本文選題：兩廣 + 漢代　； 參考：《廣西師范大學》2014年碩士論文

【摘要】：燈具作為人們?nèi)粘Ｉ畹谋匦杵?除了具有照明功能外,還具有裝飾美化環(huán)境等功能,在社會文化發(fā)展方面扮演著重要的角色。漢代是我國燈具發(fā)展的第一個高峰期,盡管是地處南方邊陲的兩廣地區(qū),漢代燈具也有很大的發(fā)展。兩廣地區(qū)燈具出現(xiàn)晚,最早見于西漢早期,西漢中期以后逐漸增多。在中原文化的影響之下,這一地區(qū)也生產(chǎn)出了造型獨特、形象生動、工藝高超、科技含量高的燈具,堪稱藝術精品。在考古發(fā)現(xiàn)的基礎上,對這些燈具進行考古學研究,不僅對于我們了解這一地區(qū)燈具的發(fā)展、社會生活、思想文化以及科技水平有著重大的意義,而且對于我們研究我國燈具發(fā)展史、漢代的工藝美術史、思想文化史、社會生活史、科技史,甚至是對現(xiàn)今社會都有著重大的意義。 本文收集目前已見于考古報告的兩廣出土漢代燈具185件,主要為墓葬出土,運用考古類型學方法對兩廣地區(qū)漢代燈具加以詳細分析,結合歷史文獻記載,分析漢代兩廣地區(qū)燈具所折射的社會生活情況,并將燈具與歷史學、藝術學、美學等多學科知識相結合,借以窺探其所承載的重要價值。全文內(nèi)容共分為六個部分：第一部分,前言,主要闡述本篇論文的選題緣由及意義,對國內(nèi)外關于兩廣漢代燈具的研究情況加以說明；第二部分,介紹兩廣地區(qū)漢代燈具的考古發(fā)現(xiàn)情況,并從空間和時間角度分析兩廣漢代燈具的分布情況；第三部分,為本文重點,從材質、功能、造型等方面對兩廣漢代燈具進行分類研究,了解其發(fā)展演變規(guī)律,歸納兩廣漢代燈具的區(qū)域特點；第四部分,將兩廣漢代燈具與中原漢代燈具進行多方面比較,分析它們的相同和不同之處；第五部分,主要論述兩廣漢代燈具所反映的社會生活,通過對燈具功能的分析,了解漢代燈具在日常生活、社會地位、社會政治等方而所處的重要位置,并探討其科學技術與工藝美術價值,揭示燈具的社會文化內(nèi)涵；第六部分,結語,總結全文。
[Abstract]:As a necessity of daily life, lamps and lanterns not only have the function of lighting, but also have the function of decorating and beautifying the environment, which plays an important role in the development of social culture. Han Dynasty was the first peak period of lamps and lanterns development in China. Liangguang region lamps appeared late, first seen in the early Western Han Dynasty, after the Western Han Dynasty gradually increased. Under the influence of the Central Plains culture, this area also produced the unique shape, vivid image, superb craft, high scientific and technological content of lamps and lanterns, which can be regarded as fine works of art. On the basis of archaeological discoveries, archaeological research on these lamps and lanterns is not only of great significance for us to understand the development of lamps and lanterns in this area, social life, ideology and culture, as well as the level of science and technology. Moreover, it is of great significance for us to study the history of lamps and lanterns in China, the history of arts and crafts, the history of ideology and culture, the history of social life, the history of science and technology, and even the present society. This paper collects 185 lamps and lanterns unearthed in Han Dynasty, mainly for tombs, which have been found in archaeological reports at present, and makes a detailed analysis of lamps and lanterns of Han Dynasty in Liangguang region by means of archaeological typology, combined with historical records. This paper analyzes the social life refraction of lamps and lanterns in the Han Dynasty, and combines them with the knowledge of history, art, aesthetics and so on, in order to explore the important value they carry. The full text is divided into six parts: the first part, the preface, mainly expounds the reason and significance of this paper, and explains the domestic and foreign research on lamps and lanterns in the Han Dynasty. This paper introduces the archaeological discovery of lamps and lanterns in Han Dynasty in Liangguang-Guangzhou area, and analyzes the distribution of lamps and lanterns in Han Dynasty from the angle of space and time. The modeling and other aspects of the Liangguang Han Dynasty lamps classification study, understand its development and evolution law, summed up the regional characteristics of Liangguang Han Dynasty lamps and lanterns; part IV, Liangguang Han Dynasty lamps and lanterns and the Central Plains Han Dynasty lamps and lanterns are compared in many ways. The fifth part mainly discusses the social life reflected by lamps and lanterns in the Han Dynasty, and through the analysis of the functions of lamps and lanterns, we can understand the status of lamps and lanterns in the daily life and society in the Han Dynasty. The important position of social politics and so on, and discusses its science and technology and arts and crafts value, reveals the social and cultural connotation of lamps and lanterns; the sixth part, the conclusion, summarizes the full text.
【學位授予單位】：廣西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K875.2

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