發(fā)布時(shí)間：2018-06-23 11:58

  本文選題：越南 + 順化城�。� 參考：《華南理工大學(xué)》2013年博士論文

【摘要】：越南造園活動(dòng)以順化皇家園林為主，其時(shí)代背景為越南阮朝封建時(shí)期。這階段是整個(gè)越南造園歷史的成熟和高潮階段。論文通過收集和分析越南歷史記載結(jié)合詳細(xì)地調(diào)查現(xiàn)存的順化園林，通過研究外來文化和外國(guó)造園手法（主要是中國(guó)和法國(guó)），以及從越南順化皇家園林造園理念，園林審美，造園手法等角度，對(duì)越南順化皇家園林造園藝術(shù)進(jìn)行研究，總結(jié)越南順化皇家園林造園的經(jīng)驗(yàn)和特征。 本論文以上內(nèi)容為論述框架，全文分為八章，包括緒論和論文內(nèi)容，第一章緒論主要分析論文研究的意義，提出論文研究的對(duì)象和范圍，了解在越南對(duì)該課題的研究現(xiàn)狀和前人的成果，其中提出“從中國(guó)造園理論的角度理解越南順化的造園藝術(shù)”的論文思路概念。論文內(nèi)容主要分成兩大部分： 論文第一部分內(nèi)容為越南造園影響因素。其中第二章主要分析越南造園的環(huán)境因素，全面地研究和分析越南的地理地貌、氣候特征、自然風(fēng)光、文化環(huán)境、民族風(fēng)俗等因素，這些都是造園藝術(shù)的前提和基礎(chǔ)，對(duì)造園藝術(shù)和手法有很大的影響。第三章主要分析越南造園審美起源與特征，首先分析越南人審美起源，研究主要提出“越南造園審美源于東方園林審美思想和越南人審美特征結(jié)合”的觀點(diǎn)。具體闡述了東方園林審美思想尤其是中國(guó)園林對(duì)越南造園藝術(shù)的影響，另外還提出越南審美特征如，注重“簡(jiǎn)潔、清淡、和諧、輕巧”美也直接影響到越南順化造園藝術(shù)。第四章主要研究越南造園與外來文化影響，越南是屬于漢文化圈的國(guó)家，所以長(zhǎng)期受中國(guó)文化和政治方面的影響，分析了中越兩國(guó)幾千年的文化交流背景，提出中國(guó)文化的儒、道、陰陽、五行、風(fēng)水等哲學(xué)觀念影響到中國(guó)和越南順化造園藝術(shù)，另外佛教從印度和中國(guó)傳入到越南也影響著越南造園藝術(shù)。法國(guó)文化雖然影響著越南的政治、文化、建筑和園林藝術(shù)等方面，但是還不能完全代替幾千年的漢文化影響。 論文第二部分的內(nèi)容是越南順化皇家園林藝術(shù)特征，其中第五章主要分析順化京城總體規(guī)劃和順化皇家園林的分布關(guān)系。首先對(duì)順化城的總體規(guī)劃，提出“中軸對(duì)稱”、“前祖后宮”、“前朝后園”的布局特點(diǎn)，這一方面是受中國(guó)城市規(guī)劃特征的影響，另一方面是繼承越南古代城市規(guī)劃特點(diǎn),即結(jié)合順化地區(qū)的地理、氣候，然后集中研究分析越南順化皇宮園林造園藝術(shù)特色，，從園林的各個(gè)案例的總體布局進(jìn)行分類，通過互相比較提出各個(gè)園林的空間藝術(shù)特征，第六章主要分析順化皇家陵墓園林的藝術(shù)特點(diǎn)，分析順化城和皇家陵墓群的位置關(guān)系，并從園林的布局進(jìn)行分類，通過各類園林的異同分析找出陵墓園林的空間藝術(shù)特征。第七章主要將中國(guó)園林和越南順化皇家園林通過園林造園手法、園林的景區(qū)構(gòu)成、園林的景點(diǎn)藝術(shù)創(chuàng)造等方面進(jìn)行比較，通過中越兩國(guó)園林的異同分析更突出越南順化皇家園林的獨(dú)特風(fēng)格，論文認(rèn)為園林獨(dú)特風(fēng)格源于越南氣候特點(diǎn)，越南本土文化和建筑風(fēng)貌影響著園林藝術(shù)。第八章主要分析園林的造園技藝，包括園林建筑、理水和堆山，注重分析園內(nèi)的建筑與水景的關(guān)系，突出越南園林內(nèi)的水榭功能特征。
[Abstract]:The Vietnam gardening activity is dominated by the Royal Garden, whose era is the feudal period of the Nguyen Dynasty in Vietnam. This stage is the mature and climax stage of the history of the whole Vietnamese garden. As well as France), as well as from the perspective of Vietnamese royal garden garden creation, garden aesthetic and gardening techniques, this paper makes a study of Vietnam's royal garden garden art, and summarizes the experience and characteristics of the Vietnamese imperial garden.
The content of this thesis is divided into eight chapters, including the introduction and the content of the paper. The first chapter is the introduction of the significance of the study, the object and scope of the study, the research status of the subject and the achievements of the predecessors in Vietnam, and it is proposed to understand Vietnam's compliance with the perspective of the Chinese garden theory. The content of the thesis is divided into two parts:
The first part of the paper is the influence factors of Vietnam gardening. The second chapter mainly analyzes the environmental factors of the Vietnamese garden making, and comprehensively studies and analyzes the geographical features, climate characteristics, natural scenery, cultural environment and national customs of Vietnam, all of which are the premise and foundation of the garden art and have a great influence on the art and techniques of garden creation. The third chapter mainly analyzes the origin and characteristics of the aesthetic garden of Vietnam. Firstly, it analyzes the aesthetic origin of the Vietnamese, and mainly puts forward the view that "the aesthetic thought of the Eastern garden is based on the combination of the Eastern Garden aesthetic thought and the Vietnamese aesthetic characteristics". The influence of the Oriental Garden aesthetic thought, especially the Chinese garden on the Vietnamese garden art, is elaborated. In addition, the aesthetic features of Vietnam, such as the beauty of "simplicity, light, harmony and lightness", have a direct impact on Vietnamese garden art. The fourth chapter mainly studies the influence of Vietnamese gardening and foreign culture, Vietnam is a country belonging to the Han culture circle, so it has been influenced by Chinese culture and governance for a long time, and analyses the culture of China and Vietnam for thousands of years. With the exchange of background, the philosophical ideas of Chinese culture such as Confucianism, Taoism, yin and Yang, five lines, and geomantic philosophies affect the Chinese and Vietnamese garden art. In addition, the introduction of Buddhism from India and China to Vietnam also affects the art of Vietnamese gardening. Although the French culture affects Vietnam's politics, culture, architecture and garden art, it is not yet complete. Replace the influence of Chinese culture for thousands of years.
The second part of the thesis is the characteristics of the royal garden art in Vietnam, of which fifth chapters mainly analyze the distribution of the overall planning of the Beijing city and the distribution of the royal garden. First, the overall planning of the city is made, and the layout features of the "middle axis symmetry", "the former ancestral Palace" and "the former back garden" are put forward. The influence of the planning features, on the other hand, inherits the characteristics of the ancient city planning in Vietnam, that is, combining the geographical and climatic conditions of the area, and then concentrates on the analysis of the artistic features of the imperial palace garden in Vietnam, classifies the overall layout of the various gardens, and puts forward the spatial artistic features of each garden by comparing the sixth chapters. This paper mainly analyzes the artistic characteristics of the Royal Mausoleum garden, analyzes the position relationship between the city and the royal mausoleum, and classifies the layout of the garden, and finds out the spatial artistic features of the tomb gardens through the analysis of the similarities and differences of various gardens. The seventh chapter mainly introduces the Chinese garden and the Vietnamese royal garden through the gardening techniques and the gardens. A comparison of scenic spots and artistic creation of scenic spots is made. Through the analysis of the similarities and differences between the gardens in China and Vietnam, the unique style of the Vietnamese royal garden is highlighted. The unique style of the garden is derived from the climate characteristics of Vietnam, and the native culture and architectural features of Vietnam affect the garden art. The eighth chapter mainly analyzes the gardening techniques of gardens. Art, including garden architecture, water rationing and heap mountain, focuses on analyzing the relationship between the architecture and waterscape in the park, and highlights the waterside features in Vietnamese gardens.
【學(xué)位授予單位】：華南理工大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU986.1

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