【摘要】：從印刷工人的排版實(shí)踐開始，一直到今天豐富的版面形式，版式設(shè)計(jì)的發(fā)展經(jīng)歷了一段曲折漫長的歷程。其間，從20世紀(jì)初期開始的現(xiàn)代藝術(shù)運(yùn)動(dòng)對版式設(shè)計(jì)的發(fā)展軌跡產(chǎn)生了深遠(yuǎn)的影響。 現(xiàn)代藝術(shù)對版式設(shè)計(jì)的影響體現(xiàn)在對版面空間的研究、字體設(shè)計(jì)、視覺元素的編排方式等方面。在構(gòu)成主義與風(fēng)格主義的影響下，版式設(shè)計(jì)逐漸趨向高度理性化、秩序化，這種理性的版式設(shè)計(jì)逐漸演變成當(dāng)今復(fù)雜、嚴(yán)謹(jǐn)?shù)木W(wǎng)格系統(tǒng)；而未來主義與達(dá)達(dá)主義，看似怪誕的自由版式設(shè)計(jì)則恰恰解決了理性設(shè)計(jì)中過于呆板嚴(yán)謹(jǐn)?shù)膯栴}，用形式表達(dá)設(shè)計(jì)主題，，如今已經(jīng)成為版式設(shè)計(jì)中不可缺少的設(shè)計(jì)方法。 現(xiàn)代藝術(shù)產(chǎn)生的影響不僅改變了版面的形式，而且對版式設(shè)計(jì)的基礎(chǔ)目的產(chǎn)生了深刻的影響，并在此基礎(chǔ)上，形成了現(xiàn)代版式設(shè)計(jì)的基礎(chǔ)理論。 本文通過對版式設(shè)計(jì)基礎(chǔ)理論文獻(xiàn)的收集、分析，對比現(xiàn)代藝術(shù)各個(gè)流派的發(fā)展史與特征，列舉有代表性的作品，從而指出其對版式設(shè)計(jì)發(fā)展產(chǎn)生的影響，清晰的整理出這一時(shí)期的變化路線及這些影響對當(dāng)代版式設(shè)計(jì)的意義。 深入的研究版式設(shè)計(jì)的發(fā)展歷程，宏觀的掌握版式設(shè)計(jì)發(fā)展趨勢，對于了解當(dāng)今版式設(shè)計(jì)的發(fā)展有著重要意義。本課題重點(diǎn)研究從20世紀(jì)初期未來主義開始到20世紀(jì)60年代左右國際主義平面風(fēng)格形成這一歷史時(shí)期內(nèi)，各藝術(shù)流派和包豪斯藝術(shù)教育對版式設(shè)計(jì)所產(chǎn)生的影響，及產(chǎn)生影響后的發(fā)展趨勢，清晰的梳理出其發(fā)展變化過程。
[Abstract]:From the printing workers' typesetting practice to today's rich layout form, the development of layout design has experienced a long and tortuous course. Meanwhile, the modern art movement, which began in the early 20th century, had a profound influence on the development of layout design. The influence of modern art on layout design is reflected in the study of layout space, the design of font, the layout of visual elements and so on. Under the influence of constitutionalism and stylism, layout design tends to be highly rational and orderly. This kind of rational layout design gradually evolves into a complex and rigorous grid system, while futurism and Dadaism, The seemingly grotesque free layout design has solved the problem that rational design is too rigid and rigorous. It has become an indispensable design method in layout design to express the design theme in form. The influence of modern art not only changes the form of layout, but also has a profound influence on the basic purpose of layout design. On this basis, it forms the basic theory of modern layout design. Through the collection and analysis of the basic theory of layout design, this paper compares the history and characteristics of various schools of modern art, enumerates the representative works, and points out their influence on the development of layout design. Clearly sort out the changing route of this period and the significance of these influences to contemporary layout design. It is of great significance to understand the development of layout design by deeply studying the development course of layout design and mastering the developing trend of layout design macroscopically. This paper focuses on the influence of various art schools and Bauhaus art education on layout design during the historical period from the beginning of futurism in the early 20th century to the formation of internationalist plane style in the 1960s. And the trend of development after the impact, clearly carding out its development and change process.
【學(xué)位授予單位】：浙江工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：G213

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