【摘要】：正也許因?yàn)榱_達(dá)成兄正在《上海文學(xué)》上連載有關(guān)《文匯月刊》的回憶吧,最近,我老是想到當(dāng)年的老主編梅朵。梅朵是一個(gè)很有特色,也極具個(gè)性的人物。他是學(xué)戲劇出身,是曹禺、吳祖光的學(xué)生,上世紀(jì)四十年代就是很出名的影評家,解放后當(dāng)過《大眾電影》的主編;他又是《文匯報(bào)》的老報(bào)人,在徐鑄成、柯靈主持報(bào)政時(shí)編過《文匯報(bào)》的副刊;他對文藝?yán)碚撘灿信d趣,但只認(rèn)現(xiàn)實(shí)主義一家。也就是說,他是老文化人,是藝術(shù)工作者,同時(shí)又是新聞工作者,還是個(gè)執(zhí)著于現(xiàn)實(shí)
[Abstract]:Perhaps because brother Luo is in the Shanghai Literature series about the Wen Hui monthly, recently, I always think of Meido, the old editor of that year. Meido is a very unique, but also a very personal character. He is a drama student, Cao Yu, Wu Zuguang students, was a famous film critic in the 1940s, after liberation as the editor of the popular film; He is also an old newspaper of Wen Wei Bao. He edited a supplement to Wen Wei Bao when Xu Zhucheng Ke Ling was in charge of political reporting. He was also interested in literary and artistic theory, but he only recognized realism as a family. That is to say, he is an old cultural man, an artist, a journalist at the same time, and a clinging to reality.
【分類號】：G238

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