【摘要】： 本文采用文獻(xiàn)法和實(shí)地調(diào)查、個(gè)案分析法,從民族學(xué)、民俗學(xué)、社會(huì)學(xué)視角對(duì)朝鮮族傳統(tǒng)婚禮文化進(jìn)行專題研究。本研究不局限于文化事象,而是從傳統(tǒng)與變遷、儀式的象征、儀式的功能、傳承與保護(hù)等方面,進(jìn)行了整體研究。 論文共分為八個(gè)部分：緒論、結(jié)論以及正文六個(gè)部分。 緒論部分主要寫論文選題的意義,梳理國(guó)內(nèi)外的相關(guān)研究成果,指出論文與相關(guān)研究的聯(lián)系與區(qū)別,并且就論文的研究?jī)?nèi)容、研究方法予以說(shuō)明。 第一章分三個(gè)部分：對(duì)延邊朝鮮族自治州的總體情況進(jìn)行介紹；對(duì)朝鮮族從朝鮮半島遷入中國(guó)的背景以及遷入過程進(jìn)行闡述；對(duì)朝鮮族文化的構(gòu)建過程及認(rèn)同過程進(jìn)行闡述。 第二章分四個(gè)部分闡述朝鮮族傳統(tǒng)婚禮。第一部分闡述朱子家禮在朝鮮的傳播過程。第二部分闡述朝鮮族傳統(tǒng)婚俗從“男歸女家”過渡到“親迎”之禮,再次折衷兩者演變?yōu)椤鞍胗H迎”之禮的歷史背景、實(shí)施情況以及朝鮮族中曾經(jīng)存在過的幾種婚姻形態(tài)。第三部分闡述過去朝鮮族傳統(tǒng)婚禮的婚禮程序。第四部分對(duì)朝鮮族傳統(tǒng)婚禮中的服飾、飲食、裝身具的文化性質(zhì)與意義進(jìn)行探討。 第三章主要分三個(gè)階段回顧在國(guó)家意識(shí)形態(tài)與時(shí)代變化的背景下,朝鮮族傳統(tǒng)婚禮儀式所發(fā)生的變遷。第一階段是遷入初期至1965年。此時(shí)期又可細(xì)分為三個(gè)階段。即,遷入至1931年之前；1931年“九·一八”事變后至建國(guó)初期；建國(guó)初期至1965年。此時(shí)期的婚禮文化,雖然發(fā)生了一些變化,但它的總體趨勢(shì)是延續(xù)了之前的朝鮮族傳統(tǒng)婚禮文化。第二階段是文化大革命時(shí)期。受“左”傾思潮的影響,朝鮮族婚俗中的一些傳統(tǒng)被當(dāng)作迷信的或封建的東西而遭廢棄。婚禮程序省略化,婚禮內(nèi)容簡(jiǎn)單化,傳統(tǒng)婚禮文化處于儀式的斷裂時(shí)期。第三階段是1977年至現(xiàn)今�！拔母铩苯Y(jié)束之后,傳統(tǒng)婚禮在延邊地區(qū)重恢復(fù)�，F(xiàn)今,隨著全球化和市場(chǎng)經(jīng)濟(jì)的發(fā)展,朝鮮族婚禮文化又不斷地受現(xiàn)代文明的沖擊,進(jìn)行了傳統(tǒng)文化與外來(lái)文化的融合。 第四章對(duì)朝鮮族傳統(tǒng)婚禮的儀式過程與象征進(jìn)行分析。首先,根據(jù)范·根納普(Arnold Van Gennep)的過渡禮儀模式,將朝鮮族傳統(tǒng)婚禮分“分離”-“閾限”-“重整”三個(gè)階段,分析其通過儀式過程。其次,對(duì)朝鮮族婚禮中的實(shí)物象征、行為象征、言語(yǔ)象征、顏色象征和方位象征進(jìn)行分析。 第五章研究朝鮮族傳統(tǒng)婚禮的功能與意義。社會(huì)和文化系統(tǒng)賦予某一種儀式以特殊的規(guī)定性。許多儀式的功能是事先被規(guī)定的社會(huì)意義所預(yù)設(shè),這些價(jià)值預(yù)設(shè)在相應(yīng)的儀式以及它們的目的和目標(biāo)上,或在名義上已經(jīng)有附麗。筆者用一章的篇幅來(lái)論述朝鮮族傳統(tǒng)婚禮的功能,主要從支付與社會(huì)關(guān)系建設(shè)、教化、傳承、認(rèn)同與凝聚等方面,詳細(xì)分析朝鮮族傳統(tǒng)婚禮對(duì)社會(huì)群體和個(gè)人的功能與意義。 第六章在保護(hù)非物質(zhì)文化遺產(chǎn)的視野下,審視朝鮮族傳統(tǒng)婚禮的傳承,分析朝鮮族傳統(tǒng)婚禮中存在的問題,以及為保護(hù)朝鮮族傳統(tǒng)婚禮提出參考建議。最后在結(jié)論部分,概括全文內(nèi)容。
[Abstract]:This paper makes a special study of Korean traditional wedding culture from the perspective of ethnology, folklore and sociology by means of documentary method, field investigation and case analysis.
The thesis is divided into eight parts: introduction, conclusion and six parts of the text.
The introduction part mainly writes the significance of topic selection, combs the related research results at home and abroad, points out the connection and difference between the paper and related research, and explains the research content and research methods of the paper.
The first chapter is divided into three parts: the general situation of Yanbian Korean Autonomous Prefecture is introduced; the background and process of Korean immigration from the Korean Peninsula to China are elaborated; and the process of Korean culture construction and identification is elaborated.
The second chapter is divided into four parts to elaborate the traditional Korean wedding.The first part elaborates the spread process of Zhu Zi's family rites in Korea.The second part elaborates the transition of Korean traditional marriage customs from "men return to women's homes" to "intimate welcome" rites. The third part expounds the procedure of traditional Korean wedding in the past. The fourth part discusses the cultural nature and significance of costumes, diet and costumes in traditional Korean wedding.
The first stage is from the beginning of the immigration to 1965. This period can be divided into three stages: before 1931, after the September 18th Incident in 1931, to the beginning of the founding of the People's Republic of China. By 1965, although some changes had taken place in the wedding culture, the general trend was to continue the traditional Korean wedding culture. The second stage was the Cultural Revolution. Affected by the "Left" trend of thought, some of the Korean marriage customs were abandoned as superstitious or feudal. The third stage is from 1977 to today. After the end of the Cultural Revolution, traditional weddings have been restored in Yanbian. Nowadays, with the development of globalization and market economy, Korean wedding culture has been constantly impacted by modern civilization, carrying out traditional culture and culture. Integration of foreign cultures.
The fourth chapter analyzes the ritual process and symbols of traditional Korean wedding. Firstly, according to Arnold Van Gennep's transitional etiquette model, the traditional Korean wedding is divided into three stages: separation, threshold and reorganization, and the ritual process is analyzed. Secondly, the physical symbols and behavior images of Korean wedding are analyzed. Analysis of signs, speech symbols, color symbols and orientation symbols.
Chapter Five studies the functions and meanings of traditional Korean wedding ceremonies.The social and cultural systems endow certain ceremonies with special prescriptions.The functions of many ceremonies are presupposed by pre-prescribed social meanings.These values are presupposed in the corresponding ceremonies, their aims and objectives, or have been attached in name. This paper discusses the functions of traditional Korean wedding, mainly from the aspects of payment and social relations, education, inheritance, identity and cohesion, and analyzes in detail the functions and significance of traditional Korean wedding to social groups and individuals.
Chapter 6 examines the inheritance of Korean traditional weddings from the perspective of intangible cultural heritage protection, analyzes the problems existing in Korean traditional weddings, and puts forward suggestions for the protection of Korean traditional weddings.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2010
【分類號(hào)】：C95

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