本文選題：建筑表皮 + 當(dāng)代博物館建筑��； 參考：《湖南大學(xué)》2013年碩士論文

【摘要】：在建筑領(lǐng)域，科學(xué)技術(shù)的發(fā)展讓建筑的外表皮逐漸成為當(dāng)代建筑領(lǐng)域關(guān)注建筑本體的重要切入點(diǎn)之一。表皮從服務(wù)于空間和功能的附屬角色中解放出來，作為當(dāng)代建筑學(xué)概念，參與社會運(yùn)作當(dāng)中并且深刻地影響著我們的日常生活。消費(fèi)時(shí)代的今天，人們注重物品的表層象征意義，物品本身的功能性及其深層內(nèi)涵往往被人們遺忘，對表皮的研究也停留在色彩、紋理、質(zhì)感等表皮的視覺語言形式上，忽略了表皮通過這些語匯所傳達(dá)的目的與意義。博物館建筑由于其特殊的文化性，過去一直徘徊于傳統(tǒng)博物館的軸線對稱、莊嚴(yán)、具有儀式感等歷史性建筑意義的表達(dá)。在“新博物館學(xué)”理念推動(dòng)下設(shè)計(jì)觀念開始不斷更新和與時(shí)俱進(jìn)。 因此論文以大量的博物館建筑實(shí)例為研究基礎(chǔ),結(jié)合當(dāng)今發(fā)展比較成熟的表皮概念,將表皮作為建筑意義表達(dá)的媒介，同時(shí)將語義學(xué)引入到建筑領(lǐng)域，探討建筑表皮各要素作為語言的特定符號對建筑意義的表達(dá)，強(qiáng)化建筑表皮的意義性。根據(jù)查閱的大量資料，筆者歸納出當(dāng)代博物館建筑的兩個(gè)方向的建筑意義——?dú)v史語義與時(shí)代語義，并從表皮的兩種基本屬性，物質(zhì)屬性與抽象屬性為切入點(diǎn)，分別偏重表皮的物質(zhì)實(shí)體要素以及所反映的活動(dòng)關(guān)系兩方面，由淺入深地剖析當(dāng)代博物館建筑表皮對歷史語義與時(shí)代語義表達(dá)的創(chuàng)作規(guī)律。根據(jù)寫作框架，本文主要分為三大部分： 第一部分是闡述相關(guān)概念與歷史沿革�；仡櫜┪镳^與建筑表皮的歷時(shí)性發(fā)展，將博物館建筑表皮與其他類型建筑表皮通過比較，尋找出其作為博物館建筑表皮的特性。此外，，將語義學(xué)引入作為表皮表達(dá)建筑意義的工具與橋梁。并基于博物館建筑本身的文化特性對博物館建筑進(jìn)行語義劃分。 第二部分是文章的重點(diǎn)。將表皮結(jié)合時(shí)代與歷史因素，從表皮的實(shí)體要素（材料、建造）以及所暗含的抽象關(guān)系（人與建筑、建筑與環(huán)境）兩個(gè)層面分別探討表皮在表達(dá)當(dāng)代博物館建筑時(shí)代語義與歷史語義的生成手法與規(guī)律。 第三部分分別從當(dāng)代博物館展示行為的重要部分——展示空間形態(tài)的種類與參觀路徑的形式劃分來剖析表皮受到二者因素的影響，進(jìn)而影響對建筑意義的表達(dá)。
[Abstract]:In the field of architecture, with the development of science and technology, the outer surface of architecture has gradually become one of the most important cut-in points for contemporary architectural field to pay attention to architectural ontology. The epidermis is liberated from the subordinate role which serves space and function. As a contemporary architectural concept, it takes part in the social operation and profoundly affects our daily life. In the consumption age, people pay attention to the symbolic meaning of the surface layer of the goods, and the function and the deep connotation of the objects are often forgotten by people. The study of the epidermis also stays in the visual language form of the epidermis, such as color, texture, texture and so on. The purpose and meaning conveyed by the epidermis through these words are ignored. Because of its special cultural nature, museum architecture has been wandering in the past in the traditional museum axis symmetry, solemn, with a sense of ceremony and other historic architectural significance expression. Driven by the idea of New Museology, the concept of design began to update and keep pace with the times. Therefore, based on a large number of examples of museum architecture, combined with the mature concept of epidermis, the paper takes epidermis as the medium of expression of architectural meaning, and introduces semantics into the field of architecture. This paper probes into the expression of architectural meaning by various elements of architectural epidermis as a special symbol of language, and strengthens the meaning of architectural epidermis. According to the large amount of data consulted, the author sums up the architectural meaning of the contemporary museum architecture in two directions-historical semantics and times semantics, and starts with the two basic attributes of the skin, the material attribute and the abstract attribute. Focusing on the material entity elements of the epidermis and the relationship between the activities reflected, this paper analyzes the creative rules of the historical and contemporary semantic expressions of the architectural epidermis of the contemporary museum. According to the frame of writing, this paper is divided into three parts: the first part is to explain the related concepts and historical evolution. This paper reviews the diachronic development of museum and architectural epidermis, and finds out the characteristics of museum building epidermis by comparing it with other types of architectural epidermis. In addition, semantics is introduced as a tool and bridge for the epidermis to express architectural meaning. And based on the cultural characteristics of museum architecture, the semantic division of museum architecture. The second part is the focus of the article. Combining the age and history of the epidermis with the physical elements of the epidermis (material, construction) and the implicit abstract relationship (man and architecture, Architecture and environment) respectively discuss the way and law of the appearance of epidermis in expressing the semantic and historical semantics of contemporary museum architecture. The third part analyzes the influence of the two factors on the epidermis, which is an important part of the exhibition behavior of the contemporary museum-the type of display space form and the form division of the tour path, and then influences the expression of architectural significance.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TU242.5

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