【摘要】：畫直是唐代雜色伎術(shù)類直官之一,主要職責(zé)是寫貌帝后御容、繪制功臣肖像、圖記人君事跡和描繪山川風(fēng)土等。唐代見諸記載的任用畫直的中央官署,有秘書省、開元館、史館和集賢院,但僅秘書省和集賢院有正式的員額編制。從現(xiàn)存史料看,秘書省和集賢院分設(shè)畫直,當(dāng)與中央諸官署的空間布局存在功能上的對(duì)應(yīng)關(guān)系,二者分工明確,各自承擔(dān)本轄區(qū)中央行政部門的圖繪任務(wù)。在唐代,畫直屬于使職差遣官,以加領(lǐng)虛銜的方式寓俸祿、秩品階,系職官體系中的基層官員,但在圖繪領(lǐng)域,卻為中央行政機(jī)構(gòu)提供專業(yè)支持,發(fā)揮著廣泛而又不可替代的作用。
[Abstract]:Painting straightness is one of the direct officials of the Tang Dynasty, whose main duty is to write the imperial appearance, draw portraits of the emperor, record the deeds of the monarch and depict the mountains and rivers, and so on. In the Tang Dynasty, the official offices of the central government, including the secretarial province, the Kaiyuan Hall, the History Hall and the Ji Yin Court, were recorded. However, only the secretarial departments and the Ji Yin Yuan had formal staffing establishment. According to the existing historical data, the secretarial province and the Jixian Yuan have a straight drawing, and when they have a functional corresponding relationship with the spatial layout of the central government offices, the two have a clear division of labor, and each undertakes the drawing task of the central administrative department in their own jurisdiction. In the Tang Dynasty, the painting directly belonged to the grass-roots officials in the system of rank, rank and rank, but in the field of drawing, it provided professional support to the central administrative bodies. Play a wide and irreplaceable role.
【作者單位】： 華東師范大學(xué)藝術(shù)研究所;
【分類號(hào)】：D691.4

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