本文選題：貴霜 + 漢代�。� 參考：《民族藝術(shù)》2017年04期

【摘要】：以貴霜錢幣為代表的貴霜藝術(shù)同漢畫像為代表的漢代藝術(shù)具有宗教美術(shù)上的重要聯(lián)系。貴霜帝國(guó)錢幣正面是國(guó)王像,背面是希臘、印度、伊朗不同宗教的眾神像,反映了貴霜人的信仰與藝術(shù)。隨著絲綢之路繁榮,貴霜胡人大量入華,貴霜錢幣之藝術(shù)母題也隨之進(jìn)入中國(guó),為漢畫像帶來了新風(fēng)。從貴霜錢幣上眾多神yG像與漢畫像關(guān)聯(lián)的五個(gè)案例可知,貴霜錢幣圖像為漢畫像藝術(shù)提供了豐富的養(yǎng)分,對(duì)漢代佛教與早期道教美術(shù)有一定的影響。東漢入華的貴霜胡僧是這一影響的主要傳播者。
[Abstract]:The art of expensive frost represented by expensive frost coin has an important connection with the art of Han Dynasty, which is represented by the portrait of Han Dynasty. The head of your Frost Empire coin is a statue of the King, the back of which is a statue of Greek, Indian, and Iranian gods of different religions, reflecting the belief and art of the Cream people. Along with the prosperity of the Silk Road, the people of Guizhou Frost Hu entered China in large numbers, and the art motif of expensive Frost coins also came into China, which brought new wind to the Han portraits. From the five cases in which many YG images of gods are associated with the Han portraits, it can be seen that these images provide rich nutrients for the art of Han portraits, and have a certain influence on Buddhism and early Taoist art in the Han Dynasty. The East Han Dynasty's precious Frost Hu monk was the main communicator of this influence.
【作者單位】： 華東師范大學(xué)美術(shù)學(xué)院;
【基金】：2014年國(guó)家社科基金一般項(xiàng)目“秦漢神仙信仰與近年考古圖像的圖文關(guān)系研究(14BZW041)”階段性成果
【分類號(hào)】：J19;K86

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