本文選題：重慶庫區(qū) + 漢晉時(shí)期��； 參考：《重慶師范大學(xué)》2013年碩士論文

【摘要】：重慶在先秦時(shí)期曾是古巴國的國都,兩漢時(shí)期隸屬于益州刺史部,東漢滅亡后為蜀漢之地,西晉時(shí)隸屬梁州刺史部,后巴氐族在此地建立成漢政權(quán),后被東晉朱溫所滅,隸屬于東晉。漢晉政權(quán)對(duì)當(dāng)時(shí)的巴蜀地區(qū)進(jìn)行了長期的有效統(tǒng)治和開發(fā)經(jīng)營,使得當(dāng)?shù)匚幕谌氲搅私y(tǒng)一的漢文化系統(tǒng)之中。漢晉時(shí)期巴蜀地區(qū)經(jīng)濟(jì)的發(fā)達(dá),物產(chǎn)豐富,人民生活富足,表現(xiàn)在人民生時(shí)追求享受,縱情享樂,死后信奉“視死如生”的觀念,流行厚葬。陶俑作為隨葬品隨葬在墓室中,一方面象征能繼續(xù)侍奉墓主人,另一方面或許是有其他宗教意義�？傊�,隨葬陶俑這一習(xí)俗一直盛行于漢晉及以后時(shí)期。自20世紀(jì)90年代以來,伴隨著三峽工程的建設(shè),重慶三峽庫區(qū)大量的文物古跡被發(fā)掘和整理。在眾多的漢晉時(shí)期墓葬中,出土了大量的隨葬器物,其中包括了形式多樣的陶俑,本文研究的主要為人物俑。本文主要采用分類法和考古類型學(xué)的方法,將考古發(fā)掘資料與歷史文獻(xiàn)相結(jié)合,首先從重慶庫區(qū)漢晉時(shí)期墓葬中陶俑的發(fā)現(xiàn)和分布情況入手,從考古資料出發(fā),將本地區(qū)的陶俑按照各自的形制進(jìn)行分類,主要分為侍俑、歌舞樂伎俑、生活俑、武士俑、文官俑及其他這六大類,并依此對(duì)這幾類陶俑進(jìn)行介紹;其次,按照陶俑的發(fā)展變化和特點(diǎn),將漢晉時(shí)期出土的陶俑分為西漢時(shí)期、新莽——東漢早期、東漢中晚期和蜀漢——晉這四個(gè)時(shí)期進(jìn)行討論,清理出陶俑從興起到盛行到衰落這樣一個(gè)過程;最后,本文從本地陶俑的制作、模件體系、搭配組合以及歌舞樂伎俑與漢晉社會(huì)生活這兩個(gè)方面進(jìn)行了討論,本地陶俑在大量模制的情況下有自己的模件體系,并以搭配組合的方式進(jìn)行著商品流通,看出當(dāng)時(shí)社會(huì)的習(xí)俗與市場情況;并且從本地區(qū)流行隨葬的歌舞樂伎俑這一情況,看出歌舞音樂在當(dāng)時(shí)社會(huì)的日常生活與祭祀活動(dòng)中的重要性。通過對(duì)重慶庫區(qū)漢代及魏晉時(shí)期墓葬中出土的陶俑資料進(jìn)行研究和分類,試著對(duì)這一地區(qū)陶俑的發(fā)展脈絡(luò)和發(fā)展關(guān)系進(jìn)行一個(gè)初步的探究,從而來了解這一時(shí)期的社會(huì)文化形態(tài)。
[Abstract]:Chongqing was the capital of Cuba in the pre-Qin period. During the Han Dynasty, it was attached to the Ministry of the History of Yizhou thorns. After the death of the Eastern Han Dynasty, it was the land of the Shu Han Dynasty. At the time of the Western Jin Dynasty, it was attached to the Department of the History of the thorns of Liang Zhou. The later Di Ba people established a Han regime here, which was later destroyed by Zhu Wen of the Eastern Jin Dynasty. Subordinate to the Eastern Jin Dynasty. The regime of Han and Jin dynasties ruled and developed the Bashu area for a long time, so that the local culture was integrated into the unified Han culture system. During the Han and Jin dynasties, the economic development, rich products and rich life of the people in Bashu area were manifested in the pursuit of enjoyment and indulgence in the life of the people. After death, they believed in the concept of "taking death as life" and popular burial. The terracotta warriors are buried in tombs as burial objects, symbolizing the continued service of the tomb owners and perhaps other religious significance. In short, the custom of burial pottery figures has been prevalent in the Han and Jin dynasties and later periods. Since the 1990s, with the construction of the three Gorges Project, a large number of cultural relics and monuments have been excavated and sorted out in the three Gorges Reservoir area of Chongqing. In many tombs of the Han and Jin dynasties, a large number of funerary objects were unearthed, including a variety of pottery figurines. This article mainly adopts the taxonomy and the archaeological typology method, unifies the archaeological excavations data and the historical literature, starts with the discovery and distribution of the pottery figures in the Han and Jin dynasties in Chongqing reservoir area, and starts from the archaeological data. The pottery figurines in this area are classified according to their own shapes, and are mainly divided into six categories, namely, the waiting figurines, the Kabuki figures, the life figures, the terracotta warriors, the civil figures and other categories, and then introduces these types of terracotta figures; secondly, According to the development and characteristics of the pottery figurines, the pottery figures unearthed in the Han and Jin dynasties are divided into four periods: the Western Han Dynasty, the New Mang early Eastern Han Dynasty, the Middle and late Eastern Han Dynasty and the Shuhan-Jin period. Finally, this paper discusses the production, module system, collocation and combination of the pottery figurines, as well as the kabuki figurines and the social life of the Han and Jin dynasties. The local terracotta warriors have their own modular system under a large number of moulding conditions, and they are circulating goods in the form of combinations, which shows the customs and market conditions of the society at that time; and from this situation, the popular kabuki figures of burial in this area are popular. The importance of song and dance music in the daily life and sacrificial activities of the society at that time was seen. Based on the study and classification of the pottery figures unearthed in the Han Dynasty and Wei and Jin dynasties in Chongqing Reservoir area, this paper tries to make a preliminary inquiry into the development context and relationship of the pottery terracotta figures in this area. In order to understand this period of social and cultural patterns.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：K876.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王麗芬;;從洛陽漢代樂舞俑看漢代俗樂[J];中原文物;2006年03期

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本文編號(hào)：1863829