本文選題：涼山彝族 + 漆器工藝��； 參考：《西南民族大學(xué)學(xué)報(bào)(人文社科版)》2015年07期

【摘要】：涼山彝族漆器原本是人們的生活實(shí)用器,改革開放后,隨著民族文化的復(fù)興,逐漸成為了涼山彝族最具代表性的象征符號(hào)之一。近十年來,漆器作為禮品、旅游工藝品的需求大大超過了作為實(shí)用器的需求。以"看"為主的消費(fèi)超過了以"用"為主的實(shí)用性消費(fèi),消費(fèi)市場(chǎng)可分為三類。漆器工匠的生產(chǎn)經(jīng)營受到各種力量的影響,其中對(duì)工匠產(chǎn)生直接影響的是現(xiàn)代科技、直接相關(guān)的政策和消費(fèi)市場(chǎng)。漆匠在與這些力量相互作用下形成了三種生產(chǎn)經(jīng)營模式。其中,傳統(tǒng)消費(fèi)者和傳統(tǒng)消費(fèi)習(xí)俗是傳統(tǒng)工藝得以保持、延續(xù)的動(dòng)力和生命力。2007年以來,涼山彝族漆器制作技藝成為了省級(jí)、國家級(jí)的非物質(zhì)文化遺產(chǎn),非物質(zhì)文化遺產(chǎn)的認(rèn)定,只在一定程度上有利于涼山彝族傳統(tǒng)漆藝的保護(hù),而傳承人的認(rèn)定對(duì)傳統(tǒng)漆藝的傳承、保護(hù)利弊都不太大。為了涼山以禮品、旅游工藝品為主的化學(xué)漆器的生產(chǎn)能夠可持續(xù)發(fā)展,為了更好地保護(hù)涼山彝族傳統(tǒng)漆器工藝,應(yīng)該認(rèn)真實(shí)施《涼山彝族漆器地方標(biāo)準(zhǔn)》,建議在政府的主導(dǎo)下成立漆器工匠的行業(yè)協(xié)會(huì),由工匠們自行管理。
[Abstract]:Liangshan Yi lacquer ware was originally a practical tool for people's life. After the reform and opening up, with the revival of national culture, it has gradually become one of the most representative symbols of Liangshan Yi nationality. In the past decade, the demand for lacquer ware as a gift and tourist handicraft has greatly exceeded the demand for utility. The consumption based on "see" exceeds the practical consumption of "use", and the consumer market can be divided into three categories. The production and management of lacquer craftsmen are influenced by various forces, among which modern technology, directly related policies and consumer markets have a direct impact on artisans. Painters interact with these forces to form three modes of production and management. Among them, traditional consumers and traditional consumption customs are the motive force and vitality of keeping and continuing traditional craftsmanship. Since 2007, Liangshan Yi lacquer making techniques have become provincial and national intangible cultural heritage. The identification of intangible cultural heritage is only beneficial to the protection of the traditional lacquer art of the Yi nationality in Liangshan to a certain extent, while the identification of the inheritor is not too good for the inheritance of the traditional lacquer art. In order for Liangshan to produce chemical lacquer ware which is mainly gifts and tourist handicrafts, and to better protect the traditional lacquerware technology of Liangshan Yi nationality, The local standard of lacquer ware of Yi nationality in Liangshan should be implemented conscientiously, and it is suggested that a professional association of lacquer craftsmen should be set up under the guidance of the government, which should be managed by the artisans themselves.
【作者單位】： 西南民族大學(xué)民族研究院;
【基金】：國家社會(huì)科學(xué)基金項(xiàng)目“文化生態(tài)與少數(shù)民族傳統(tǒng)手工藝遺產(chǎn)保護(hù)研究”(11BMZ033) 西南民族大學(xué)研究生學(xué)位點(diǎn)建設(shè)項(xiàng)目(2015XWD-B0304)階段性成果
【分類號(hào)】：C95

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本文編號(hào)：1921701