本文關鍵詞： 石窟造像 五代詩話 西湖游覽志馀 佛教界 武肅王 曝書亭集 來峰 西湖香市 三圣 咸淳臨安志 　出處：《美術觀察》2015年05期 　論文類型：期刊論文

【摘要】：正在歷史上,佛教給予杭州的文化印記是其他外來文化所無法比擬的。杭州自東晉咸和元年建靈隱寺之后,佛教得到了蓬勃發(fā)展。至唐末年時,"杭州內外及湖山之間,唐已前為三百六十寺,及錢氏立國,宋朝南渡,增為四百八十,海內都會,未有加于此者也"(見清孫治《西湖游覽志馀卷十四方外尋蹤》)。另如《五代詩話》卷一引《曝書亭集》曰:"寺塔之建,吳越武肅王倍于九國。"~([1])到南宋遷安時,杭州地區(qū)早已是"寺院林立,寶塔遍布,梵音不絕,鐘磬相繼"。~([2])佛教石窟造像活動自五代之后開始轉移至江南,杭州佛教界就竭力利用造像活動進行宣揚,
[Abstract]:In history, the culture imprinted by Buddhism on Hangzhou is unparalleled by other foreign cultures. Since the establishment of Lingyin Temple in the Eastern Jin Dynasty and the first year, Buddhism has developed vigorously. By the end of the Tang Dynasty, "between Hangzhou and the Hushan Mountains, Before the Tang Dynasty, it was 360 monasteries, and Qian Shijiguo, the Song Dynasty Nandu, increased to 480. Those who have not been added to this are "(see the Qing Dynasty Sun Zhi" the West Lake Tour Taste Volume 14 seeking out the tracks outside "). Another example is the first volume of the" five dynasties Poems "to quote the Book of Disclosure Pavilion:" when the temple tower was built, the Wu Su king of Wu Yue was twice as great as the nine kingdoms. "([1]) when he arrived at Qian'an in the Southern Song Dynasty, The Hangzhou area has long been a place of "monasteries, pagodas, Brahmo, bell chimes," and the Buddhist grottoes were moved to the south of the Yangtze River since the five dynasties. The Buddhist circles in Hangzhou have tried their best to propagate the images by means of the idolatry activities. ([2]) the Buddhist grottoes in Hangzhou have been moving to the south of the Yangtze River since the five dynasties.
【作者單位】： 浙江理工大學;
【基金】：浙江省哲學社會科學規(guī)劃基金項目“東南佛國視角下的杭州佛教石窟造像遺產文化研究”,批準號:12JCWH09YB
【分類號】：K879.3

【共引文獻】

相關期刊論文 前3條

1 陳舟躍;;普陀山多寶塔[J];四川文物;2007年06期

2 高致宇;蘇金成;;杭州飛來峰佛教造像的研究現(xiàn)狀分析[J];數(shù)位時尚(新視覺藝術);2014年02期

3 肖丹;;江南禪寺美術圖像題材及其藝術特征探究——以杭州靈隱寺為例[J];四川戲劇;2015年05期

相關博士學位論文 前8條

1 黃杰華;漢藏寶，

本文編號：1498072