本文選題：戲曲　切入點：古戲臺　出處：《山西師范大學》2014年碩士論文

【摘要】：山西是聞名全國的戲曲之鄉(xiāng)，戲曲文化興盛，擁有豐富的戲曲文物遺產(chǎn)，種類繁多的地方戲種以及名噪古今的曲作家。神廟劇場數(shù)量可觀，至今仍然遺存了大量古戲臺，分布在山西的角角落落。戲臺不只是一件單純的建筑物,是我國傳統(tǒng)戲曲表演的場所，承載著傳播發(fā)揚山西戲曲的使命，蘊含著深刻的歷史文化內(nèi)涵，，見證了山西戲曲文化幾百年的興衰過程，是民眾娛樂休閑不可或缺的一部分。 應縣坐落在山西北部的雁北地區(qū)，當?shù)噩F(xiàn)存古戲臺數(shù)量可觀，歷史文化底蘊深厚，擁有明代戲臺兩座，清代戲臺四十二座，共四十四座。這些戲臺分布在金城鎮(zhèn)、下社鎮(zhèn)、南河種鎮(zhèn)、鎮(zhèn)子梁鎮(zhèn)、藏寨鄉(xiāng)、杏寨鄉(xiāng)、義井鄉(xiāng)、南泉鄉(xiāng)、大臨河鄉(xiāng)、白馬石鄉(xiāng)、下馬峪鄉(xiāng)以及大黃巍鄉(xiāng)等十二個鄉(xiāng)鎮(zhèn)。這些現(xiàn)存的古戲臺對于我們了解部分雁北地區(qū)明清時期劇場以及演劇狀況有不容忽視的意義，補充了現(xiàn)存戲曲文獻資料的不足，從戲臺形制的演變以及碑刻記載中挖掘應縣當時的民間戲劇娛樂活動以及政治、經(jīng)濟、文化等情況，是寶貴的實物資料。然而隨著戲曲文化的衰落，古戲臺日漸被遺棄以及由于各種自然災害和人為原因，這些珍貴的文化遺產(chǎn)破壞嚴重，損毀盜取現(xiàn)象愈來愈嚴重，其保護工作迫在眉睫，這就對應縣古戲臺建筑的研究工作顯得格外重要。 本文將以應縣古戲臺作為研究對象，以行政區(qū)域劃分為線索，通過查閱文獻資料和民俗資料、田野考察和測量以及采訪咨詢當?shù)厝说确绞�，對當�(shù)噩F(xiàn)存的四十四座古戲臺逐一描述并對其建筑技術、裝飾藝術、舞臺題記、演出情況以及碑刻等方面進行分析論述，附以實物圖片。文章分為三大部分，第一部分為引言，簡單梳理了前人對古戲臺的研究成果和應縣古戲臺研究現(xiàn)狀并點出本文創(chuàng)新之處，同時對應縣縣城歷史沿革和其戲曲文化背景進行論述，最后闡述了選擇應縣古戲臺為調(diào)查對象的原因。第二部分是正文，以應縣行政區(qū)域劃分為十一個章節(jié)，是對各鄉(xiāng)鎮(zhèn)現(xiàn)存古戲臺依次進行描述和其戲劇演出情況的描述，最后一部分是結(jié)語，分析了應縣現(xiàn)存古戲臺的整體建筑結(jié)構(gòu)特征、地域分布特征及其分布特征的原因，同時也概括了其歷史地位和文化價值，使人們對應縣古戲臺有更多的認識和了解，從而增強對這些寶貴文化的保護和傳揚，它們留給人類很多寶貴的資料，是見證人類文明的載體，是文化歷史的功臣。
[Abstract]:Shanxi is a famous hometown of traditional opera, with a prosperous opera culture, rich heritage of opera relics, a wide variety of local opera types and ancient and modern qu writers. The number of temple theatres is considerable, and a large number of ancient operas remain. The stage is not only a simple building, but also a place for traditional opera performance in China. It carries the mission of spreading and carrying forward Shanxi opera, and contains profound historical and cultural connotations. It has witnessed the rise and fall of Shanxi opera culture for several hundred years and is an indispensable part of popular entertainment and leisure. Yingxian County is located in the northern part of Shanxi Province in the Yanbei area. The number of ancient theatrical platforms in the area is considerable, and the historical and cultural heritage is profound. It has two theatrical platforms in the Ming Dynasty and 44 in the Qing Dynasty. These theatrical platforms are distributed in Jincheng and Xiashe Town. Nanhe Town, Zhenzi Liang Town, Zangzhai Township, Xingzhai Township, Yijing Township, Nanquan Township, Daling River Township, Baimashixiang, Xia Ma Yu Xiang and Da Huang Wei Township and other 12 townships. These existing ancient operas are of great significance for us to understand the theatres and performances of some Yanbei areas during the Ming and Qing dynasties, and supplement the deficiency of the existing opera literature. Excavating the entertainment activities of folk drama and the political, economic and cultural situations in Yingxian at that time from the evolution of the stage form and the inscription of the inscriptions are valuable material materials. However, with the decline of the opera culture, The ancient stage is increasingly abandoned and these precious cultural heritage have been seriously damaged and stolen due to various natural disasters and man-made reasons. Its protection is imminent. This is especially important to the research work of ancient stage architecture in Yingxian County. This article will take the Yingxian ancient stage as the research object, take the administrative area division as the clue, through consulting the literature and the folk custom material, the field inspection and the survey and the interview consultation local people and so on way, This paper describes the existing 44 local ancient operas one by one and analyzes their architectural techniques, decorative arts, stage inscriptions, performances and inscriptions, with a physical picture attached. The article is divided into three parts, the first part is an introduction. This paper briefly combs the research achievements of the predecessors on the ancient stage and the present situation of the research on the ancient stage in Yingxian and points out the innovation of this paper. At the same time, it discusses the historical evolution and the cultural background of the opera in Yingxian county. The second part is the text, divided into eleven chapters by the administrative region of Yingxian, which describes the existing ancient stage of each township and its theatrical performance in turn. The last part is the conclusion, which analyzes the overall architectural structure characteristics, regional distribution characteristics and the reasons of the distribution characteristics of the existing ancient stage in Yingxian County. At the same time, it also generalizes its historical status and cultural value. So that people have more knowledge and understanding of Yingxian ancient stage, thus enhancing the protection and spread of these precious cultures, they leave a lot of valuable information to mankind, is the carrier of witnessing human civilization, is the meritorious service of cultural history.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K879.1

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