【摘要】：實用藝術品的保護問題成為了我國知識產(chǎn)權法發(fā)展所必須面臨和解決的一個問題。實用藝術與一般的藝術品有明顯的區(qū)別，其廣泛的存在于人們的生活中，是人們在長期生活的基礎上積極發(fā)揮自已的聰明才智而產(chǎn)生的具有實用價值和藝術價值的作品，體現(xiàn)了人們對美的追求，并且其廣泛的存在于人們的生活中，并在經(jīng)濟的發(fā)展中起著重要的作用。實用藝術品有著其獨特的知識產(chǎn)權價值應該受知識產(chǎn)權法的著作權保護，國際許多國家對其的著作權保護進行了法律規(guī)定，如英國、美國、法國等都以明確的法律規(guī)定或者以判例法的方式規(guī)定了實用藝術品的法律保護。隨著經(jīng)濟全球化的發(fā)展，對知識產(chǎn)權的法律規(guī)定和調整已經(jīng)成為我國法律發(fā)展的一個趨勢。本文“實用藝術品的著作權保護”就是在這樣的國際和國內背景下來討論和認識與此相關的法律問題。本文分為四部分：第一部分介紹了實用藝術品在國外著作權保護制度以及我國的保護現(xiàn)狀，在國際的大背景下分析了國際公約以及比較有代表性的美國、法國關于實用藝術品的法律規(guī)定，并在此基礎上進一步分析了我國關于實用藝術品規(guī)定的法律現(xiàn)狀。第二部分介紹了實用藝術品的界定，只有在了解其基本的法律理論的基礎上才能進一步的探討其著作權保護問題，其介紹了其內涵、特征以及與其相關的美術品、工藝美術品、工業(yè)品外觀設計等相關概念的關系，為整個論文奠定了理論基礎。第三部分介紹了實用藝術品應當受到著作權保護的條件，即它的可版權性，首先介紹了其所具有的獨創(chuàng)性、實用性和藝術性相分離的特征，，并結合國際上其它國家的法律規(guī)定進一步的比較分析了其可版權性的原因。四部分介紹了關于實用藝術品的著作權保護上的法律制度構建，并結合外國的相關的立法狀況對我國的實用藝術品提出了相關的立法建議。
[Abstract]:The protection of practical works of art has become a problem that must be faced and solved in the development of intellectual property law in China. There is a clear difference between practical art and ordinary art, which widely exists in people's life. It is a work of practical value and artistic value produced by people actively exerting their wisdom and intelligence on the basis of long-term life. It embodies people's pursuit of beauty, and it exists widely in people's life and plays an important role in the development of economy. Practical works of art have their unique value of intellectual property and should be protected by the copyright of intellectual property law. Many countries in the world have made legal provisions on the protection of their copyright, such as the United Kingdom, the United States, France and so on by clear legal provisions or in the form of case law to provide for the legal protection of practical works of art. With the development of economic globalization, the legal regulation and adjustment of intellectual property has become a trend of legal development in China. In this paper, the copyright protection of practical works of art is to discuss and understand the relevant legal issues under such international and domestic background. This paper is divided into four parts: the first part introduces the copyright protection system of practical works of art in foreign countries and the current situation of protection in China, analyzes the international conventions and the representative of the United States under the international background. On the basis of the legal provisions of practical works of art in France, the present legal situation of practical works of art in China is further analyzed. The second part introduces the definition of practical art, only on the basis of understanding its basic legal theory can further explore its copyright protection, its connotation, characteristics and related art, arts and crafts, The relationship between industrial design and other related concepts lays a theoretical foundation for the whole paper. The third part introduces the conditions under which practical works of art should be protected by copyright, that is, its copyrights. Firstly, it introduces the characteristics of its originality, practicability and artistry. Combined with the international legal provisions of other countries to further compare and analyze the reasons for its copyright. The fourth part introduces the construction of the legal system on the copyright protection of practical works of art, and puts forward some relevant legislative suggestions on the practical works of art in our country in the light of the relevant legislative situation of foreign countries.
【學位授予單位】：黑龍江大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：D923.41

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