南部侗族傳統(tǒng)文化特點(diǎn)研究
發(fā)布時(shí)間：2019-01-05 03:26
【摘要】：南部侗族,指侗族聚居區(qū)域內(nèi)自貴州錦屏縣清水江以南,使用侗語南部方言的支系。由于漢文化對(duì)北部侗族地區(qū)的涵化程度較深,當(dāng)?shù)氐奈幕冞w步伐較快,侗族南部方言區(qū)與北部方言區(qū)、南部支系與北部支系之間,除了語言因素外,還存在著更多的社會(huì)和文化層面上的明顯差異,形成兩個(gè)局部區(qū)域文化系統(tǒng),導(dǎo)致兩地的文化習(xí)俗、文化景觀、文學(xué)藝術(shù)的表現(xiàn)形式等,各具地域性風(fēng)格和特色。侗族傳統(tǒng)文化之特色或說是侗族的原生文化生態(tài)系統(tǒng),比較完整地保存在南部區(qū)域。二十世紀(jì)中葉以前,南部侗族的眾多村寨,還保留著一些典型的民族傳統(tǒng)文化景觀,民族節(jié)日、風(fēng)俗習(xí)慣、社會(huì)初級(jí)組織、習(xí)慣法、生活方式、思維方式、民族心理、價(jià)值觀念也沒有發(fā)生多少變異。特別是以鼓樓、花橋和侗族大歌為代表的那些極具民族文化標(biāo)識(shí)性和個(gè)性色彩的原生文化內(nèi)容,在南部侗族傳統(tǒng)文化體系中比較完整地傳承和延續(xù)了下來,構(gòu)成南部侗族傳統(tǒng)文化的主要內(nèi)涵,其中蘊(yùn)藏著的一些主要特點(diǎn),也大體上反映出或代表著侗族傳統(tǒng)文化的主要特質(zhì)。 本文秉承文化多元并存理念和文化價(jià)值相對(duì)性的立場,主要采取實(shí)事求是的實(shí)證分析方法,以翔實(shí)、客觀的民族學(xué)材料為依據(jù),對(duì)南部侗族傳統(tǒng)文化幾個(gè)方面的內(nèi)涵展開分析和闡述。在把握文化主體生存的自然生態(tài)環(huán)境前提下,以中華民族多元一體發(fā)展、人類社會(huì)基本演進(jìn)軌跡為參照系統(tǒng),對(duì)侗文化與漢文化和苗文化、南部侗文化與北部侗文化進(jìn)行異同比較,具體剖析南部侗族傳統(tǒng)文化的原生的、歷史的形態(tài)及其主要特點(diǎn)和特點(diǎn)形成的原因。 論文內(nèi)容可概括為三個(gè)部分。第一部分,著重從“歷時(shí)性”的角度,多視角地審視侗族族源、民族形成問題以及南部、北部區(qū)域文化的差異;第二部分,則從“共時(shí)性”的角度,論述了南部侗族傳統(tǒng)文化的文化屬性特點(diǎn)(文化風(fēng)格)、與他民族傳統(tǒng)文化比較后形成的整體性文化特征,兩者的表現(xiàn)形式及其成因;第三部分,運(yùn)用“歷時(shí)性”與“共時(shí)性”相結(jié)合的方法,就南部侗族經(jīng)濟(jì)文化類型、豐富內(nèi)涵和稻作農(nóng)耕文化樣式的個(gè)性特點(diǎn)進(jìn)行逐層探討。就制度文化中的“補(bǔ)臘”制度及其功能和特點(diǎn),“合款”組織、侗款制度的功能和特點(diǎn),“款約”習(xí)慣法的內(nèi)容和特點(diǎn)展開專題性思考。就傳統(tǒng)思維方式的結(jié)構(gòu)、特征、功能,傳統(tǒng)文化所蘊(yùn)藏的民族意識(shí)和文化心理的具體內(nèi)涵、特征進(jìn)行分析與闡釋。就南部侗族鼓樓建筑特點(diǎn)和價(jià)值,鼓樓文化的象征內(nèi)容、隱喻意義及其認(rèn)同儀式,提出了個(gè)人見解。
[Abstract]:The Dong nationality in the south of Qingshuijiang in Jinping County, Guizhou Province, is a branch of the southern dialect of Dong language. Due to the deep acculturation of the Han culture to the Dong nationality area in the north, the local culture changes rapidly. Besides the linguistic factors, the southern dialect area and the northern dialect area, the southern branch and the northern branch of Dong nationality, There are also more obvious differences in social and cultural levels, forming two local regional cultural systems, resulting in cultural customs, cultural landscape, forms of expression of literature and art, each with regional style and characteristics. The traditional culture of Dong nationality is characterized by its original culture ecosystem, which is completely preserved in the southern region. Before the middle of the twentieth century, many villages of the Dong nationality in the south still retained some typical traditional cultural landscapes, national festivals, customs and habits, primary social organizations, customary law, way of life, way of thinking, and national psychology. Nor has there been much variation in values. In particular, the original cultural contents, which are represented by the drum towers, flower bridges and Dong nationality songs, have been inherited and continued relatively completely in the traditional cultural system of the Dong nationality in the south. The main connotations of the traditional culture of Dong nationality in the south of China contain some main characteristics which also reflect or represent the main characteristics of the traditional culture of Dong nationality in general. Based on the concept of coexistence of cultural diversity and the relativity of cultural value, this paper mainly adopts the empirical analysis method of seeking truth from facts, which is based on informative and objective ethnological materials. The connotation of the traditional culture of Dong nationality in the south is analyzed and expounded. On the premise of grasping the natural ecological environment in which the cultural subject survives, taking the pluralistic development of the Chinese nation and the basic evolution of human society as the reference system, the Dong culture, the Han culture and the Miao culture are studied. This paper makes a comparison between the Dong culture in the south and the Dong culture in the north, and concretely analyzes the primary and historical forms of the traditional culture of the Dong nationality in the south, and the main characteristics and the reasons for the formation of the characteristics. The content of the thesis can be summarized into three parts. The first part focuses on the "diachronic" angle of view to examine the origin of the Dong nationality, the formation of ethnic groups and the cultural differences in the southern and northern regions. The second part, from the perspective of "synchronic", discusses the cultural characteristics (cultural style) of the traditional culture of Dong nationality in the south, the overall cultural characteristics formed after the comparison with the traditional culture of other nationalities, their forms of expression and their causes of formation; The third part, using the method of diachronic and synchronic, discusses the economic and cultural types of Dong nationality in the south, the rich connotation and the individual characteristics of rice farming culture style. This paper focuses on the system of "replenishing wax" in institutional culture, its functions and characteristics, the organization of "joint funds", the functions and characteristics of Dong's system, and the contents and characteristics of customary law. This paper analyzes and explains the structure, characteristics and functions of the traditional mode of thinking, as well as the specific connotation and characteristics of the national consciousness and cultural psychology contained in the traditional culture. Based on the characteristics and values of the Drum Tower in the south, the symbolic content, metaphorical meaning and identification ceremony of the Drum Tower culture, this paper puts forward some personal opinions.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2006
【分類號(hào)】：C955;G122
本文編號(hào)：2401199
[Abstract]:The Dong nationality in the south of Qingshuijiang in Jinping County, Guizhou Province, is a branch of the southern dialect of Dong language. Due to the deep acculturation of the Han culture to the Dong nationality area in the north, the local culture changes rapidly. Besides the linguistic factors, the southern dialect area and the northern dialect area, the southern branch and the northern branch of Dong nationality, There are also more obvious differences in social and cultural levels, forming two local regional cultural systems, resulting in cultural customs, cultural landscape, forms of expression of literature and art, each with regional style and characteristics. The traditional culture of Dong nationality is characterized by its original culture ecosystem, which is completely preserved in the southern region. Before the middle of the twentieth century, many villages of the Dong nationality in the south still retained some typical traditional cultural landscapes, national festivals, customs and habits, primary social organizations, customary law, way of life, way of thinking, and national psychology. Nor has there been much variation in values. In particular, the original cultural contents, which are represented by the drum towers, flower bridges and Dong nationality songs, have been inherited and continued relatively completely in the traditional cultural system of the Dong nationality in the south. The main connotations of the traditional culture of Dong nationality in the south of China contain some main characteristics which also reflect or represent the main characteristics of the traditional culture of Dong nationality in general. Based on the concept of coexistence of cultural diversity and the relativity of cultural value, this paper mainly adopts the empirical analysis method of seeking truth from facts, which is based on informative and objective ethnological materials. The connotation of the traditional culture of Dong nationality in the south is analyzed and expounded. On the premise of grasping the natural ecological environment in which the cultural subject survives, taking the pluralistic development of the Chinese nation and the basic evolution of human society as the reference system, the Dong culture, the Han culture and the Miao culture are studied. This paper makes a comparison between the Dong culture in the south and the Dong culture in the north, and concretely analyzes the primary and historical forms of the traditional culture of the Dong nationality in the south, and the main characteristics and the reasons for the formation of the characteristics. The content of the thesis can be summarized into three parts. The first part focuses on the "diachronic" angle of view to examine the origin of the Dong nationality, the formation of ethnic groups and the cultural differences in the southern and northern regions. The second part, from the perspective of "synchronic", discusses the cultural characteristics (cultural style) of the traditional culture of Dong nationality in the south, the overall cultural characteristics formed after the comparison with the traditional culture of other nationalities, their forms of expression and their causes of formation; The third part, using the method of diachronic and synchronic, discusses the economic and cultural types of Dong nationality in the south, the rich connotation and the individual characteristics of rice farming culture style. This paper focuses on the system of "replenishing wax" in institutional culture, its functions and characteristics, the organization of "joint funds", the functions and characteristics of Dong's system, and the contents and characteristics of customary law. This paper analyzes and explains the structure, characteristics and functions of the traditional mode of thinking, as well as the specific connotation and characteristics of the national consciousness and cultural psychology contained in the traditional culture. Based on the characteristics and values of the Drum Tower in the south, the symbolic content, metaphorical meaning and identification ceremony of the Drum Tower culture, this paper puts forward some personal opinions.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2006
【分類號(hào)】：C955;G122
【引證文獻(xiàn)】
相關(guān)期刊論文 前3條
1 唐淑娥;;古為今用,古今貫通——中國傳統(tǒng)文化在現(xiàn)代服飾設(shè)計(jì)中的創(chuàng)新應(yīng)用[J];大眾文藝;2011年19期
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8 蔣馨嵐;侗族建筑文化遺產(chǎn)研究[D];華中師范大學(xué);2009年
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，本文編號(hào)：2401199
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