本文選題：明代官式彩畫 + 梁檁枋　； 參考：《故宮博物院院刊》2016年04期

【摘要】：明代官式彩畫在中國彩畫發(fā)展史上取得了突出的藝術(shù)成就,惜遺存數(shù)量稀少,幸北京紫禁城內(nèi)集中保留有一批重要的明代彩畫,主要分布在二十余處不同類型的官式建筑中。這部分彩畫形制規(guī)范,制作精良,是明代官式彩畫非常重要的實物例證,也是唯一能較全面體現(xiàn)明代官式彩畫歷史演變軌跡的珍貴遺產(chǎn)。以大木構(gòu)件梁檁枋彩畫為例,其大線輪廓造型、找頭的花瓣與花心紋飾、盒子紋飾于明代不同時期表現(xiàn)出不同的特征,將這些彩畫的構(gòu)圖與紋飾的形制特征進行年代排列后,可推測彩畫的演變規(guī)律,并據(jù)此粗略將紫禁城明代大木構(gòu)梁檁枋彩畫分為早⺌永樂-弘治⺗、晚⺌正德-崇禎⺗兩個時期。該課題完善了明代官式彩畫的整體性研究。
[Abstract]:The official color painting of Ming Dynasty has made outstanding artistic achievements in the history of the development of Chinese color painting, and the number of remains is rare. Fortunately, there are a number of important Ming Dynasty color paintings concentrated in the Forbidden City of Beijing, mainly distributed in more than 20 different types of official buildings. It is a very important example of official color painting in Ming Dynasty, and it is the only precious heritage that can fully reflect the historical evolution of official color painting in Ming Dynasty. Take the large wood member Liang Fang Fang color painting as an example, its big line outline modelling, the petal and the flower center pattern of the change, the box decoration displays the different characteristic in the different period of Ming Dynasty, after the composition and the pattern characteristic of these color paintings are arranged in the age, Can infer the evolution of color painting, and based on this rough Forbidden City Ming Dynasty large wooden beam purlin Fang color painting divided into early? Yongle-Hongzhi, late? Zhengde-Chongzhen? Two periods. This topic consummates the whole research of official color painting in Ming Dynasty.
【作者單位】： 故宮博物院古建部;
【基金】：2012.9-2015.12文化部課題12DG31《明代官式彩畫研究—以紫禁城為例》的部分研究成果 故宮博物院研究課題資金資助
【分類號】：K879.4
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本文編號：1789488