本文選題：美學(xué) + 文化人類學(xué)�。� 參考：《民族藝術(shù)》2014年06期

【摘要】：20世紀(jì)60年代以來,對(duì)藝術(shù)和美學(xué)的跨文化研究興趣得以復(fù)蘇,論著日漸增多,論題涉及藝術(shù)家、風(fēng)格傳統(tǒng)、象征主義和藝術(shù)的功能。以前相互分離的學(xué)科之間互動(dòng)越來越多,學(xué)者們對(duì)于美學(xué)的比較研究興趣日濃。對(duì)非西方美學(xué)的研究表明:每種文化都有審美原則,藝術(shù)哲學(xué)因不同的社會(huì)而有很大差異,藝術(shù)在每個(gè)社會(huì)中都表達(dá)了重要的意義。20世紀(jì)90年代,關(guān)于非西方藝術(shù)和美學(xué)體系的文獻(xiàn)增加了,此時(shí)的研究受到后現(xiàn)代運(yùn)動(dòng)影響,更多地關(guān)注這一學(xué)科本身及其理論框架。另一方面,市場(chǎng)藝術(shù)的數(shù)量繼續(xù)激增,就世界藝術(shù)研究而言,不應(yīng)忽視對(duì)市場(chǎng)藝術(shù)的研究。藝術(shù)正以不同以往的速度不斷發(fā)生變化,描述和理解全世界正在出現(xiàn)的眾多藝術(shù)和藝術(shù)理論,成為擺在面前的一個(gè)巨大而興奮的挑戰(zhàn)。
[Abstract]:Since the 1960s, the cross-cultural interest in art and aesthetics has been revived, with the increasing number of works on artists, style and tradition, symbolism and the function of art. There has been more and more interaction between the previously separated disciplines, and scholars are increasingly interested in the comparative study of aesthetics. The research on non-western aesthetics shows that every culture has aesthetic principle, art philosophy varies greatly with different societies, and art expresses important significance in every society in 1990s. The literature on non-western art and aesthetic systems has increased, and the research is influenced by the postmodern movement, paying more attention to the discipline itself and its theoretical framework. On the other hand, the number of market art continues to surge, and the study of market art should not be ignored as far as the study of world art is concerned. Art is changing at a different speed than ever before. Describing and understanding many art and art theories that are emerging all over the world have become a huge and exciting challenge in front of us.
【作者單位】： 美國堪薩斯城市藝術(shù)學(xué)院人文學(xué)院;山東藝術(shù)學(xué)院;
【分類號(hào)】：C912.4
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本文編號(hào)：1813170