本文選題：自然光 + 空間��； 參考：《大連理工大學(xué)》2013年碩士論文

【摘要】：自古以來(lái),光在任何年代,任何民族的各種宗教中都占有很重要的地位。光被等同于新生,創(chuàng)造和救贖。今天,自然光仍然令無(wú)數(shù)人著迷,即使世俗化和數(shù)字化的社會(huì)中仍然如此。它保留了它的歷史內(nèi)涵,從未削弱它營(yíng)造氛圍的力量,即使可以用物理來(lái)解釋和人工進(jìn)行復(fù)制。 將自然光與建筑空間聯(lián)系在一起,可以衍生出很多意義,除了功能上的照明作用外,它在聯(lián)系室內(nèi)外空間和創(chuàng)造空間情境上有著無(wú)與倫比的自然魅力,它能夠給空間注入精神和生命,這種帶有精神性和指引性的空間,使建筑超出單純的功能空間變得偉大和高尚。隨著現(xiàn)代科技的進(jìn)步中各種新奇的照明手段的出現(xiàn),使得自然光本應(yīng)有的色彩正在逐漸退化,人工光因?yàn)槠浜?jiǎn)單可控性,而在現(xiàn)代建筑的室內(nèi)空間中無(wú)邊際地蔓延,甚至被濫用,導(dǎo)致了很多場(chǎng)所中泛光的環(huán)境,不僅削弱了建筑空間的意義,也使人們?cè)诳旃?jié)奏的現(xiàn)代生活中離大自然越來(lái)越遠(yuǎn)。 本論文的研究目的,就是探討我們進(jìn)行建筑設(shè)計(jì)時(shí),如何把握自然光與空間的關(guān)系,自然光與空間是如何相互作用的,建筑的形式會(huì)對(duì)自然光在其內(nèi)部的流動(dòng)產(chǎn)生怎樣的引導(dǎo),不同的建筑表面材質(zhì),不同的洞口性質(zhì)與自然光能產(chǎn)生怎樣的化學(xué)反應(yīng),自然光能夠?qū)ㄖ臻g從視覺上和精神上進(jìn)行怎樣的二次創(chuàng)造。通過(guò)大量在自然光處理上有代表性和典型性的實(shí)例的深入分析,筆者試圖能夠找出自然光與空間處理中的更深層的意義,引發(fā)當(dāng)代建筑師對(duì)自然光這個(gè)獨(dú)特的建筑元素的重新審視和思考,能夠在今后的建筑事業(yè)中,對(duì)自然光與建筑空間的關(guān)系給予更多的關(guān)注,讓自然光回歸建筑空間。
[Abstract]:Since ancient times, light has played an important role in all religions of any nation. Light is equated with rebirth, creation and redemption. Today, natural light continues to fascinate countless people, even in secular and digital societies. It preserves its historical connotation and never weakens its power to create atmosphere, even if it can be explained and copied manually. Linking natural light to architectural space can give rise to a lot of meaning. In addition to the function of lighting, it has unparalleled natural charm in connecting indoor and outdoor spaces and creating space situations. It can infuse space with spirit and life, this kind of space with spirit and guidance, make the building beyond pure function space become great and noble. With the development of modern science and technology, with the emergence of various novel lighting means, the color of natural light should be gradually degraded. Artificial light, because of its simple controllability, spread in the interior space of modern architecture without margin. Even being abused has led to the luminous environment in many places, which not only weakens the meaning of architectural space, but also makes people more and more distant from nature in the fast-paced modern life. The purpose of this paper is to explore how we can grasp the relationship between natural light and space, how natural light and space interact, and how the form of architecture will lead to the flow of natural light in its interior. What kind of chemical reaction is produced by different building surface materials, different orifice properties and natural light energy, and what kind of secondary creation can be made by natural light to architectural space visually and spiritually? Through the in-depth analysis of a large number of representative and typical examples in natural light processing, the author tries to find out the deeper meaning of natural light and spatial processing. In the future, architects can pay more attention to the relationship between natural light and architectural space and let natural light return to architectural space.
【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU113;TU-86

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 王玉平;藝術(shù)博物館內(nèi)部空間設(shè)計(jì)中自然光的運(yùn)用[D];東南大學(xué);2005年

2 劉偉波;自然光于空間中之詩(shī)性表現(xiàn)[D];東南大學(xué);2005年

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本文編號(hào)：1783354