發(fā)布時(shí)間：2019-01-27 10:58

【摘要】：城市在快速更新的過(guò)程中，由于產(chǎn)業(yè)結(jié)構(gòu)調(diào)整、環(huán)境整治等原因遺留了大量面臨去留的工業(yè)建筑。與此同時(shí)，信息化社會(huì)的發(fā)展對(duì)展示類建筑的需求激增，將舊工業(yè)建筑改造再利用與展示類建筑的發(fā)展需求相結(jié)合，是實(shí)現(xiàn)經(jīng)濟(jì)發(fā)展和環(huán)境保護(hù)共生的一種有效舉措。從國(guó)內(nèi)外眾多成功的案例來(lái)看，這一改造類型不僅能推動(dòng)城市文化產(chǎn)業(yè)多元發(fā)展，還能起到保存城市記憶、豐富市民文化生活的作用。 基于舊工業(yè)建筑展示類改造命題，為解決新舊轉(zhuǎn)換、工業(yè)標(biāo)準(zhǔn)化生產(chǎn)向個(gè)性展示轉(zhuǎn)變的矛盾，本文引入探討對(duì)立元素互補(bǔ)共存的共生思想，，從中提取“圣域”、“中間領(lǐng)域”和“共生狀態(tài)”的概念，建立相對(duì)系統(tǒng)的共生模式來(lái)解決舊工業(yè)建筑展示類改造再利用的問(wèn)題。 文章首先結(jié)合共生思想進(jìn)行分析，探尋舊工業(yè)建筑展示類改造的“圣域”和“中間領(lǐng)域”，將改造中應(yīng)遵循的原則、設(shè)計(jì)要求和改造價(jià)值、契合與可改要素作為共生模式的原生基礎(chǔ)；通過(guò)大量實(shí)踐案例的分析總結(jié)，提出置入文化觸媒觸發(fā)改造過(guò)程，并從重建建筑和城市的關(guān)系，以及建、構(gòu)筑物自身改造兩方面總結(jié)這一模式的共生策略；還重點(diǎn)總結(jié)了舊工業(yè)建筑與展示類建筑在光環(huán)境設(shè)計(jì)上的相關(guān)性，從提高展示空間的照度、改善光線質(zhì)量?jī)煞矫鏆w納出光環(huán)境改造共生的措施；繼而通過(guò)分析成功的泰特美術(shù)館對(duì)共生模式進(jìn)行驗(yàn)證，并將這一改造模式應(yīng)用于天鵝湖電廠改造設(shè)計(jì)中。文章最后總結(jié)了在實(shí)踐案例中對(duì)這一模式的策略性應(yīng)用，為舊工業(yè)建筑展示類改造共生模式的研究提供了理論和實(shí)踐上的雙重支持。
[Abstract]:In the process of rapid renewal, a large number of industrial buildings have been left behind due to the adjustment of industrial structure and environmental improvement. At the same time, with the development of information society, the demand for exhibition buildings is surging. It is an effective measure to realize the symbiosis of economic development and environmental protection by combining the reconstruction and reuse of old industrial buildings with the development needs of display buildings. From many successful cases at home and abroad, this type of transformation can not only promote the diversified development of urban cultural industry, but also play a role in preserving urban memory and enriching the cultural life of citizens. In order to solve the contradiction between new and old transformation and industrial standardization production to personality display, this paper introduces the symbiosis thought of exploring the complementary coexistence of opposing elements, and extracts "holy domain" from the proposition of the display type transformation of old industrial buildings. The concept of "intermediate field" and "symbiotic state" is established to solve the problem of reusing the display class of old industrial buildings by establishing a relatively systematic symbiotic model. This paper first analyzes the symbiosis thought, explores the "holy field" and "middle field" of the display type transformation of the old industrial buildings, and puts forward the principles, design requirements and transformation value to be followed in the transformation. Fit and modifiable elements are the primary basis of symbiotic model; Through the analysis and summary of a large number of practical cases, this paper puts forward the process of triggering the transformation with cultural catalyst, and sums up the symbiotic strategy of this model from the reconstruction of the relationship between the building and the city, as well as the construction and the reconstruction of the structure itself. It also summarizes the correlation between the old industrial buildings and the display buildings in the light environment design, and summarizes the measures of light environment reconstruction and symbiosis from the aspects of improving the illuminance of the display space and improving the light quality. Then the symbiotic model is verified by the successful Tate Art Museum and applied to the retrofit design of Swan Lake Power Plant. Finally, the paper summarizes the strategic application of this model in practical cases, which provides both theoretical and practical support for the study of the symbiotic model of demonstration transformation of old industrial buildings.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU242.5;TU27

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