發(fā)布時間：2018-08-07 21:37

【摘要】： 進入21世界以來,非物質(zhì)文化遺產(chǎn)在國際上受到廣泛的關(guān)注,各國為了保護好本國的非物質(zhì)文化遺產(chǎn),都在積極的進行相關(guān)法律研究。作為非物質(zhì)文化遺產(chǎn)重要組成部分的民間文學(xué)藝術(shù),之前并沒有成為主要的關(guān)注對象,相關(guān)的研究課題也比較少。然而,隨著社會的進步,在經(jīng)濟全球化的背景下,民間文學(xué)藝術(shù)在政治、經(jīng)濟、文化乃至綜合國力上的重要價值已是毋庸置疑的,也受到了越來越廣泛的商業(yè)利用,從而導(dǎo)致的侵權(quán)糾紛也是日益增多。因此,我國傳統(tǒng)民間文學(xué)藝術(shù)的保護面臨著十分嚴(yán)峻的形勢,亟需得到應(yīng)有的保護。目前,許多國家及國際社會的民間文學(xué)藝術(shù)保護立法正在緊鑼密鼓地進行著,我國也不例外,各界學(xué)者都在積極的為民間文學(xué)藝術(shù)的立法保護做貢獻。遺憾的是,我國乃至世界各國至今都仍對民間文學(xué)藝術(shù)的權(quán)利主體、保護模式等存在很大爭議,尤其是對保護模式的爭議,從而影響著傳統(tǒng)民間文學(xué)藝術(shù)保護立法的進程。保護模式的界定尤為重要,是因為保護模式不僅影響著國家的立法,其更是其他問題得以解決的前提。因此,本文在充分考察、分析并借鑒其他國家和有關(guān)國際組織保護民間文學(xué)藝術(shù)的立法成果的基礎(chǔ)上,結(jié)合我國現(xiàn)有的保護民間文學(xué)藝術(shù)的立法狀況和司法實踐,綜合考慮各方面因素后,提出了適合我國民間文學(xué)藝術(shù)特殊性的民間文學(xué)藝術(shù)著作權(quán)保護的模式,并在文章中對相關(guān)的具體問題及構(gòu)成要件進行分析、闡述。本文除了引言和結(jié)語外,共分為四個部分。 第一部分是民間文學(xué)藝術(shù)的概述,具體包括民間文學(xué)藝術(shù)的概念及特征。要研究民間文學(xué)藝術(shù)的著作權(quán)保護,首先當(dāng)然是要明確什么是民間文學(xué)藝術(shù),民間文學(xué)藝術(shù)與相關(guān)概念的區(qū)別,民間文學(xué)藝術(shù)的特征。 第二部分是全面介紹國際社會目前對民間文學(xué)藝術(shù)的保護狀況,分為國內(nèi)和國外保護現(xiàn)狀兩個小部分。國外的保護又分為國家的保護現(xiàn)狀和國際組織保護現(xiàn)狀,而國家保護則從發(fā)展中國家和發(fā)達國家兩個方面來進行闡述。大多數(shù)國家都贊成用著作權(quán)法對民間文學(xué)藝術(shù)進行保護,再觀我國的相關(guān)法律規(guī)定,作者認為在我國選擇著作權(quán)法對民間文學(xué)藝術(shù)進行保護是可行的。 第三部分講的是民間文學(xué)藝術(shù)的重要價值及選擇著作權(quán)法保護民間文學(xué)藝術(shù)的理由。民間文學(xué)藝術(shù)具有政治、經(jīng)濟、文化等各方面的重要價值意義,鑒于其重要的價值,制定出民間文學(xué)藝術(shù)的法律保護辦法是當(dāng)務(wù)之急。綜合分析各方因素之后,作者認為可以選擇在著作權(quán)體系下對民間文學(xué)藝術(shù)進行保護。并且選擇著作權(quán)法保護傳統(tǒng)民間文學(xué)藝術(shù)的理由也是比較充分的,在文章中作者具體例舉了3點理由。 第四部分內(nèi)容是全面介紹民間文學(xué)藝術(shù)著作權(quán)保護的構(gòu)成要件,包括權(quán)利主體、權(quán)利客體、權(quán)利內(nèi)容以及侵權(quán)行為和其所應(yīng)當(dāng)承擔(dān)的法律責(zé)任等。權(quán)利內(nèi)容包括人身權(quán)和財產(chǎn)權(quán)兩個方面。通過對上述各問題的分析和闡述,對我國建立民間文學(xué)藝術(shù)著作權(quán)保護法提出了一些建議和思路。 鑒于我國民間文學(xué)藝術(shù)的豐富性,為了更加保護好我國的這項豐富資源,防止他國的侵犯和其他個人或者組織對民間文學(xué)藝術(shù)的濫用,我國必須作出積極應(yīng)對,從立法上積極完善對民間文學(xué)藝術(shù)的保護,唯有如此,才能使我國豐富多彩的民間文學(xué)藝術(shù)得以有效的利用和發(fā)展。
[Abstract]:Since entering the 21 world, the intangible cultural heritage has been widely concerned in the world. In order to protect its non material cultural heritage, all countries are actively conducting relevant legal studies. As an important part of the intangible cultural heritage, folk literature and art have not become the main concern and related research topics before. However, with the progress of the society, in the context of economic globalization, the important value of folk literature and art in political, economic, cultural and even comprehensive national strength is beyond doubt, and has also been more and more widely used in commercial use, resulting in the increasing number of infringement and correction. Therefore, the traditional folk literature and art of our country The protection is facing a very serious situation, and it is urgently needed to be protected. At present, the legislation of the protection of folk literature and art in many countries and the international community is being carried out closely, and our country is no exception. Scholars from all walks of life are actively contributing to the legislative protection of folk literature and art. There is still a lot of controversy over the rights subject and protection mode of the folk literature and art, especially the dispute on the protection mode, which affects the process of the traditional folk literature and art protection legislation. The protection mode is particularly important, because the protection mode not only affects the country's legislation, but also the other problems can be solved. Therefore, on the basis of fully investigating, analyzing and drawing on the legislative achievements of other countries and relevant international organizations to protect folk literature and art, combining with the existing legislative and judicial practice of protecting folk literature and art in our country and considering all aspects of the factors, the author puts forward the people who are suitable for the particularity of the folk literature and art of our country. The mode of copyright protection of literary and artistic copyright is analyzed and expounded in this article. In addition to the introduction and conclusion, this article is divided into four parts.
The first part is an overview of folk literature and art, including the concept and characteristics of folk literature and art. To study the copyright protection of folk literature and art, the first of all is to make clear what is folk literature and art, the difference between folk literature and art and related concepts, and the characteristics of folk literature and art.
The second part is a comprehensive introduction of the international community's current protection of folk literature and art, divided into two small parts of domestic and foreign protection. The protection of foreign countries is divided into the state protection status and the status of international organization protection, while the national protection is elaborated from two aspects of the developing countries and the developed countries. All of them agree with the copyright law to protect the folk literature and art, and then look at the relevant laws and regulations of our country. The author thinks that it is feasible to choose the copyright law in our country to protect the folk literature and art.
The third part is about the important value of folk literature and art and the reasons for the choice of copyright law to protect folk literature and art. Folk literature and art are of important value in political, economic, cultural and other aspects. In view of its important value, it is urgent to establish the legal protection method of folk literature and art. After that, the author believes that the author can choose to protect folk literature and art under the copyright system. And the reasons for choosing the copyright law to protect the traditional folk literature and art are quite sufficient. In this article, the author gives 3 concrete examples.
The fourth part is a comprehensive introduction to the constituent elements of the protection of the copyright of folk literature and art, including the subject of rights, the object of the right, the content of the rights and the legal responsibility that it should bear. The content of the rights includes two aspects of the right of person and the property right. There are some suggestions and ideas on the copyright protection law between literature and art.
In view of the richness of Chinese folk literature and art, in order to protect the rich resources of our country and prevent the abuse of other countries and other individuals or organizations to the abuse of folk literature and art, our country must make a positive response and improve the protection of folk literature and art from the legislation. Only in this way can our country be rich and colorful. The folk literature and art can be effectively utilized and developed.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：D923.41

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本文編號：2171423