本文旨在探討宣傳藝術(shù)與婦女解放的關(guān)系。從宣傳海報(bào)這一全新的視角來看待中國婦女的權(quán)利。中國共產(chǎn)黨自贏得內(nèi)戰(zhàn)以來,一直致力于婦女生活的改善。但要做到這一點(diǎn),他們需要對(duì)抗數(shù)百年的儒家傳統(tǒng)。這種傳統(tǒng)造就了中國社會(huì)女性的原型。婦女在家庭中被要求舉止得體,扮演好自己的角色。然而時(shí)代發(fā)展到今天,共產(chǎn)黨希望婦女?dāng)[脫家庭束縛,走出家門,走向田間地頭,走向工廠。因此,他們利用宣傳海報(bào)來宣傳新的行為模式,并最終為社會(huì)創(chuàng)造出一種新的女性原型——社會(huì)主義新女性——1949-1966年宣傳海報(bào)中所表現(xiàn)出來的一系列特征和行為。我通過分析這一時(shí)期的各種宣傳海報(bào),來回答誰是社會(huì)主義新女性、她和傳統(tǒng)的模型有什么取別。 

【文章來源】：華東師范大學(xué)上海市 211工程院校 985工程院校 教育部直屬院校

【文章頁數(shù)】：124 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
abstract
內(nèi)容摘要
Introduction
Literature Review
Chapter1 -Female archetype in traditional Chinese society
    1.1.Confucian views on womanhood
    1.2 A woman’s life according to traditional values
    1.3 The old traditional woman– model of womanhood according to traditional values
Chapter2 -Towards the New Woman-The evolution of feminist movement in China
    2.1 Development of feminist thought in modern China
    2.2 Women’s rights movement and the Chinese Communist Party– early stages
    2.3 Women’s movement within the Party
Chapter3 –Propaganda posters,their meaning and functions and the People’s Republic of China
    3.1 What is propaganda?Definition and functions
    3.2 Propaganda and art in early People’s Republic
    3.3 Key features of propaganda poster
Chapter4 -The new socialist woman– modeled womanhood in propaganda posters1949-1966
    4.0.The new socialist woman1949-1966
    4.1.Women at work
        4.1.1.Women in the fields
        4.1.2 Women in the fields– conclusions
        4.1.3 Women in the industry
        4.1.4.Women in the industry– conclusions
    4.2.Women in the military
        4.2.1 Women in the military– women paratroopers
        4.2.2 Women in the military– conclusions
    4.3.Women and family life
        4.3.1 The Marriage Law
        4.3.2 Women and family planning
        4.3.3 Women and family life– conclusions
    4.4.Women in traditional roles
        4.4.1 Women in traditional roles– conclusion
Conclusions
Bibliography



本文編號(hào)：3090732