發(fā)布時(shí)間：2018-03-23 11:12

  本文選題：漆膜　切入點(diǎn)：文物保護(hù)　出處：《文物保護(hù)與考古科學(xué)》2017年05期

【摘要】：漆器是研究古文化的實(shí)物資料,多有精美紋飾和銘文,但考古發(fā)掘出土的漆器多有飽水、糟朽和變形等病害,甚至胎體完全腐蝕,僅剩漆膜,且無(wú)法復(fù)原。在研究前人對(duì)漆膜保護(hù)的基礎(chǔ)上,提出一種平整漆膜的保護(hù)方法,整形脫水后以棉紙為背襯、蟲(chóng)膠漆為粘接劑粘接漆膜,再用鑲嵌磁鐵的有機(jī)玻璃板夾住固定。成功保護(hù)了長(zhǎng)沙風(fēng)篷嶺漢墓出土的60余件漆膜,為今后研究漆膜的保護(hù)修復(fù)方法提供參考作用。
[Abstract]:Lacquer ware is a material material for the study of ancient culture. There are many fine ornaments and inscriptions on the lacquer ware. However, most of the lacquer wares unearthed by archaeology have diseases such as saturated water, decay and deformation, or even complete corrosion of the carcass, leaving only the lacquer film. On the basis of the previous research on the protection of paint film, a method of leveling the film is put forward. After plastic treatment and dehydration, cotton paper is used as back lining and shellac paint is used as adhesive to adhesive the film. By using the plexiglass plate embedded with magnets to clamp and fix, more than 60 lacquer films unearthed from the Han Tomb of Fengpenling in Changsha have been successfully protected, which provides a reference for the study of the protective and restoration methods of the paint film in the future.
【作者單位】： 長(zhǎng)沙市文物考古研究所;
【分類號(hào)】：K876.7

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相關(guān)期刊論文 前2條

1 胡東波;出土古代漆膜老化因素的探討[J];文物世界;2003年02期

2 吳雙成;;淺談中國(guó)古代漆膜研究現(xiàn)狀及相關(guān)問(wèn)題[J];中國(guó)文物科學(xué)研究;2010年03期

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本文編號(hào)：1653208