本文關(guān)鍵詞： 遼地漢墓 喪葬美術(shù) 星象圖 黃道十二宮 二十八星宿　出處：《蘇州大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：有關(guān)遼代的美術(shù)一直是中國(guó)美術(shù)史研究中相對(duì)薄弱的一個(gè)環(huán)節(jié)。但伴隨近年來(lái)考古工作的不斷深入,使眾多的遼代墓室壁畫得以重見天日,從而充實(shí)了這一時(shí)期的美術(shù)史研究資料。宣化下八里的遼代壁畫墓一經(jīng)發(fā)現(xiàn)便引起了學(xué)術(shù)界的廣泛關(guān)注,其壁畫內(nèi)容豐富,題材多樣,色彩鮮艷,技藝嫻熟,畫幅寬闊,構(gòu)成了冀北地區(qū)長(zhǎng)城沿線的一道獨(dú)特的藝術(shù)長(zhǎng)廊,不僅豐富了遼代繪畫史的研究資料,更為我們了解當(dāng)時(shí)身居遼國(guó)腹地的漢人的物質(zhì)生活和精神世界打開了一扇大門。尤其需要指出的是,眾多墓室頂部出現(xiàn)的彩繪星象圖,其形制和內(nèi)容極其特殊,融合了兩個(gè)不同的天文學(xué)體系——二十八星宿和黃道十二宮的形象要素,從而有別于傳統(tǒng)墓室的星象圖,它以獨(dú)特的文化面貌和藝術(shù)風(fēng)格反映了墓主人所屬時(shí)代的復(fù)雜宇宙觀,因而具有非常珍貴的研究?jī)r(jià)值。 本文開篇介紹宣化下八里遼墓的基本情況。從社會(huì)政治、經(jīng)濟(jì)、文化的大背景和墓主人家族及個(gè)人的內(nèi)外社會(huì)關(guān)系和信仰等方面,為剖析宣化遼墓彩繪星象圖的特殊形式的成因奠定信息基礎(chǔ)。 文章的第二部分立足于藝術(shù)學(xué)和圖像學(xué)角度從墓室四壁和頂部壁畫兩方面介紹宣化下八里遼墓壁畫的總體配置,以此解釋星象圖在墓室壁畫中的作用。并將宣化下巴里遼墓群中發(fā)現(xiàn)的七幅星象圖進(jìn)行分類,歸納其主要表現(xiàn)要素和特征。 第三、四兩章是本篇論文的核心部分,筆者以縱向的時(shí)間軸為脈絡(luò)梳理中國(guó)墓室星象圖的發(fā)展演變以及進(jìn)行同時(shí)期的橫向比較,突出宣化遼墓彩繪星象圖的特殊內(nèi)容,通過(guò)對(duì)其構(gòu)成要素溯源的梳理分析它的文化成因。 最后,綜合全文內(nèi)容肯定宣化下八里遼墓彩繪星象圖的歷史地位及其意義。
[Abstract]:The art of Liao Dynasty has always been a relatively weak link in the study of Chinese art history. However, with the deepening of archaeological work in recent years, many murals of Liao Dynasty tombs can be seen again. Thus enriching the research materials of art history in this period. Once the tomb of the Liao Dynasty murals in Xuanhua eight li is discovered, it has aroused extensive concern in the academic circles. Its murals are rich in contents, diverse in subject matter, bright in color, skilled in skill, and broad in size. It constitutes a unique art corridor along the Great Wall in northern Hebei, which not only enriches the research materials of painting history in Liao Dynasty, We also understand that the material life and spiritual world of the Han people who lived in the hinterland of Liao at that time opened a door. In particular, it should be pointed out that the images of painted stars on the top of numerous tombs are extremely special in shape and content. Combining two different astronomical systems, the image elements of the 28 constellation and the 12 house of the ecliptic, different from those of the traditional tomb, it reflects the complex view of the universe of the age to which the tomb owner belongs with a unique cultural face and artistic style. Therefore, it has very precious research value. At the beginning of this paper, the author introduces the basic situation of Xianhua Bali Liao Tomb, from the aspects of social, political, economic and cultural background, as well as the internal and external social relations and beliefs of the tomb owner's family and individual, etc. It lays an information foundation for analyzing the cause of formation of the special form of the painted star map of Xuanhua Liao Tomb. The second part of the article is based on the perspective of art and graphics to introduce the overall configuration of the murals of Baali Liao Tomb in Xuanhua from two aspects: the four walls of the tomb and the mural of the top of the tomb. This paper explains the role of star map in tomb murals, classifies seven star maps found in Xuanhua Liliao Tombs, and summarizes its main performance elements and characteristics. The third and fourth chapters are the core part of this paper. The author combs the development and evolution of the Chinese tomb star map with the longitudinal time axis and makes a horizontal comparison at the same time, highlighting the special contents of the Xuanhua tomb painted star map. Through the trace of its constituent elements to the source of the analysis of its cultural causes. Finally, the paper confirms the historical status and significance of the painted star map of Baali Liao Tomb in Xuanhua.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：K878.8

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