本文選題：明清 + 彩瓷�。� 參考：《景德鎮(zhèn)陶瓷學(xué)院》2012年碩士論文

【摘要】：中國(guó)的陶瓷文化有著悠久的歷史，從早期新石器時(shí)代的紅陶、灰陶、黑陶，到東漢時(shí)期的青瓷，及伴隨著陶瓷工藝的進(jìn)一步發(fā)展，兩晉南北朝時(shí)期開(kāi)始產(chǎn)生黑瓷、白瓷等，至唐代全國(guó)已經(jīng)形成了“南青北白”的局面，瓷業(yè)發(fā)展至宋朝時(shí)期，各種青白瓷及色釉瓷器的燒制已趨于成熟。陶瓷工藝的發(fā)展及成熟，為陶瓷裝飾技術(shù)的進(jìn)一步發(fā)展提供了可能。明清時(shí)期，各種釉上彩瓷及釉中、釉下彩繪瓷開(kāi)始大量出現(xiàn)，并得到迅速發(fā)展，“南青北白”的瓷業(yè)局面開(kāi)始被打破，，彩瓷逐漸成為了瓷器發(fā)展的主流，各種絢麗多彩的彩瓷占據(jù)并引領(lǐng)了陶瓷的發(fā)展方向。這不僅僅與當(dāng)時(shí)陶瓷工藝的發(fā)展有關(guān)，伏根于中國(guó)人內(nèi)在文化需要的民族審美因素更是這場(chǎng)瓷器審美變化的內(nèi)在成因。它與瓷器裝飾形式相結(jié)合，成為了明清時(shí)期釉上彩瓷產(chǎn)生及發(fā)展繁榮的動(dòng)力。 本文以明清時(shí)期所燒制的彩瓷作為研究的基礎(chǔ)材料，收集國(guó)內(nèi)各地墓葬、窯藏及博物館資料，將明清彩瓷按其主要類別進(jìn)行色彩歸類列表，以研究由素色向彩色的演變的原因及其色彩演變的規(guī)律。力圖全面揭示明清彩瓷色彩演變的內(nèi)在文化及心理成因。對(duì)明清彩瓷的研究不再僅停留在技術(shù)層面，而更多的探討我國(guó)傳統(tǒng)的色彩審美心理及民俗思想上，即明清釉上彩瓷從產(chǎn)生到發(fā)展繁榮整個(gè)過(guò)程中蘊(yùn)含的內(nèi)在思想文化等諸因素的深入探析。
[Abstract]:China's ceramic culture has a long history, from the early Neolithic red pottery, gray pottery, black pottery, to the Eastern Han Dynasty celadon, and with the further development of ceramic technology, the Northern and Southern dynasties began to produce black porcelain, white porcelain, etc.By the Tang Dynasty, the whole country had formed the situation of "the south, green and north white", and the porcelain industry developed to the Song Dynasty, and the firing of all kinds of celadon and glazed porcelain had matured.The development and maturity of ceramic technology provide the possibility for the further development of ceramic decoration technology.During the Ming and Qing dynasties, a large number of painted glaze porcelain began to appear and developed rapidly. The situation of porcelain industry in "Southern Qing and Northern White" began to be broken, and the colored porcelain gradually became the mainstream of the development of porcelain.All kinds of colorful colored porcelain occupy and lead the development direction of ceramics.This is not only related to the development of ceramic technology at that time, but also the internal cause of this porcelain aesthetic change, which is rooted in the internal cultural needs of the Chinese people.It combined with porcelain decoration form and became the driving force for the emergence and development of glazed porcelain in Ming and Qing dynasties.In this paper, the color porcelain burned in Ming and Qing dynasties is used as the basic material for the research, and the materials of tombs, kilns and museums are collected in various parts of the country, and the color list of the colored porcelain in Ming and Qing dynasties is classified according to its main categories.In order to study the reasons for the evolution from plain color to color and the law of color evolution.Try to fully reveal the Ming and Qing color color evolution of the internal culture and psychological causes.The research on the color porcelain in Ming and Qing dynasties is no longer just on the technical level, but also on the traditional color aesthetic psychology and folk thought of our country.Namely the Ming and Qing dynasties glaze glaze colored porcelain from the emergence to the development and prosperity of the whole process of the inherent ideological and cultural factors in-depth analysis.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：K876.3

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