本文關鍵詞： 商至西周 青銅藝術 人物形象 意義闡釋　出處：《山東大學》2014年碩士論文　論文類型：學位論文

【摘要】：本文試圖結合考古學和藝術史兩學科的優(yōu)勢,將商周帶有人的形象的青銅器作為研究對象,采用類型學的分類方法和風格研究的分析方法對人的形象的裝飾特點進行較為系統(tǒng)的梳理。以出土資料為主,以典型的傳世文物為輔助,分類分型進行研究,概述商周時期青銅器上的人物形象的裝飾特點及時代特征。同時關注史前及商周時期帶有人物形象的陶器、玉石器等材質,研究中國早期人物圖像,即探討早期藝術中人物形象的源與流,重點是挖掘這類圖像產(chǎn)生的藝術之源和心理根源。從其產(chǎn)生及演變的特點解讀這一圖像模式,推論出這種帶有人物形象的青銅器的社會功能,及它反映出的先民對于自我認知的發(fā)展以及不同時代背景下的不同時代精神。 首先,是對商和西周200多件帶有人物形象的青銅器材料的梳理和介紹。除了出土信息不明確的30多件器物僅介紹現(xiàn)藏地和已有的考證、研究情況外,其他所有有詳細出土情況的器物,都回歸報告、簡報,介紹完整的出土信息,因為這對后文的情境分析和社會功能分析至關重要。同時也對所有器物進行了簡單的器類器型的分析。 其次,是關于這批材料的圖像學、風格學的一個分類。由于這批材料器型多樣,難以單純用考古類型學的方法研究,所以這一章是立足于圖像本身,綜合運用類型學、圖像學、風格學的方法進行分類研究,從而把握這一圖像模式發(fā)展演變的趨勢。再把材料放在大的時代背景下,結合以往的研究,初步分析和解讀圖像。 再次,試圖明晰青銅藝術中人物形象產(chǎn)生的根源。有一個基本認識：史前巖畫、大量泥塑、陶塑人像以及各種玉石雕人像是青銅器中人物形象的藝術之源；人類的審美感知、靈魂觀念的產(chǎn)生與原始信仰,也都與人物形象的產(chǎn)生有莫大的關系。 第四章是討論人物形象產(chǎn)生的心理根源。這個就不僅僅是局限于青銅藝術,而是涉及人類早期藝術的發(fā)展。細致分析和運用“原始思維”的相關理論,并結合社會學的一些經(jīng)典的心理分析理論,再放在中國哲學這個特殊的情境下,分析中國早期藝術中人物形象產(chǎn)生的心理根源。 最后,是對青銅藝術中的人物形象的解讀。前文的論述實際上已經(jīng)分類進行‘了解讀,明晰了青銅藝術中人物形象發(fā)展演變的趨勢和不同時期的特點,也分析這一圖像產(chǎn)生的根源,即探究它之所以如此的原因。本章先是小結一下前文的研究結論,再進一步明晰這類帶有人物形象的青銅器的社會功能,最后落腳于圖像本身,看看之前的種種分析和解讀在圖像上是怎樣表現(xiàn)的。本文以圖像切入,進行分類、分析,最后再回歸圖像,驗證研究的結論,力求始終立足于圖像進行研究。
[Abstract]:This paper attempts to combine the advantages of archaeology and art history, taking the bronze ware with the image of man as the object of study in Shang and Zhou dynasties. The classification method of typology and the analysis method of style study are used to sort out the decorative characteristics of human image systematically. The classification and classification are carried out mainly on the basis of unearthed materials and with the assistance of typical cultural relics. This paper summarizes the decorative characteristics and age characteristics of the figures on bronze wares in Shang and Zhou dynasties. At the same time, it pays attention to the pottery and jade stone materials with figures' images in prehistoric and Shang Zhou dynasties, and studies the images of early Chinese characters. That is, to probe into the source and flow of character image in early art, the emphasis is to excavate the artistic source and psychological origin of this kind of image, and to interpret this image pattern from the characteristics of its emergence and evolution. We infer the social function of this bronze ware with characters, and the development of self-cognition and the spirit of different times under different times background. First, more than 200 bronzes with characters in Shang and Western Zhou dynasties were combed and introduced. In addition to more than 30 pieces of artifacts with unclear unearthed information, they only introduced the present location and the existing textual research, and the research was carried out. All other artifacts with detailed excavations are returned to reports, briefs, and complete unearthed information. Because this is very important to the situation analysis and social function analysis of the following articles, it also makes a simple analysis of all kinds of utensils. Secondly, there is a classification of graphics and stylistics of this batch of materials. Because the materials are of various types, it is difficult to study them purely by archaeological typology, so this chapter is based on the image itself and uses typology comprehensively. The methods of imageology and stylistics are classified to grasp the developing trend of this image pattern. Then the materials are placed under the background of the times and combined with the previous research to analyze and interpret the images. Third, trying to understand the origin of the figure images in bronze art. There is a basic understanding: prehistoric rock paintings, a large number of clay statues, pottery statues and various jade stone figures are the artistic source of the figures in bronze ware; the aesthetic perception of human beings, The origin of the concept of soul and the original belief also have a great relationship with the appearance of characters. Chapter 4th is to discuss the psychological origin of the characters. This is not only limited to bronze art, but also involves the development of early human art. Combined with some classical psychoanalytic theories of sociology, this paper analyzes the psychological origin of characters in early Chinese art under the special situation of Chinese philosophy. Finally, it is the interpretation of the figure image in bronze art. In fact, the above exposition has been classified and interpreted, which clarifies the trend of the development and evolution of the figure image in bronze art and the characteristics of different periods. It also analyzes the origin of this image, that is, to explore the reason why it is so. This chapter summarizes the previous research conclusions, and further clarifies the social function of this kind of bronze ware with characters, and finally rests on the image itself. In this paper, image segmentation, classification, analysis, and finally return to the image, verify the conclusions of the study, and strive to always be based on the image research.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K876.41

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本文編號：1511856