本文選題：克孜爾壁畫(huà)　切入點(diǎn)：敦煌壁畫(huà)　出處：《陜西師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：新疆克孜爾石窟壁畫(huà)和甘肅敦煌石窟壁畫(huà)兩者都是中國(guó)佛教藝術(shù)的代表,地理位置和年代的不同,決定了二者壁畫(huà)藝術(shù)風(fēng)格的差異,這些差異的存在不僅能夠使我們更好的去研究和探討古代重彩畫(huà)的發(fā)展演變歷程,也能讓我們得到更多關(guān)于學(xué)習(xí)重彩畫(huà)臨摹、寫(xiě)生與創(chuàng)作的啟示。在這兩處壁畫(huà)中,佛教本生故事畫(huà)出現(xiàn)的非常頻繁、不勝枚舉,本文就以本生故事畫(huà)為切入點(diǎn),從造型、構(gòu)圖、線條、色彩語(yǔ)言四個(gè)方面來(lái)比較敦煌石窟和克孜爾石窟中本生故事畫(huà)的藝術(shù)形式。通過(guò)這樣的對(duì)比來(lái)探尋古代重彩畫(huà)的藝術(shù)風(fēng)貌及其傳承發(fā)展歷程。 文章后半部分主要回顧了與克孜爾、敦煌壁畫(huà)藝術(shù)形式一脈相承的古代重彩繪畫(huà)藝術(shù),并討論了克孜爾和敦煌壁畫(huà)藝術(shù)對(duì)當(dāng)代重彩畫(huà)的啟示。最后筆者還以自己的畢業(yè)創(chuàng)作為例從組織畫(huà)面構(gòu)圖、線條的運(yùn)用、色彩肌理的制作和設(shè)色方法等角度,闡述了古代壁畫(huà)藝術(shù)對(duì)自己學(xué)習(xí)重彩畫(huà)的影響和啟發(fā)。 克孜爾和敦煌壁畫(huà)是我國(guó)古代存留下來(lái)的寶貴藝術(shù)財(cái)富,我們要傳承和發(fā)揚(yáng)其中的藝術(shù)形式及理念,并運(yùn)用到藝術(shù)創(chuàng)作中,讓古老的民族重彩藝術(shù)形式在當(dāng)代藝術(shù)潮流中重新煥發(fā)生機(jī)。
[Abstract]:The murals of Kizil Grottoes in Xinjiang and Dunhuang grottoes in Gansu are both representative of Chinese Buddhist art. The existence of these differences not only enables us to better study and explore the development and evolution of ancient heavy-colored paintings, but also allows us to get more inspiration on learning to copy, sketch and create heavy color paintings. In these two murals, Buddhist Bunsen story paintings appear very frequently, too many to enumerate, this article take the Benson story painting as the breakthrough point, from the modeling, composition, lines, Four aspects of color language to compare the Dunhuang Grottoes and Kizil Grottoes in the painting of the art form of the story, through such a comparison to explore the ancient art style and development of heavy painting and its inheritance and development. The second half of the article mainly reviews the ancient painting art of heavy color, which is closely related to Kizil and Dunhuang murals. It also discusses the inspiration of Kizil and Dunhuang mural art to contemporary heavy color paintings. Finally, the author takes his graduation creation as an example from the angles of organizing picture composition, the application of lines, the making of color texture and the method of coloring, etc. This paper expounds the influence and inspiration of the ancient mural art on the study of heavy color painting. Kizil and Dunhuang frescoes are the precious artistic wealth of ancient China. We should inherit and carry forward the art forms and ideas, and apply them to artistic creation. Let the ancient national color art form in the contemporary art trend fresh vitality.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：K879.41

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本文編號(hào)：1560803