【摘要】：本文從社會分析的視角出發(fā),認(rèn)為自出版概念的實質(zhì)內(nèi)涵是,由于作者取代了傳統(tǒng)出版商的職能,從而使同一個主體(即作者)貫通了創(chuàng)作和出版兩個環(huán)節(jié),并且在這一職能替代和消解了產(chǎn)業(yè)鏈重組過程中出版商的獨立地位。自出版中"自"的內(nèi)涵可以進(jìn)一步分解為"六個自":自創(chuàng)作品、自持版權(quán)、自籌資金、自主經(jīng)營、自擔(dān)風(fēng)險、自享收益,其中"自持版權(quán)"起著關(guān)鍵作用。在上述分析的基礎(chǔ)上,文章結(jié)合"場域""資本"等概念工具,從理論層面探討了如何使自出版概念與中國語境相兼容,以期為討論中國自出版現(xiàn)象打開合理的話語空間。
[Abstract]:From the perspective of social analysis, this paper holds that the essential connotation of the concept of self-publishing is that the author replaces the functions of traditional publishers, thus making the same subject (I. E. the author) through the two links of creation and publication. And this function replaces and eliminates the independent position of publishers in the process of industrial chain reorganization. The connotation of "self" in self-publishing can be further decomposed into "six selfs": self-creation, self-copyright, self-financing, self-management, self-risk, self-profit, among which "self-sustaining copyright" plays a key role. On the basis of the above analysis, this paper discusses how to make the self-publishing concept compatible with the Chinese context from the theoretical level, combining with the conceptual tools of "field" and "capital", in order to open up a reasonable discourse space for the discussion of the phenomenon of self-publishing in China.
【作者單位】： 中國傳媒大學(xué);
【基金】：2016年度國家社會科學(xué)基金項目“媒介融合背景下我國新型主流媒體的競爭力構(gòu)建與評價研究”(項目編號:16BXW024)的前期成果
【分類號】：G230
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本文編號：2336869