本文選題：唐五代樂器 + 馮暉墓�。� 參考：《陜西師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版)》2014年03期

【摘要】：種類繁多的中外樂器是唐代樂舞繁榮發(fā)展的重要組成部分,對后世影響甚為久遠(yuǎn),尤其對五代影響更為直接。陜西地區(qū)出土的后周馮暉墓彩繪磚雕樂舞圖中拍板、方響、箜篌3種樂器圖像,是中國傳統(tǒng)樂器、外來樂器從唐到五代的流變再現(xiàn),其發(fā)展軌跡與當(dāng)時社會變遷相互映襯。這3種樂器不僅是唐代樂舞的重要組成,也是上承唐韻、下啟宋風(fēng)中極為重要的中間環(huán)節(jié),其史學(xué)價值、藝術(shù)價值不言而喻。
[Abstract]:The variety of Chinese and foreign musical instruments is an important part of the prosperous development of Tang Dynasty music and dance, which has a long influence on later generations, especially on the five dynasties. The pictures of three kinds of musical instruments, such as clapboard, square ring and harp, unearthed from Fenghui Tomb of Houzhou in Shaanxi Province, are Chinese traditional musical instruments. The foreign musical instruments have changed and reappeared from Tang to five dynasties. The development of these instruments contrasts with the social changes at that time. These three kinds of musical instruments are not only the important composition of Tang Dynasty music and dance, but also the very important intermediate link in Tang rhyme and the lower Qi and Song style. The historical value and artistic value of these three musical instruments are self-evident.
【作者單位】： 陜西師范大學(xué)音樂學(xué)院;
【基金】：教育部人文社會科學(xué)研究規(guī)劃基金項(xiàng)目(12YJA760026) 陜西省社會科學(xué)基金項(xiàng)目(13J074) 陜西師范大學(xué)人文社會科學(xué)研究基金重點(diǎn)項(xiàng)目(09SZD05)
【分類號】：K879

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 ;西安東郊唐蘇思R啄骨謇砑蟣╗J];考古;1960年01期

2 ;唐昭陵李，

本文編號：1876682