本文選題：吐魯番 + 史前�。� 參考：《新疆師范大學(xué)》2010年碩士論文

【摘要】：本文以吐魯番地區(qū)史前墓地出土彩陶為研究的基本材料,以類型學(xué)和新疆特殊的考古地層學(xué)為研究方法,對吐魯番史前彩陶進行了比較分析,并其彩陶對鄰近地區(qū)的影響進行了探討。在吐魯番史前墓葬當中,洋海墓地出土的彩陶數(shù)量最大,因此作為本文的分析重點。通過劃分洋海彩陶的不同類、型、式,揭示出洋海彩陶的興起、發(fā)展、衰落的過程;展示了洋海彩陶器形和花紋的鮮明特點。通過對吐魯番史前其他的墓地出土彩陶與洋海墓地彩陶的對比分析,結(jié)合考察吐魯番其他史前墓葬與洋海墓葬之間的異同點,提出蘇貝希文化是從早期的洋海類型到晚期的蘇貝希類型的發(fā)展順序,并揭示了與其他青銅時代彩陶文化之間既相互影響又各自獨立發(fā)展的情況。 本文運用考古學(xué)文化的理論,分析了以洋海類型為代表的蘇貝希文化早期彩陶特點。通過對吐魯番史前墓地出土彩陶的分析,廓清了沿天山地區(qū)彩陶傳播的基本線路和彩陶在吐魯番地區(qū)存在的時間是從青銅時代一直延續(xù)到早期鐵器時代,并認為之所以吐魯番史前彩陶沒有全盤接受來自東面的影響主要是因為吐魯番綠洲獨特的自然環(huán)境條件導(dǎo)致的生產(chǎn)生活方式的特殊性,這些展現(xiàn)在彩陶上則表現(xiàn)出獨特的地域性審美特征。對吐魯番史前時期的彩陶的研究,證明中國史前文明的源頭不獨在西方,還有中國本土的影響。由彩陶之路,中原的文明向西北發(fā)展給邊遠地區(qū)的新疆史前文化注入了新的活力,造就了新疆史前文化的豐富多彩,同時也表明彩陶之路在漢代以前就已經(jīng)發(fā)揮了作用,新疆與中亞和中國內(nèi)地的聯(lián)系也可以追溯到更早的青銅時代,使得東西方的早期文化交流獲得了加速;這也再次證明中國史前文化的統(tǒng)一性與多樣性。
[Abstract]:Taking the prehistoric pottery unearthed in Turpan area as the basic material, taking typology and the special archaeological stratigraphy of Xinjiang as the research method, this paper makes a comparative analysis of the prehistoric painted pottery in Turpan. The influence of the painted pottery on the adjacent areas is also discussed. Among the prehistoric tombs in Turpan, the quantity of painted pottery unearthed in Yanghai Cemetery is the largest. By dividing the different types, types and patterns of Yanghai painted pottery, the rise, development and decline of Yanghai painted pottery are revealed, and the distinctive characteristics of the shape and pattern of Yanghai painted pottery are shown. Based on the comparative analysis of colored pottery unearthed in other prehistoric tombs in Turpan and the colored pottery in Yanghai cemetery, the similarities and differences between other prehistoric tombs in Turpan and those in Yanghai are investigated. It is put forward that Subashi culture is the order of development from the early ocean type to the late Subashi type, and it also reveals the mutual influence and independent development between Subashi culture and other bronze age painted pottery cultures. Based on the theory of archaeological culture, this paper analyzes the characteristics of early painted pottery in Subashi culture, represented by the type of ocean. Through the analysis of the colored pottery unearthed in Turpan prehistoric cemetery, the basic route of the spread of painted pottery along the Tianshan Mountains and the time of its existence in the Turpan area were clarified, from the Bronze Age to the early Iron Age. And think that the reason why the Turpan prehistoric painted pottery did not accept the influence from the east is mainly because of the particularity of the production and life style caused by the unique natural environment conditions in Turpan oasis. These show unique regional aesthetic characteristics on the painted pottery. The study of painted pottery in Turpan prehistoric period proves that the origin of Chinese prehistoric civilization is not only in the West, but also in China's native influence. From the road of painted pottery, the development of the civilization of the Central Plains to the northwest injected new vitality into Xinjiang prehistoric culture in remote areas, created the rich and colorful prehistoric culture of Xinjiang, and also showed that the road of painted pottery had already played a role before the Han Dynasty. Xinjiang's links with Central Asia and the mainland of China can also be traced back to the earlier Bronze Age, which accelerated the early cultural exchanges between the East and the West, which once again proved the unity and diversity of Chinese prehistoric culture.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.3

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本文編號：1820657