本文選題：漆鼎 + 戰(zhàn)國至西漢�。� 參考：《中央美術(shù)學(xué)院》2011年碩士論文

【摘要】：漆鼎出現(xiàn)并流行于戰(zhàn)國至西漢時期,是該時期具有特殊意義的器物。本文從考古出土的材料入手,結(jié)合思想史、社會史的研究成果,分析漆鼎產(chǎn)生的原因、功能、意義等問題。首先,漆鼎的存在與人們對鼎的內(nèi)涵、意義與功能的認識有關(guān)。這一認識與觀念在歷史上的演進過程都直接反映在鼎的材料變化、功能使用上,社會的變革包括經(jīng)濟發(fā)展、社會等級、生活習俗、喪葬習俗等則影響了漆鼎的使用是否合理、能否持久。其次,影響漆鼎產(chǎn)生的因素也在一定程度上左右了漆鼎的功能和意義,尤其是以諸侯王為代表的社會上層,漆鼎存在于生活、祭祀和喪葬中,多樣性的功能隨之出現(xiàn),而其意義則與社會地位、個人財富及喪葬制度相聯(lián)系。再次,漆鼎隨著墓主等級和墓葬年代的變化而變化,其中胎骨材質(zhì)的變化使陶胎漆鼎打破原有的單一材質(zhì)禮器組合,更多的是作為鼎的“象征”出現(xiàn)在墓葬中,而不隸屬于某類材質(zhì)禮器,這也是鼎的權(quán)力意義和等級之間仿效的結(jié)果。對于漆鼎的研究,需要回到當時的社會大背景之下,而且只有這樣才能將漆鼎作最為客觀的分析。
[Abstract]:The appearance of lacquer tripod and its popularity during the warring States period to the Western Han Dynasty were of special significance.Starting with the materials unearthed in archaeology and combining with the research results of the history of thought and social history, this paper analyzes the causes, functions and significance of the lacquer tripod.Firstly, the existence of lacquer tripod is related to people's understanding of its connotation, meaning and function.The evolution of this understanding and concept in history is directly reflected in the material changes and functional use of the tripod. Social changes include economic development, social class, living customs, funeral customs, etc., which affect whether the use of the tripod is reasonable or not.Can it last?Secondly, the factors that affect the production of the lacquer tripod also influence to some extent the function and significance of the lacquer tripod, especially the upper layer of the society represented by the kings of the throne, which exists in life, sacrifices and funerals, and the functions of diversity appear along with it.Its significance is related to social status, personal wealth and funeral system.Thirdly, the lacquer tripod changed with the change of the gradation of the tomb and the age of the tomb, in which the change of the material of the foetus made the pottery tripod break through the original single material ritual ware combination, and more often as the symbol of the tripod, it appeared in the tomb.It is also the result of emulation between the power meaning and rank of tripod.The research of the lacquer tripod needs to return to the social background of that time, and only in this way can the lacquer tripod be the most objective analysis.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876

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