【摘要】：1937年7月7日抗日戰(zhàn)爭(zhēng)爆發(fā)，國(guó)民政府遷都重慶，重慶成為陪都。大量的文人、藝術(shù)家也隨之遷來重慶。在這個(gè)舉國(guó)憂患的時(shí)期，中國(guó)人民體現(xiàn)出來的凝聚力是空前的，為了保衛(wèi)祖國(guó)、振奮人心，文人墨客們停止了陽春白雪的創(chuàng)作，把畫筆作為武器，創(chuàng)作出許多富有戰(zhàn)斗性的作品。這些具有現(xiàn)實(shí)意義的作品,鼓舞激勵(lì)著中國(guó)人民，與日本侵略者展開了艱苦卓絕的斗爭(zhēng)。因?yàn)樯虾５鹊販S陷，出版業(yè)遷移到重慶。一時(shí)間重慶出版業(yè)出現(xiàn)了欣欣向榮的景象。書籍裝幀藝術(shù)也是一道特別的風(fēng)景線，它依附于書籍內(nèi)容但又是獨(dú)立的藝術(shù)品。 時(shí)代的發(fā)展影響著出版業(yè)興衰，出版業(yè)的發(fā)展影響著書籍的出版。在抗戰(zhàn)這個(gè)時(shí)代背景下，，出版工作者抵抗御日本侵略者對(duì)出版業(yè)的破壞，克服一切困難，發(fā)展了革命的出版業(yè)。使以生命為代價(jià)發(fā)展起來的出版業(yè)在重慶大后方生根發(fā)芽,出版了許多裝幀大方、精美的書籍。許多藝術(shù)家如：曹辛之、豐子愷、丁聰，在這個(gè)艱苦的時(shí)代，不畏懼困難用畫筆作為抗戰(zhàn)的武器，創(chuàng)作出簡(jiǎn)潔、明快、意味深遠(yuǎn)的作品。這些優(yōu)秀的作品滋養(yǎng)著人們的心靈，他們是抗戰(zhàn)時(shí)期陪都重慶書籍裝幀藝術(shù)家的代表，反映出這個(gè)時(shí)代書籍裝幀藝術(shù)的特征。 五四運(yùn)動(dòng)以后中西文化相互碰撞，產(chǎn)生了獨(dú)特的文化特色。本文將以多角度對(duì)這一時(shí)代的書籍裝幀特色進(jìn)行研究�？谷諔�(zhàn)爭(zhēng)時(shí)期物資匱乏，但是人們的精神生活是豐富的，裝幀藝術(shù)家把中西方不同的藝術(shù)元素放在書籍封面設(shè)計(jì)中，展現(xiàn)出豐富的藝術(shù)效果。 對(duì)于抗戰(zhàn)時(shí)期陪都重慶書籍裝幀研究，最重要的目的是為了對(duì)當(dāng)今的書籍裝幀藝術(shù)起一定的啟示作用，更好的制定好現(xiàn)代書籍裝幀設(shè)計(jì)的發(fā)展路線。
[Abstract]:The War of Resistance against Japan broke out on July 7, 1937, when the National Government moved to Chongqing, and Chongqing became the accompanying capital. A large number of literati, artists also moved to Chongqing. In this time of national distress, the cohesion embodied by the Chinese people is unprecedented. In order to defend the motherland and inspire the hearts of the people, the literati stopped their creation of spring and white snow and used the brush as a weapon. Create a lot of combative works. These realistic works inspired the Chinese people and waged a painstaking struggle with the Japanese invaders. Because of the fall of Shanghai and other places, the publishing industry moved to Chongqing. Chongqing publishing industry suddenly appeared prosperous scene. Book binding art is also a special landscape, attached to the content of the book but also independent art. The development of the times affects the rise and fall of the publishing industry, and the development of the publishing industry affects the publication of books. Under the background of the Anti-Japanese War, the publishing workers resisted the destruction of the publishing industry by the Japanese invaders, overcome all difficulties and developed the revolutionary publishing industry. The publishing industry, developed at the cost of life, took root and sprouted in the rear of Chongqing and published many well-bound and exquisite books. Many artists, such as Cao Xinzhi, Feng Zikai, Ding Cong, in this difficult time, do not fear the difficulty of using brushes as a weapon of the War of Resistance, creating concise, bright, far-reaching works. These excellent works nourish people's hearts, they are the representative of book binding artists in Chongqing during the Anti-Japanese War, reflecting the characteristics of book binding art in this era. After the May 4th Movement, Chinese and Western cultures collided with each other, resulting in unique cultural characteristics. This paper will study the characteristics of book binding in this era from many angles. During the War of Resistance against Japan, materials were scarce, but people's spiritual life was rich. Binding artists put different artistic elements in the book cover design in China and the West, showing rich artistic effects. For the study of book binding in Chongqing during the Anti-Japanese War, the most important purpose is to play an enlightening role in the art of book binding and to better formulate the development route of modern book binding design.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：TS881;G239.29

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 邱陵;書籍裝幀100年[J];裝飾;2000年02期

本文編號(hào)：2445440