發(fā)布時間：2018-04-11 12:13

  本文選題：明代 + 青花　； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2011年碩士論文

【摘要】：鳳是中國古往今來一個十分常見的創(chuàng)作形象,鳳文化在中華大地上已流傳了數(shù)千年,在中國文化史、藝術(shù)史上均占有著特殊的位置。文章根據(jù)景德鎮(zhèn)窯址出土的第一手實物資料以及各大博物館、私人收藏的鳳紋圖像資料,結(jié)合文獻、歷史背景、瓷器紋飾的發(fā)展特征,對明代景德鎮(zhèn)官窯與民窯上的青花鳳紋進行研究,在斷代和歷史分期的基礎(chǔ)上,重點論述明代景德鎮(zhèn)官窯與民窯青花鳳紋的藝術(shù)特點與演變規(guī)律。進而用圖像說話,結(jié)合鳳紋所蘊藏的文化寓意以及時代背景分析景德鎮(zhèn)官窯與民窯青花鳳紋在整個明代的時代脈絡(luò)上的興衰走勢,在分別論述官窯、民窯各自的發(fā)展軌跡的基礎(chǔ)上,探索其內(nèi)在千絲萬縷的聯(lián)系,最終解釋雙方為何會形成一種此消彼長的發(fā)展態(tài)勢。
[Abstract]:Phoenix is a very common creative image of China from ancient to present. Phoenix culture has been circulating in China for thousands of years and occupies a special position in the history of Chinese culture and art.According to the firsthand material of the kiln site in Jingdezhen and the images of Phoenix patterns collected by the major museums and private collections, combined with the literature, historical background, and the development characteristics of porcelain ornaments,Based on the study of the blue and white Phoenix patterns in Jingdezhen official and civilian kilns in Ming Dynasty, the artistic characteristics and evolution laws of the blue and white Phoenix patterns in Jingdezhen official and civilian kilns in Ming Dynasty were discussed on the basis of dynasties and historical stages.Then using images to speak, combined with the cultural implication of Phoenix patterns and the background of the times, this paper analyzes the rise and fall trend of Jingdezhen official kiln and folk kiln blue and white Phoenix print in the whole Ming Dynasty, and discusses the official kiln separately.On the basis of their respective development tracks, this paper probes into the inextricable relationship between the two sides, and finally explains why the two sides have formed a trend of growth and decline.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876.3

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 喻林;龍鳳紋在清式家具中的雕刻特征研究[D];中南林業(yè)科技大學(xué);2013年

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本文編號：1735982