本文選題：框景 + 中國(guó)古典園林��； 參考：《中南林業(yè)科技大學(xué)》2013年碩士論文

【摘要】：中國(guó)古典園林在世界園林藝術(shù)史上獨(dú)樹一幟,它是文化和藝術(shù)史上的一座寶庫(kù)。園林藝術(shù)和其他藝術(shù)創(chuàng)作一樣,具有較強(qiáng)的綜合性,其獨(dú)特的藝術(shù)形式是中國(guó)傳統(tǒng)思想和美學(xué)哲理指導(dǎo)的結(jié)晶。 研今必習(xí)古,無(wú)古不成今。本文以中國(guó)古典園林造景手法之一“框景”藝術(shù)為研究對(duì)象,在歸納整理前人研究成果的基礎(chǔ)上,密切結(jié)合框景藝術(shù)本質(zhì),探討了人-框-景-環(huán)境之關(guān)聯(lián)性,并對(duì)現(xiàn)代景觀營(yíng)建中框景手法的新方法、新理論、新手段進(jìn)行了研究,為以后框景藝術(shù)手法的運(yùn)用提供一定的理論依據(jù)。 論文的成果有以下四方面： (1)通過(guò)文獻(xiàn)和景觀實(shí)例對(duì)框景藝術(shù)作了深入解析�？蚓暗淖饔檬峭宫F(xiàn)景點(diǎn),引人入勝；滲透景觀,拓展空間；增加景趣,延長(zhǎng)賞時(shí)。構(gòu)成方式分為兩種：按框布景和對(duì)景設(shè)框,其特點(diǎn)是取景框和最佳景觀面需要相互對(duì)應(yīng),以形成最佳框景藝術(shù)畫面效果�？蚓八囆g(shù)中框的形式包括：墻的開洞、柱的圍合、建筑門框、假山石洞、橋洞植物等,框內(nèi)的景根據(jù)其與框的距離不同分為：近景、中景、遠(yuǎn)景。 (2)從古典園林中了解到框景藝術(shù)特點(diǎn)。其創(chuàng)作形式為洞門框景、洞窗框景,不同的框之形式有著不同的文化內(nèi)涵,不同的框景布置位置具有不同的功能及特點(diǎn)�？偟膩�(lái)說(shuō),框景藝術(shù)手法的運(yùn)用給予現(xiàn)代景觀設(shè)計(jì)以視覺(jué)語(yǔ)言上、空間語(yǔ)言上和心理語(yǔ)言上的啟示。 (3)在現(xiàn)代人的審美變化和環(huán)境差異之下,現(xiàn)代園林中框景藝術(shù)有了新的應(yīng)用特點(diǎn)：框的類型、尺度、技法多元化、景的內(nèi)容增加、框景的位置發(fā)生變化。其中框的載體包括：入口大門、景墻、門型和畫框式雕塑小品、植物、建筑架空層空間等�？偨Y(jié)得出該藝術(shù)手法的運(yùn)用技巧為：第一,遵循美學(xué)原則和以人為本的原則；第二,基于人的視覺(jué)原理,處理好人、景、框之間的前后距離以及景和框之間的比例尺度關(guān)系；第三,依據(jù)人的運(yùn)動(dòng)情況和視點(diǎn)的變化,確定景與框的水平位置關(guān)系；第四,保證景觀畫面的和諧與美感。 (4)依據(jù)現(xiàn)代框景藝術(shù)應(yīng)用特點(diǎn),探索一套新的框景藝術(shù)形式欣賞體系：有框有景、以框?yàn)榫�、無(wú)形框有形景。以創(chuàng)新的思維將框景藝術(shù)手法運(yùn)用到新的場(chǎng)所和領(lǐng)域,如陽(yáng)臺(tái)綠化、室內(nèi)設(shè)計(jì)等。最后通過(guò)都江堰清溪園和萬(wàn)科第五園中的框景實(shí)例論證前面所述理論,并以一個(gè)設(shè)計(jì)實(shí)例來(lái)表述自己對(duì)框景藝術(shù)的真正理解。
[Abstract]:Chinese classical garden is unique in the history of world garden art. It is a treasure house in the history of culture and art. Garden art, like other artistic creation, has strong comprehensiveness, and its unique artistic form is the crystallization of Chinese traditional thought and aesthetic philosophy. The study of this day will be used to the ancient times, no ancient times will not become today. This paper takes the "frame view" art, one of the Chinese classical landscape techniques, as the research object. On the basis of summing up and arranging the previous research results, this paper closely combines the artistic essence of the frame view, and probes into the relationship between man, frame, scenery and environment. And the new method, new theory and new means of frame view technique in modern landscape construction are studied, which provides certain theoretical basis for the application of frame view art technique in the future. The achievements of this paper are as follows: (1) through literature and landscape examples, the art of frame view is deeply analyzed. The role of frame-view is to highlight the scenic spots, attractive; permeate the landscape, expand space; increase the interest of scenery, extend the time of appreciation. The composition is divided into two types: frame setting and frame setting, which is characterized by the need of matching between the frame and the best landscape in order to form the best artistic frame effect. In the art of frame view, the form of frame includes: the opening of wall, the closure of columns, the building door frame, the false rock cave, the plant of bridge hole, etc. According to the distance between the frame and the frame, the scene in the frame is divided into close view, middle view, and so on. (2) understanding the artistic characteristics of frame view from classical garden. Its creative form is the cave door frame scene, the hole window frame view, the different frame form has the different cultural connotation, the different frame scene arrangement position has the different function and the characteristic. In general, the use of frame view art techniques gives modern landscape design the inspiration of visual language, space language and psychological language. (3) under the aesthetic changes and environmental differences of modern people, The art of frame view in modern garden has new application features: the type of frame, the scale, the diversity of techniques, the increase of the content of the scene, and the change of the position of the frame scene. The carrier of the frame includes: entrance gate, landscape wall, door and frame sculpture sketch, plant, building overhead space and so on. The application skills of this art technique are summarized as follows: first, follow the principle of aesthetics and people-oriented; second, based on the principle of human vision, deal with the distance between people, scenery, frame and the scale of the scale between scene and frame; Third, according to the movement of people and the change of view point, determine the horizontal position relationship between the scene and the frame; fourth, ensure the harmony and aesthetic feeling of the landscape. (4) according to the art application characteristics of modern frame view, Explore a new set of frame view art form appreciation system: frame has scenery, take frame as the scene, invisible frame visible view. The frame view art technique is applied to new places and fields with innovative thinking, such as balcony greening, interior design and so on. Finally, through the examples of Qingxi Garden of Dujiangyan and the Fifth Garden of Vanke, the author demonstrates the theory mentioned above, and uses a design example to express his real understanding of the art of frame view.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU986.1

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