本文選題：關(guān)中 + 北朝　； 參考：《西安美術(shù)學(xué)院》2017年碩士論文

【摘要】：本文在搜集了關(guān)中地區(qū)34座隨葬有陶俑的北朝墓葬的基礎(chǔ)上,運(yùn)用考古類型學(xué)的方法,對(duì)關(guān)中北朝陶俑進(jìn)行了分類、分期討論,并結(jié)合相關(guān)的前人研究成果,對(duì)關(guān)中北朝陶俑的源流進(jìn)行了論述。根據(jù)墓葬紀(jì)年的不同,首先將關(guān)中北朝陶俑劃分成了四個(gè)時(shí)期:一期即十六國(guó)晚期至北魏早期、二期北魏中晚期、三期西魏時(shí)期、四期北周時(shí)期,并按照分期進(jìn)行了資料的梳理。其次,在分期的基礎(chǔ)上,對(duì)關(guān)中北朝陶俑進(jìn)行了類型學(xué)分析,并總結(jié)了期別特征。十六國(guó)晚期至北魏早期的陶俑群,主要沿襲了十六國(guó)時(shí)期陶俑群的規(guī)制,并且受到了外來因素的影響,其中鮮卑色彩濃厚。北魏中晚期陶俑群呈現(xiàn)出漢化的趨勢(shì),但仍殘留有鮮卑人的特征。西魏時(shí)期陶俑群一改北魏以來的風(fēng)格,在繼承了北魏陶俑群固定組合和類型的基礎(chǔ)上,陶俑體量變小,造型逐漸粗胖,呈現(xiàn)出了北周陶俑群的特征。北周時(shí)期陶俑群延續(xù)了北魏、西魏時(shí)期的規(guī)制,但俑群中的甲騎具裝俑、儀仗武士俑的數(shù)量卻大量增加,軍事武裝氣氛濃厚。最后在綜合分析了關(guān)中北朝陶俑組合、類型、時(shí)代特征的基礎(chǔ)上,探討了關(guān)中北朝陶俑群對(duì)魏晉十六國(guó)時(shí)期陶俑的繼承與對(duì)隋代陶俑群的影響,并對(duì)其藝術(shù)特色進(jìn)行了分析。
[Abstract]:On the basis of collecting 34 tombs with pottery terracotta figures buried in Guanzhong area, this paper classifies and discusses the pottery figurines of the Northern Dynasty in Guanzhong by using archaeological typology, and combines the related previous research results. The origin and course of pottery figurines in Guanzhong and Northern dynasties were discussed. According to the different years of burial, the pottery figurines of Guanzhong and Northern dynasties are divided into four periods: the first period is from the late 16th State to the early Northern Wei Dynasty, the second period is the middle and late Northern Wei Dynasty, the third period is the Western Wei Dynasty, and the fourth period is the Northern Zhou Dynasty. And according to the period of data combing. Secondly, on the basis of stages, the terracotta figures of the Northern Guanzhong Dynasty were analyzed in typology, and the characteristics of the period were summarized. The pottery figurines of the late period of sixteen states to the early period of Northern Wei mainly follow the regulations of the group of pottery figurines in the period of sixteen Kingdoms, and are influenced by external factors, among which Xianbei color is strong. The middle and late Northern Wei Dynasty pottery figurines showed the trend of Sinicization, but still remained the characteristics of Xianbei people. On the basis of inheriting the fixed combination and type of the pottery figurines in the Northern Wei Dynasty, the figurines become smaller and the shapes are gradually thick and fat, showing the characteristics of the pottery figurines of the Northern Zhou Dynasty. In the Northern Zhou Dynasty, the pottery figurines continued the regulations of the Northern Wei Dynasty and the Western Wei Dynasty, but the number of the figurines in the figurines increased greatly and the atmosphere of military forces was strong. Finally, on the basis of the comprehensive analysis of the combination, type and age characteristics of the pottery figures of the Northern Guanzhong Dynasty, this paper probes into the inheritance of the pottery figurines of the Northern dynasties of the Guanzhong dynasties to the pottery figures of the Wei and Jin dynasties and their influence on the pottery figurines of the Sui Dynasty, and analyzes their artistic characteristics.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：K876.3

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本文編號(hào)：1810818