發(fā)布時間：2018-05-24 05:41

  本文選題：宋代 + 景德鎮(zhèn)��； 參考：《重慶師范大學(xué)》2010年碩士論文

【摘要】： 在距今3500多年前的商代,中國已出現(xiàn)原始瓷器。在漫長的歲月中,青瓷始終是瓷器生產(chǎn)的主流。到唐代時,由于白瓷的飛速發(fā)展,形成了南青北白的局面。到宋代時,瓷器工藝步入了其成熟發(fā)展階段,此時期,各地名窯林立,瓷苑百花爭艷,出現(xiàn)了五大名窯,八大窯系,其中又以景德鎮(zhèn)為中心的青白瓷窯系最為著名。因青白瓷質(zhì)地精良,工藝精細(xì),胎骨潔白,細(xì)膩致密,制作工整,釉層勻凈,釉色瑩潤,薄而透明而著稱,具有美玉之質(zhì)感,贏得了人們“假玉器”和“佳者瑩縝如玉”的高度評價。其一產(chǎn)生,便深得當(dāng)時各階層人們的厚愛,各地窯場紛紛仿燒。一時間青白瓷享譽(yù)全國,并影響到后世。 本文就從青白瓷名稱的來源,青白瓷的起源以及青白瓷的特征等方面對宋代景德鎮(zhèn)青白瓷做一個全方位,多視角的探討。主要內(nèi)容共括五章: 1、緒論。本章主要包含三個部分,青白瓷概說、景德鎮(zhèn)宋代青白瓷研究狀況及特點和本文研究的主要問題。首先,對青白瓷的產(chǎn)生和在中國瓷器發(fā)展系列中的地位和作用進(jìn)行了簡略回顧;其次,就景德鎮(zhèn)宋代青白瓷的基本狀況、主要特點、研究形式、研究成果出版著述和研究的內(nèi)容作了介紹;再次,對本文研究的目的、意義及方法進(jìn)行了闡釋。 2、青白瓷名稱小考。本章共括四部分內(nèi)容,即青白瓷與宋代青白瓷、《諸蕃志》中青白瓷之辨、元明青白瓷、青白瓷與影青瓷。首先,將青白瓷與其它類似瓷器作了簡略比較,并對宋代清白發(fā)展瓷盛況作了介紹;其次,就《諸蕃志》等書中關(guān)于“青白瓷”之說的定性進(jìn)行了討論;第三,分別闡述了元代的青白瓷和明代的影青瓷的發(fā)展;最后,剖析了青白瓷與影青瓷的關(guān)系。 3、宋代景德鎮(zhèn)青白瓷的興起。本章分為三部分,即對青白瓷起源問題的爭論、景德鎮(zhèn)青白瓷的興起、源遠(yuǎn)流長的制瓷史。前先,介紹了有關(guān)青白瓷起源的傳統(tǒng)觀點,提出了與之歧義的青白瓷新起源說,指出河南、安徽、湖北均有早期青白瓷出土;其次,就景德鎮(zhèn)青白瓷興起原因作了分析,豐富的瓷土原料、豐富的水資源和充足的燒瓷燃料構(gòu)成了當(dāng)?shù)氐锰飒毢竦淖匀粭l件;再次,通過回顧景德鎮(zhèn)燒瓷的歷史,揭示其青白瓷得以產(chǎn)生并成就非凡的人為因素。 4、宋代景德鎮(zhèn)青白瓷的特征研究。本章討論了五個方面的問題,即宋代景德鎮(zhèn)青白瓷的記載與出土、宋代景德鎮(zhèn)青白瓷的特征、宋代景德鎮(zhèn)青白瓷的裝飾紋樣、宋代景德鎮(zhèn)青白瓷的裝飾手法、宋代景德鎮(zhèn)青白瓷的裝燒方法。首先,介紹了文獻(xiàn)記載、考古發(fā)掘、國外出土的宋代景德鎮(zhèn)青白瓷;其次,就宋代景德鎮(zhèn)青白瓷的胎釉、造型進(jìn)行了分析,內(nèi)容涉及日常生活用器、藝術(shù)陳設(shè)賞玩和宗教明器神煞三大類別;第三,討論了宋代景德鎮(zhèn)青白瓷的主要裝飾紋樣,包括植物、動物、人物山水及其它紋樣;第四,對宋代景德鎮(zhèn)青白瓷常用的刻劃、印花、剔花、鏤空、釉上加褐彩以及貼塑等裝飾手法作了介紹;第五,闡述了宋代景德鎮(zhèn)青白瓷的裝燒技術(shù)從仰燒裝燒法到覆燒裝燒法的發(fā)展。 5、結(jié)語。本章主要包括三方面,即對全文進(jìn)行概括、重申了自己在各章中的重要觀點、對本研究內(nèi)容的展望。首先重申本研究的目的,概括了自己在各章的重要觀點。其次闡述自己在研究當(dāng)中遇到的困難和遺憾,希望在以后的研究和學(xué)習(xí)中進(jìn)一步拓展、深化。最后提出與此研究有關(guān)的問題。如宋代景德鎮(zhèn)青白瓷的外銷情況;景德鎮(zhèn)青白瓷與周邊地區(qū)青白瓷的關(guān)系等等。希望以此為起點,寄希望于未來,在學(xué)術(shù)之途,不斷追求,不斷進(jìn)步。
[Abstract]:In the Shang Dynasty more than 3500 years ago, China has appeared original porcelain. In the long years, the celadon has always been the mainstream of porcelain production. In the Tang Dynasty, due to the rapid development of the white porcelain, the white porcelain was formed. In the Song Dynasty, the porcelain craft entered its mature development stage. There are five famous kilns and eight kilns, of which the white porcelain kiln, which is the center of Jingdezhen, is the most famous. It is well known for its fine white porcelain, fine technology, white and delicate fetal bone, neat making, transparent glaze, thin and transparent glaze, a fine texture of beautiful jade, and won people "fake jade" and "good translucent jade meticulous jade" Highly appraised. Once it was produced, it was deeply loved by the people of all walks of life at that time, and the kiln houses in all parts of the country followed the burning.
In this paper, from the origin of the name of the white porcelain, the origin of the white porcelain and the characteristics of the white porcelain, this paper makes a comprehensive and multi perspective discussion on the white porcelain of Jingdezhen in the Song Dynasty. The main contents include five chapters.
1, the chapter mainly contains three parts, the outline of white porcelain, the status and characteristics of the study of white porcelain in the Song Dynasty in Jingdezhen, and the main problems in this paper. First, a brief review of the production of white porcelain and its status and role in the development series of Chinese porcelain is briefly reviewed. Secondly, the basic status, main characteristics and research of the white porcelain in the Song Dynasty in Jingdezhen are studied. The form, research results, publications and research contents are introduced; thirdly, the purpose, significance and method of the study are explained.
2, the name of the green white porcelain examination. This chapter includes four parts, that is, white porcelain and the Song Dynasty white porcelain, "Zhubo" and "Zhongqing white porcelain", yuan and Ming white porcelain, white porcelain and shadow celadon. First, the white porcelain and other similar porcelain were briefly compared, and the development of porcelain in the Song Dynasty was introduced. Secondly, on "Zhubo >" and other books about "green" The nature of the "white porcelain" is discussed. Third, the development of the white porcelain in the Yuan Dynasty and the shadow Celadon of the Ming Dynasty are expounded respectively. Finally, the relationship between the white porcelain and the shadow celadon is analyzed.
3, the rise of Jingdezhen white porcelain in the Song Dynasty. This chapter is divided into three parts: the dispute about the origin of the white porcelain, the rise of the white porcelain in Jingdezhen, the long history of porcelain making. First, the traditional viewpoint about the origin of the white porcelain was introduced, and the new origin of the white porcelain was put forward, and the early white porcelain from Henan, Anhui and Hubei was pointed out. Secondly, the reasons for the rise of Jingdezhen white porcelain are analyzed. The rich materials of porcelain clay, rich water resources and abundant porcelain fuel make up the unique natural conditions. Again, by reviewing the history of Jingdezhen porcelain burning porcelain, it reveals that the white porcelain has been produced and achieved remarkable human factors.
4, the characteristics of the Jingdezhen white porcelain in the Song Dynasty. This chapter discusses five aspects, namely the records and unearthed of the Jingdezhen white porcelain in the Song Dynasty, the characteristics of the white porcelain of the Jingdezhen in the Song Dynasty, the decorative patterns of the Jingdezhen white porcelain in the Song Dynasty, the decorative techniques of the white porcelain of the Jingdezhen in the Song Dynasty, and the method of burning the white porcelain of the Song Dynasty. First, the article is introduced. Records, archaeological excavations, and foreign unearthed Jingdezhen white porcelain of the Song Dynasty; secondly, the form of the Song Dynasty Jingdezhen white porcelain fetal glaze, the shape of the analysis, the contents of the daily life, art furnishings and religious clear three categories of God brakes; third, discussed the main decorative patterns of Song Daijing de town blue and white porcelain, including plants, animals, people Material landscape and other patterns; fourth, this paper introduces the decorative techniques of Jingdezhen white porcelain in Song Dynasty, including printing, printing, cutting, hollowing, glaze adding brown color and sticking plastic. Fifth, the development of the burning technology of the Jingdezhen white porcelain in the Song Dynasty is described from the firing method of the invert firing to the overburden firing method.
5, this chapter mainly includes three aspects, that is, to summarize the full text, reiterate the important views of his own chapters and the prospect of the content of this study. First, reaffirm the purpose of this study and summarize the important points of his own in each chapter. Secondly, it expounds the difficulties and regrets that I encountered in the study, and hopes to be in the future research and study. Further expand, deepen, and finally put forward the problems related to this research, such as the export of the Jingdezhen white porcelain in the Song Dynasty, the relationship between the white porcelain of Jingdezhen and the white porcelain in the surrounding areas, and so on. Hope to take this as the starting point for the future, in the academic way, to continue to pursue and step by step.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.3

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 宋東林;;宋元時期景德鎮(zhèn)窯裝燒工藝的研究——景德鎮(zhèn)裝燒工藝研究之一[J];南方文物;2013年02期

相關(guān)碩士學(xué)位論文 前1條

1 孫臣;宋代景德鎮(zhèn)青白瓷紋飾分期研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

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本文編號：1927890