本文選題：康侯■ + 西周成王��； 參考：《中國國家博物館館刊》2017年04期

【摘要】：西周成王時期的金文章法雖然因襲商代末年,即從右至左、自上而下的行文縱勢,且兼顧文字之間錯落的規(guī)整,但其中在族氏徽號、字列方向及視讀平面形狀等方面出現(xiàn)了一些新的變化,布局愈加規(guī)整,尤為注重視覺之美。這一時期的金文用字在整體上較此前更為勻稱、協(xié)調(diào),有利于發(fā)揮書寫時勢能的上下承接,保證通篇文字氣息的連貫。商代末年產(chǎn)生的"捺"劃,在西周成王時期的有關金文中波磔幅度加大,從而使這一時期的字形略有加寬,氣勢開張。西周成王時期金文多數(shù)為規(guī)范書體,少數(shù)為急就書體;同時,這一時期的金文結(jié)體少數(shù)左低右高,成"欹側(cè)之勢";而多數(shù)金文則如《禽》、《何尊》及《獻侯鼎》等篇,書體端正,以正面視人,莊重沉穩(wěn),導后世篆法之風。總體而言,在西周成王時期的金文中,存在新派與舊派之別。
[Abstract]:Although the rules of the Jin Dynasty of the Western Zhou Dynasty were inherited from the last years of the Shang Dynasty, that is, from right to left, from the top to the bottom, and took into account the regularity of the disorder between the characters, they were in the clan of Huizhou. Some new changes have taken place in the direction of the word column and the shape of the visual reading plane. The layout is more regular, especially the beauty of vision. In this period, the characters of Jin Wen are more symmetrical and coordinated than before, which is beneficial to the development of the potential energy and the continuity of the whole text. At the end of Shang Dynasty, the stroke of "Na" was enlarged in the relevant Jin prose of the Western Zhou Dynasty, which made the shape of this period slightly wider and the momentum opened. In the period of the Western Zhou Dynasty, most of the Jin texts were normative, and a few were in the form of hasty calligraphy. At the same time, a few of the Jinwen bodies in this period were low left and right high, forming the tendency of "interjection." and most of the Jin texts, such as "Poultry", "he Zun" and "Xianhou Ding", were correct. With a positive view of people, solemn calm, lead the wind of the seal seal law. In general, there are differences between the New School and the Old School in the Jin Wen of the Western Zhou Dynasty.
【作者單位】： 中國國家博物館;
【分類號】：K877.3

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本文編號：1820830