本文選題：墓門門砧石獅 + 造型　； 參考：《西北大學(xué)》2010年碩士論文

【摘要】： 自獅子傳入中國始,獅子的各種造型便出現(xiàn)在了人們生活的各個方面。石墓門出現(xiàn)在西漢武帝前后,隨著墓葬制度的發(fā)展及古人“事死如事生”的觀念的加強,墓門的設(shè)置越來越精細。北朝至隋唐時期,有的墓葬中將墓門門砧雕成獅子狀,這在此時期的墓葬中占有一定的比重。這些門砧石獅基本分布在黃河中下游,并呈現(xiàn)出一定的地域特征。文章按照考古類型學(xué)的方法,依據(jù)石獅站立的不同形態(tài),將北朝至隋唐時期的門砧石獅分成了三型。同時,又依據(jù)石獅類型的地域特征,將他們分成了關(guān)中和關(guān)東兩個區(qū)域,而這兩個區(qū)域的分布范圍又大致和北朝時期東魏-北齊,西魏-北周的疆域范圍相接近。根據(jù)文獻和考古資料,本文對中國獅子的源流進行了闡述,并認為,在此時期的墓葬中,門砧最先是石虎的形態(tài),隨著佛教的流行,其又演變成石獅的形態(tài),最終,在唐初,門砧上圓雕的石獅演化成了線刻的獅子或者其他獸面圖案。同時又認為,獅子的蹲坐狀造型是印度佛教中獅子的典型造型。隨著佛教的傳入,這種造型最終傳播到了中國,從而影響了門砧石獅的造型。文章還認為,粟特人墓葬中出現(xiàn)的門砧石獅是粟特人墓葬漢化的結(jié)果。
[Abstract]:Since the introduction of lions into China, the various shapes of lions have appeared in all aspects of people's lives.The stone tomb door appeared before and after the Western Han Dynasty Emperor Wudi. With the development of the tomb system and the strengthening of the ancients' idea of "serving death as life", the setting of the tomb door became more and more delicate.From the Northern Dynasty to the Sui and Tang dynasties, some tombs carve the door anvil into lions, which occupies a certain proportion in this period.These stone lions are distributed in the middle and lower reaches of the Yellow River and show certain regional characteristics.According to the method of archaeological typology and according to the different forms of standing stone lions are divided into three types from the Northern Dynasty to the Sui and Tang dynasties.At the same time, according to the regional characteristics of the stone lions, they were divided into Guanzhong and Guandong regions, and the distribution of the two regions was similar to that of the Eastern Wei and Northern Qi dynasties and the Western Wei and Northern Zhou dynasties during the Northern Dynasty.According to the literature and archaeological data, this paper expounds the origin and stream of Chinese lions, and holds that in the tomb of this period, the first anvil was the form of stone tiger, and with the popularity of Buddhism, it evolved into the form of stone lion, and finally, in the early Tang Dynasty, it became the form of stone lion.The stone lion carved on the anvil evolved into a line-carved lion or other animal-faced pattern.At the same time, it is believed that the crouching shape of lions is typical of lions in Indian Buddhism.With the introduction of Buddhism, this shape eventually spread to China, thus affecting the stone lion anvil shape.It is also considered that the appearance of the stone lion on the portal anvil is the result of the localization of the tomb.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K878.8

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 趙映奎;唐代順陵石獅造型藝術(shù)特色初探[D];西安美術(shù)學(xué)院;2011年

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本文編號：1751637