本文研究了尼泊爾和中國銅器鑄造之間的關(guān)系,目的旨在探索銅器鑄造的主要條件,以便能夠更新我們通常的理解和領(lǐng)悟。本文嘗試從中國和尼泊爾的銅器鑄造的歷史、過程和方法上闡明其藝術(shù)性特點,特別側(cè)重銅器鑄造方面藝術(shù)特征的表述。人類鑄造銅器的歷史可以追溯到6000年前,其復雜的鑄造廠工作和冶金學是不言而喻的,本文主要在去蠟技術(shù)的基礎(chǔ)上,從理論上和實踐上作出《中國和尼泊爾之間銅器鑄造技術(shù)方面的比較》的研究,特別是去蠟技術(shù)在冶金歷史上發(fā)展最為顯著。本文研究了知名藝術(shù)家們銅器鑄造的論述,深入明確這些藝術(shù)家的藝術(shù)品在融化金屬,鍛造,塑形和展現(xiàn)光澤的過程和技術(shù)特點。按照主題、效果和類型進行了分類。此外,還探討了尋求材料、藝術(shù)風格和形式整體平衡時材料選擇和技術(shù)應(yīng)用。最后還考慮了空間利用、材料構(gòu)建效果和美學的最優(yōu)組合方式。本文的研究和比較不僅有利用銅器鑄造工作,而且有利于通過資源豐富的藝術(shù)和文化刷新藝術(shù)家的認知觀念。在初始概念形成和藝術(shù)激情表達的基礎(chǔ)上,通過哲學上和觀念上的觀察,進一步闡明藝術(shù)家的思想和創(chuàng)作。我們兩國共同的銅器鑄造特點也在本文通過對鑄造過程的得到認識和交流。 

【文章來源】：南京師范大學江蘇省 211工程院校

【文章頁數(shù)】：95 頁

【學位級別】：碩士

【文章目錄】：
Abstract
摘要
Acknowledgments
Dedication
Introduction
    History of Bronze Art in China and Nepal
    Bronze Casting in China and Nepal
    The Bronze Alloy
    Present situation of Bronze casting in China and Nepal
    The Propose and Significant of this study
Chapter-1
    1. Comparison of Bronze casting between China and Nepal
        1.1. Bronze Casting history in China
            Ancient Bronze Casting Techniques
                ·Stone Mould Casting
                ·Clay Mould Casting
                ·Piece Mould Casting and Section Mould
                ·Ablation Casting （Lost- Rope）
                ·Lost Wax Casting
                ·Permanent Mould Casting
            Bronze Alloys in China
        1.2. Bronze Casting History in Nepal
            Ancient Casting Process of Nepal
                ·Lost Wax Casting Method
                ·Sand Casting Method
            The Bronze Alloy in Nepal
Chapter-2
    2. Methodology of Chinese and Nepalese Bronze casting
        2.1. Qualitative and Quantitative Research
        2.2. Explanation of Research Methodology
        2.3. Selection of Metalsmith and Foundries for Study
        2.4. Principals of Selection
        2.5. The Way of Research
        2.6. Project of Development Process
        2.7. Development of Idea of this study
        2.8. Preparation of material of this study
st stage Work in Nepal">        2.9. The 1^st stage Work in Nepal
            2.9.1. Traditional and Gypsum Lost Wax Method
            2.9.2. Preparation of the Materials by Skillful Caster
            2.9.3. Preparation of Main Model
            2.9.4. Moulding Process
            2.9.5. Wax model
            2.9.6. Traditional Ceramics shell mould and Gypsum mould
                ·Traditional Ceramics Shell mould
                ·Gypsum Investment mould
            2.9.7. Dewaxing Process
            2.9.8. Negative Ceramics Mould to Positive Bronze
            2.9.9. knock out solid bronze sculpture from mould
            2.9.10. Finishing
            2.9.11. Decorating and finishing
nd stage Work in China">        2.10. The 2^nd stage Work in China
            2.10.1. How to make Main Model
            2.10.2. The moulding process
            2.10.3. Wax model of Avalokiteshvara
            2.10.4. Ceramics Shell Mould
            2.10.5. Dewax/Burnout Ceramics Shell
            2.10.6. Melting and Pouring Metal in to the Mould
            2.10.7. Release Bronze Sculpture from the Shell Mould
            2.10.8. Finishing
Chapter -3
    3.1. History of Bronze Art in China and Nepal
        3.1.1. China
        3.1.2. Primitive Stage
        3.1.3. The golden Age
        3.1.4. The Transition Period
            ·Styrofoam engraving
    3.2. Nepal
        3.2.1 Earliest Nepalese Art
            3.2.2. The Golden Age
            3.2.3. The Transition Period
    3.3. Analysis of experimental work
    3.4. The Process of Investment Mould in The Both Country
        3.4.2. Slurry of the Ceramics shell Mould in Nepal
        3.4.3. The Outer Layer and Core of the Investment Mould
        3.4.4. Material of Gypsum Mould Solution
        3.4.5. Investment Ceramics Shell Mould in the China
    3.5. Chemical and Material solution and Ratio in This Study
        3.5.2. Appendix-1
            ·Wax solution In Nepal
            ·Paraffin wax with bee's wax
            Solution in China
        3.5.3. Appendix-2
            ·Ceramics Shell Mould Solution
        3.5.4. Appendix-3
            Bronze in China
            Bronze in Nepal
Chapter-4
    4.1. importance role of Bronze art in religion and culture
    4.2. Conclusion
References
·Appendix:-4 My work


【參考文獻】：
期刊論文
[1]The ancient Chinese casting techniques[J]. Tan Derui1 and Lian Haiping2(1.Chinese Society of Traditional Crafts,Shanghai,China;2.Shanghai Museum,No.1357 Yan’an Road (West),Shanghai 200050,China).  China Foundry. 2011(01)



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