發(fā)布時(shí)間：2018-05-24 04:58

  本文選題：漢畫像石 + 文化淵源��； 參考：《湖北工業(yè)大學(xué)》2010年碩士論文

【摘要】：隨著考古的發(fā)掘,越來越多的漢代隱形藝術(shù)——墓葬藝術(shù)呈現(xiàn)在我們面前,而作為墓葬藝術(shù)的獨(dú)特表達(dá)方式——漢畫像石就被越來越多的人所知曉。宋代清代就有金石學(xué)家關(guān)注并著述,至近現(xiàn)代,漢畫像石藝術(shù)更以其獨(dú)特的魅力,深深吸引了來自海內(nèi)外的專家學(xué)者,并對(duì)其進(jìn)行了深入細(xì)致地研究。 傳統(tǒng)漢畫像石研究常采用四種方法,即金石學(xué)式的研究,考古學(xué)式的研究,文化學(xué)式的研究和藝術(shù)學(xué)式的研究。這其中有的側(cè)重于縱向的歷史發(fā)展過程梳理,研究漢畫像石藝術(shù)的傳承與創(chuàng)新；有得側(cè)重于橫向比較,研究漢畫像石藝術(shù)與中外其他相關(guān)藝術(shù)的異同和獨(dú)特價(jià)值。文化學(xué)式的研究走出金石學(xué)、考古學(xué)對(duì)漢畫像的圖像志的著錄,走向一種宏觀開放的文化學(xué)視野,將所研究的對(duì)象放到漢文化大的背景下。藝術(shù)學(xué)式的研究是從其本身的藝術(shù)形式展開,有的從美術(shù)史的角度給予其定位,有的從藝術(shù)的功能上分析,有的從美術(shù)角度研究其制作工藝、構(gòu)圖、透視等,有的從藝術(shù)風(fēng)格上去探討。 本文試圖從文化角度來分析,以藝術(shù)形態(tài)為著眼點(diǎn),并涉及到社會(huì)學(xué)、美學(xué)、藝術(shù)學(xué)等各個(gè)領(lǐng)域,從而加深我們對(duì)漢畫像石藝術(shù)的理解。第一章是緒論,介紹選題的來源、依據(jù)以及研究方法等。第二章是漢畫像石的界定及類型。第三章從歷史文化淵源去理解漢畫像石藝術(shù)的產(chǎn)生。第四章橫向比較分析我國(guó)不同區(qū)域畫像石藝術(shù)的不同特點(diǎn),第五章是從材質(zhì)及雕刻、圖形、構(gòu)圖、空間等角度去研究其藝術(shù)表達(dá)特點(diǎn)。第六章對(duì)漢畫像石藝術(shù)與兒童畫進(jìn)行比較研究,分析漢畫像石藝術(shù)的思維特征。第七章對(duì)漢畫像石藝術(shù)與古希臘瓶畫藝術(shù)進(jìn)行比較研究,探討東西方裝飾藝術(shù)的差異。最后是結(jié)語部分,對(duì)全文進(jìn)行了總結(jié)。通過對(duì)漢畫像石文化藝術(shù)的研究,一方面學(xué)習(xí)了傳統(tǒng)文化,另一方面其獨(dú)特的審美趣味、靈活多變的表現(xiàn)技法為當(dāng)代藝術(shù)提供了諸多借鑒,是中華民族的藝術(shù)瑰寶。
[Abstract]:With the archaeological excavation, more and more Han Dynasty invisible art-tombs art presented in front of us, and as a unique expression of the art of tombs-Han stone is more and more people know. In the Song Dynasty and Qing Dynasty, the stone scholars paid close attention to and wrote. Until the modern times, the stone relief art of the Han Dynasty has attracted experts and scholars from home and abroad with its unique charm, and has carried on the thorough and meticulous research to it. There are four methods used in the traditional study of stone relief in Han Dynasty, namely, the study of the form of stone and gold, the study of archaeology, the study of literary chemistry and the study of art. Some of them focus on the vertical historical development process to study the inheritance and innovation of the Han stone portrait art; some have focused on horizontal comparison to study the similarities and differences and unique value between the Han stone portrait art and other related art at home and abroad. The study of literary chemistry goes out of the way of petrology and archaeology to the description of the image records of Chinese portraits and moves towards a macroscopic and open view of culturology and puts the object of study under the background of the great Chinese culture. The study of art style is carried out from its own artistic form, some of which are positioned from the angle of art history, some are analyzed from the function of art, and some study its production technology, composition, perspective and so on from the angle of art. Some from the artistic style to explore. This paper attempts to analyze from a cultural point of view, focusing on the artistic form, and involved in sociology, aesthetics, art and other fields, so as to deepen our understanding of the art of stone relief in the Han Dynasty. The first chapter is the introduction, which introduces the source, basis and research methods of the topic. The second chapter is the definition and type of Han stone. The third chapter from the historical and cultural origin to understand the emergence of stone-relief art. The fourth chapter analyzes the different characteristics of stone relief art in different regions of China. The fifth chapter is to study the artistic expression characteristics from the point of view of material and carving, graphics, composition, space and so on. The sixth chapter makes a comparative study on the stone relief art of Han Dynasty and children's painting, and analyzes the thinking characteristics of the stone relief art in the Han Dynasty. The seventh chapter makes a comparative study on the art of stone relief in the Han Dynasty and the art of bottle painting in ancient Greece, and probes into the differences between the decorative arts of the East and the West. The last part is the conclusion, which summarizes the full text. Through the study of the culture and art of stone relief in the Han Dynasty, on the one hand, we have learned the traditional culture, on the other hand, its unique aesthetic taste and flexible performance techniques have provided many references for contemporary art, which is the art treasure of the Chinese nation.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K879.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前7條

1 唐星明;關(guān)于“裝飾”的文化思考[J];西華師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2004年06期

2 殷義祥,丹楓;楚文化的特點(diǎn)及影響[J];吉林大學(xué)社會(huì)科學(xué)學(xué)報(bào);2001年02期

3 李榮梅,曲燕;漢代畫像石的構(gòu)圖藝術(shù)[J];南都學(xué)壇;2003年05期

4 練春海;;論漢代圖像的秩序構(gòu)建[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版);2008年03期

5 張堅(jiān);藝術(shù)意志,傳承與變革──沃林格爾與里格爾[J];新美術(shù);2001年02期

6 張子中;關(guān)于漢畫像石的文化思考[J];煙臺(tái)大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2001年02期

7 姜海犁;現(xiàn)代裝飾與美學(xué)的關(guān)系[J];裝飾;2005年07期

，

本文編號(hào)：1927767