of Yulin Grottoes, and considers that the nature of the Grottoes is a "public cave" with a strong official background rather than a "family cave". After Xixia occupied the Guasha area at the western end of the Hexi Corridor, the local patriarchs who had ruled the region for hundreds of years had been hard hit by the cruel war, and could no longer continue to be replaced by the upper-ranking officials of the Xixia regime as the backbone of the grottoes. The Xixia Wushu officials set up new grottoes by pooling their financial power, which made the Xixia grottoes in Guasha area have different nature and function from those of the previous Buddhism grottoes.
【作者單位】: 四川美術(shù)學(xué)院視覺藝術(shù)研究中心;首都師范大學(xué)美術(shù)學(xué)院;
【分類號】:K879.2


本文編號:1932166

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