本文關(guān)鍵詞：基于文化地理學(xué)視角的秦腔文化起源與擴(kuò)散，由筆耕文化傳播整理發(fā)布。

2013年第 3期 總第 131期 文章編號 ：1003―2398 2013 03―0064―06 基于文化地理學(xué)視角的秦腔文化起源與擴(kuò)散 方嘉雯 北京大學(xué) 城市與環(huán)境學(xué)院，北京 100875 THE FoR衛(wèi)I1TIoNANDTHEDIFFUSIoNoFQIN oPERACUL’IrJ【REFRoM THE PERSPECTIVE oF CULlTURAI．GEoGRAPHY FANG Jia―wen TheCollegeofUrbanandEnvironmentalScience, PekingUniversiO,,Belting1OO875,China Abstract：QinOperawasdevelopedfromfolksongsanddancesinancientShaanxiandGansuarea，popularin Shaanxi，Gansu，Qinghai，Ningxia，Xinjiangprovince．ItwasincludedintheNationalIntangibleCulturalHer― itagein2006．QinOperaculturementionedinthisresearchpaperconsistsoftheearlyone around1780AD andthelateone around1807AD ．Fromtheperspectiveofculturalgeography，usingthementalityofculutral diffusionandculturalintegration，thispapersystematicallyanalyzesthefactorsoftheformationoftheQin Operaandthediuff siontypes，pathsandintegration．Theconclusionareasfollows：Firstly，themirgationand thetourofartistsisthemainfomr ofthediuff sionofQinOperaculture，showingthemulti―levelcharacteris― ticsintheprocessofdiuff sionandintergation，thatis，theculture”A”incorporatedby”B”wouldbethenin― corporatedbyanotherculture”C’’inthemixofculture”B”and”C”．Secondly,thestaticculturallandscape ofQinOperaculturereflectsthedynamicsocialculturalhistory，includinghtemaincharacteristicsofdiffer― enterasandhow importantchangesandreformationsinfluencedtheemotionandhtephilosophyoflocalpeo- pie．Thirdly，，QinOperaculutreistheproductoftheinteractionbetweenvariousculturalelementsdevelop

  本文關(guān)鍵詞：基于文化地理學(xué)視角的秦腔文化起源與擴(kuò)散，由筆耕文化傳播整理發(fā)布。