【摘要】：正20世紀(jì)90年代國內(nèi)外迅猛發(fā)展的數(shù)字藝術(shù)的嶄新景觀,誘導(dǎo)一些不同學(xué)術(shù)背景的先鋒學(xué)者關(guān)注與研究。對我來說,只感到數(shù)字藝術(shù)神氣逼人而又陌生無知,但是山東師范大學(xué)馬立新教授從1998年以來,在國內(nèi)較早開展了基于虛擬現(xiàn)實的網(wǎng)絡(luò)文學(xué)和網(wǎng)絡(luò)文化的跟蹤探索與研究。他的理論著作為我"啟蒙",使我逐步了解了這個新興學(xué)科。讀了馬立新的《中國網(wǎng)絡(luò)文學(xué)概觀》,方知是他在國內(nèi)外率先提出了數(shù)字化審美的網(wǎng)絡(luò)文學(xué)本質(zhì)觀;2003年
[Abstract]:The brand new landscape of digital art at home and abroad in the 1990s has induced some pioneer scholars from different academic backgrounds to pay attention to and study it. To me, I only feel that digital art is pressing and unfamiliar, but since 1998, Professor Ma Lixin of Shandong normal University has carried out the following exploration and research of network literature and network culture based on virtual reality in China earlier. His theoretical works enlighten me and I gradually understood this new subject. Read Ma Lixin's "Overview of Chinese Network Literature", Fang Zhi was the first to put forward the digital aesthetic concept of the essence of network literature in 2003.
【作者單位】： 山東師范大學(xué);
【分類號】：G206;B82-05
，

本文編號：2380863