印度佛教石窟建筑研究
發(fā)布時(shí)間：2018-12-15 16:33
【摘要】：石窟是佛教寺院的一種特殊形式，是佛教藝術(shù)的重要組成部分。最早的佛教石窟產(chǎn)生于印度，后來(lái)伴隨著佛教的傳播，中國(guó)也開始出現(xiàn)了石窟。在其漫長(zhǎng)的傳播和發(fā)展中，二者在窟型、造像和壁畫方面都有很大的不同。 石窟是為了僧人的修行而建，所以必然包含兩種功能：宗教活動(dòng)與生活起居。一處石窟群主要包含兩種洞窟類型分別對(duì)應(yīng)著這兩種功能：支提窟和精舍窟。隨著佛教的興盛發(fā)展與其職能范圍的不斷擴(kuò)展，石窟逐漸由單一石鑿的洞窟，轉(zhuǎn)變?yōu)榧ㄖ�、雕塑與壁畫為一體的佛教石窟藝術(shù)的綜合體，并成為人類文化寶庫(kù)中極為珍貴和重要的組成部分。 本文從建筑學(xué)的角度出發(fā)，結(jié)合考古學(xué)、美術(shù)史等相關(guān)學(xué)科的基礎(chǔ)理論，，通過(guò)在國(guó)內(nèi)外的實(shí)地考察，在進(jìn)一步查詢文獻(xiàn)和搜集整理資料的基礎(chǔ)上，對(duì)印度佛教石窟從整體到局部分成四個(gè)部分進(jìn)行研究和分析：建筑群體、建筑單體、建筑裝飾，并兼談對(duì)中國(guó)石窟的影響。 本文共分七章，第一章是緒論，提出總體設(shè)想，包括課題的來(lái)源、課題的研究對(duì)象和內(nèi)容、研究的目的與意義、課題的研究方法，以及國(guó)內(nèi)外的研究現(xiàn)狀。第二章是印度佛教和佛教建筑，介紹了印度佛教的產(chǎn)生與興衰、印度佛教建筑的早期特征和典型實(shí)例。第三章是對(duì)印度佛教石窟的一個(gè)概述，包括其產(chǎn)生的原因、發(fā)展的過(guò)程，以及一個(gè)石窟群可能包含的洞窟類型。第四章是印度佛教石窟建筑群體分析，結(jié)合一些實(shí)例分析了印度石窟群的選址和形態(tài)發(fā)展。第五章印度佛教石窟建筑個(gè)體分析，從不同時(shí)期的形式變化方面分析了石窟建筑的單體及其構(gòu)件。第六章印度佛教石窟裝飾分析，從雕刻和造像以及壁畫兩方面對(duì)石窟的裝飾進(jìn)行了論述。第七章是印度佛教石窟對(duì)中國(guó)石窟的影響，介紹了中國(guó)的石窟是如何在印度石窟的影響下進(jìn)行本土化演變的。
[Abstract]:Grottoes are a special form of Buddhist monastery and an important part of Buddhist art. The earliest Buddhist grottoes came into being in India, and later along with the spread of Buddhism, China began to appear grottoes. In their long spread and development, they are very different in grottoes, statues and murals. The grottoes are built for monks, so they must have two functions: religious activities and living. A grotto group mainly contains two types of grottoes corresponding to these two functions: Zhiti Grottoes and Jingshe grottoes. With the development of Buddhism and the expansion of its scope of function, the grottoes gradually changed from single stone hollows to a complex of architecture, sculpture and mural art of Buddhist grottoes. And become the treasure house of human culture extremely precious and important component. From the angle of architecture, this paper combines the basic theories of archaeology, art history and other related disciplines, through field investigation at home and abroad, on the basis of further consulting literature and collecting and arranging information. This paper studies and analyzes the Indian Buddhist grottoes divided into four parts from the whole to the part: the architectural group, the architectural monomer, the architectural decoration, and the influence on the Chinese grottoes. This paper is divided into seven chapters. The first chapter is the introduction, which puts forward the general idea, including the source of the subject, the object and content of the research, the purpose and significance of the research, the research methods of the subject, and the present situation of the research at home and abroad. The second chapter is Indian Buddhism and Buddhist architecture, introduces the emergence, rise and fall of Indian Buddhism, the early characteristics and typical examples of Indian Buddhist architecture. The third chapter is an overview of the Indian Buddhist grottoes, including its causes, the development of the process, as well as a group of grottoes may contain the types of caves. The fourth chapter is the group analysis of Indian Buddhist grottoes, combined with some examples to analyze the location and morphological development of Indian grottoes. Chapter five analyzes the individual structure of the Indian Buddhist grottoes, and analyzes the individual elements of the grotto architecture from the aspect of the change of form in different periods. The sixth chapter discusses the decoration of Indian Buddhist grottoes from the aspects of carvings, statues and murals. The seventh chapter is the influence of the Indian Buddhist grottoes on the Chinese grottoes, and introduces how the Chinese grottoes evolved locally under the influence of the Indian grottoes.
【學(xué)位授予單位】：南京工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU252
本文編號(hào)：2380967
[Abstract]:Grottoes are a special form of Buddhist monastery and an important part of Buddhist art. The earliest Buddhist grottoes came into being in India, and later along with the spread of Buddhism, China began to appear grottoes. In their long spread and development, they are very different in grottoes, statues and murals. The grottoes are built for monks, so they must have two functions: religious activities and living. A grotto group mainly contains two types of grottoes corresponding to these two functions: Zhiti Grottoes and Jingshe grottoes. With the development of Buddhism and the expansion of its scope of function, the grottoes gradually changed from single stone hollows to a complex of architecture, sculpture and mural art of Buddhist grottoes. And become the treasure house of human culture extremely precious and important component. From the angle of architecture, this paper combines the basic theories of archaeology, art history and other related disciplines, through field investigation at home and abroad, on the basis of further consulting literature and collecting and arranging information. This paper studies and analyzes the Indian Buddhist grottoes divided into four parts from the whole to the part: the architectural group, the architectural monomer, the architectural decoration, and the influence on the Chinese grottoes. This paper is divided into seven chapters. The first chapter is the introduction, which puts forward the general idea, including the source of the subject, the object and content of the research, the purpose and significance of the research, the research methods of the subject, and the present situation of the research at home and abroad. The second chapter is Indian Buddhism and Buddhist architecture, introduces the emergence, rise and fall of Indian Buddhism, the early characteristics and typical examples of Indian Buddhist architecture. The third chapter is an overview of the Indian Buddhist grottoes, including its causes, the development of the process, as well as a group of grottoes may contain the types of caves. The fourth chapter is the group analysis of Indian Buddhist grottoes, combined with some examples to analyze the location and morphological development of Indian grottoes. Chapter five analyzes the individual structure of the Indian Buddhist grottoes, and analyzes the individual elements of the grotto architecture from the aspect of the change of form in different periods. The sixth chapter discusses the decoration of Indian Buddhist grottoes from the aspects of carvings, statues and murals. The seventh chapter is the influence of the Indian Buddhist grottoes on the Chinese grottoes, and introduces how the Chinese grottoes evolved locally under the influence of the Indian grottoes.
【學(xué)位授予單位】：南京工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU252
【參考文獻(xiàn)】
相關(guān)期刊論文 前7條
1 張法;佛寺:從印度到南亞和漢地的演變[J];長(zhǎng)春市委黨校學(xué)報(bào);1999年02期
2 楊富學(xué);印度佛教石窟壁畫的主要特征[J];敦煌研究;1995年02期
3 沈t ;;淺談龍門石窟與環(huán)境[J];雕塑;2008年01期
4 李崇峰;中印支提窟比較研究[J];佛學(xué)研究;1997年00期
5 張景賢;;德干高原暗色巖群的重新認(rèn)識(shí)[J];地質(zhì)科學(xué)譯叢;1988年04期
6 金申;;印度佛像的起源[J];東方收藏;2010年01期
7 張和緯,王清廉;石窟分類及其地學(xué)特征分析[J];河北師范大學(xué)學(xué)報(bào);1998年01期
本文編號(hào)：2380967
本文鏈接：http://sikaile.net/kejilunwen/sgjslw/2380967.html
最近更新
教材專著
