本文選題：劇場(chǎng)政治 + 政治傳播��； 參考：《復(fù)旦大學(xué)》2008年碩士論文

【摘要】： 日本前首相小泉純一郎將日本帶入了“劇場(chǎng)政治”時(shí)代,憑借其對(duì)傳媒的善用使政權(quán)足足維持了5年5個(gè)月;作為小泉的后任安倍晉三繼續(xù)沿用了“劇場(chǎng)政治”的舞臺(tái)試圖打造一個(gè)“美麗的國(guó)家”,但是一年不滿,安倍便黯然下臺(tái)。是什么原因?qū)е掳脖墩䴔?quán)的迅速夭折?是誰(shuí)在導(dǎo)演著這場(chǎng)“劇場(chǎng)政治”?“劇場(chǎng)政治”下的媒體與政府維系著怎樣一種關(guān)系?基于這些疑問(wèn),我們對(duì)“劇場(chǎng)政治”下的日本媒體與政府關(guān)系進(jìn)行了全面詳細(xì)的考察和分析。 本文從政治傳播學(xué)的分析視角出發(fā),以小泉內(nèi)閣到安倍內(nèi)閣這一時(shí)期日本呈現(xiàn)出的“劇場(chǎng)政治”為背景,對(duì)日本媒體與政府之間的互動(dòng)過(guò)程進(jìn)行系統(tǒng)的闡述與研究。其目的在于明確日本媒體和政治家在政治傳播過(guò)程中各自所發(fā)揮的作用及其相互關(guān)系,以求對(duì)日本媒體與國(guó)家政治的關(guān)系及“劇場(chǎng)政治”的特征、實(shí)質(zhì)等有進(jìn)一步的認(rèn)識(shí)。 本文所呈現(xiàn)的研究資料主要是基于日本主流媒體的報(bào)道以及中國(guó)媒體官方網(wǎng)站上的信息,通過(guò)文本分析法和個(gè)案研究法來(lái)揭示“劇場(chǎng)政治”背后的權(quán)力控制關(guān)系,并得出如下結(jié)論:第一,是政府和媒體合謀導(dǎo)演了“劇場(chǎng)政治”,在狂熱的“政治作秀”下難以形成批評(píng)的民意基礎(chǔ)。第二,“劇場(chǎng)政治”下的日本媒體與政府之間互為影響——當(dāng)政府的傳播策略適應(yīng)了媒體的報(bào)道邏輯,媒體便“甘心”成為政府的御用宣傳工具,政府則控制了輿論的導(dǎo)向;當(dāng)政府的傳播策略與媒體的報(bào)道邏輯相悖,媒體便爭(zhēng)取到話語(yǔ)權(quán),主導(dǎo)著政府的議程。第三,“劇場(chǎng)政治”的背后折射出日本社會(huì)總體保守化的思潮。 通過(guò)研究“劇場(chǎng)政治”下的日本媒體與政府關(guān)系,將對(duì)日本政局關(guān)系、媒體的報(bào)道方式以及公眾的社會(huì)心態(tài)有了更深的認(rèn)識(shí)。在這個(gè)盛行張揚(yáng)自我的“作秀”時(shí)代,媒體和公眾應(yīng)該怎樣應(yīng)對(duì)政治明星的傳播戰(zhàn)術(shù),這是值得我們深入研究和探索的命題。
[Abstract]:Junichiro Koizumi, the former Japanese prime minister, brought Japan into the era of "theater politics", making the regime last for 5 years and 5 months with its good use of the media. Mr. Koizumi's successor, Shinzo Abe, continued to follow the stage of "theater politics" in an attempt to create a "beautiful nation," but a year of discontent led to Mr Abe's ouster. What caused the rapid collapse of Abe's regime? Who is directing this "theater politics"? What kind of relationship does the media maintain with the government under "theater politics"? Based on these questions, the relationship between Japanese media and government under Theater Politics is investigated and analyzed in detail. From the perspective of political communication, this paper systematically expounds and studies the process of interaction between Japanese media and government based on the "theater politics" that appeared in Japan during the period of Koizumi's cabinet to Abe's cabinet. The purpose of this paper is to clarify the respective roles and relations of Japanese media and politicians in the process of political communication, in order to have a further understanding of the relationship between Japanese media and national politics and the characteristics and essence of "theater politics". The research materials presented in this paper are mainly based on the reports of the Japanese mainstream media and the information on the official website of the Chinese media. Through text analysis and case study, the paper reveals the power control relationship behind "theater politics". The conclusions are as follows: first, the government and the media colluded to direct Theater Politics, and it is difficult to form a critical public opinion base under the fanatical "political show". Second, the Japanese media and the government under the "theater politics" influence each other-when the government's communication strategy adapts to the media's reporting logic, the media "willingly" becomes the government's imperial propaganda tool, and the government controls the guidance of public opinion; When the communication strategy of the government contradicts the logic of the media, the media win the right to speak and dominate the government's agenda. Third, behind Theater Politics reflects the overall conservative trend of Japanese society. By studying the relationship between Japanese media and government under "Theater Politics", we will have a deeper understanding of Japanese political relations, media reporting methods and the social mentality of the public. In this "show" era, the media and the public should deal with the communication tactics of political stars, which is worthy of our in-depth study and exploration.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：D731.3

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本文編號(hào)：2015888