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傳統(tǒng)川西民居的符號學(xué)特征研究

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  本文關(guān)鍵詞: 傳統(tǒng)川西民居 符號學(xué) 建筑符號 解構(gòu) 現(xiàn)代建筑 出處:《西南交通大學(xué)》2013年碩士論文 論文類型:學(xué)位論文


【摘要】:在經(jīng)濟(jì)全球化的大背景下,面對外來文化的強(qiáng)勢沖擊,具有地域特色和民族文化的傳統(tǒng)民居正面臨著逐漸消失的緊迫形勢。因此,本文基于對川西漢族傳統(tǒng)民居建筑的符號學(xué)特征研究,提出用符號學(xué)理論對川西民居建筑特征進(jìn)行歸納和分類解析,運(yùn)用解構(gòu)主義理論對傳統(tǒng)川西民居符號進(jìn)行解構(gòu),總結(jié)出現(xiàn)代地域建筑創(chuàng)作設(shè)計中運(yùn)用傳統(tǒng)川西傳統(tǒng)民居符號的原則與方法,為川西傳統(tǒng)民居的傳承與發(fā)展提供一定的理論依據(jù)和參考價值。 論文以傳統(tǒng)川西民居建筑特征為研究對象,借鑒傳統(tǒng)四川民居為我們提供豐富的前期資料、經(jīng)驗(yàn)、技術(shù)、手法以及某些創(chuàng)作規(guī)律,運(yùn)用文獻(xiàn)研究法和實(shí)地調(diào)研法,從川西地區(qū)的自然環(huán)境、歷史文化、經(jīng)濟(jì)等方面對傳統(tǒng)川西民居的形成背景進(jìn)行研究之后,對傳統(tǒng)川西民居的建筑符號構(gòu)成進(jìn)行了符號學(xué)分類,并分別對其進(jìn)行具體闡述和實(shí)例論證。然后通過對比現(xiàn)代地域建筑創(chuàng)作手法及現(xiàn)代建筑材質(zhì)的特性,總結(jié)出運(yùn)用傳統(tǒng)川西民居建筑符號進(jìn)行現(xiàn)代地域建筑創(chuàng)作的基本模式,提出利用后現(xiàn)代解構(gòu)主義手法來對傳統(tǒng)川西民居建筑符號進(jìn)行歸納和分析,結(jié)合現(xiàn)有四川地域性優(yōu)秀建筑設(shè)計實(shí)踐的調(diào)研和分析,將傳統(tǒng)川西民居建筑文化內(nèi)涵與現(xiàn)代建筑創(chuàng)作及環(huán)境有機(jī)結(jié)合,總結(jié)符號學(xué)理論運(yùn)用與四川現(xiàn)代建筑創(chuàng)作的途徑和方法,深入研究如何通過對傳統(tǒng)川西民居建筑符號的重構(gòu)和組合,將傳統(tǒng)文化、民族地域文化內(nèi)涵體現(xiàn)在現(xiàn)代建筑的外立面以及現(xiàn)代功能空間中。使建筑與川西的歷史環(huán)境和文化背景,以及城市風(fēng)貌保持和諧統(tǒng)一的關(guān)系。最后,文章以成都清華坊、青城山上善棲以及成都錦都院街設(shè)計為例,運(yùn)用本文所提出的原則與方法,探討如何在建筑構(gòu)件的細(xì)節(jié)中深層次的體現(xiàn)傳統(tǒng)川西建筑的文化內(nèi)涵,用積極地態(tài)度對待優(yōu)秀的民族建筑文化,抓住傳統(tǒng)川西民居建筑文化的本質(zhì),將傳統(tǒng)和地域的建筑創(chuàng)作思想和方法與現(xiàn)代建筑創(chuàng)作方法和現(xiàn)代要求相結(jié)合。將傳統(tǒng)川西民居建筑中具有特色的局部,如建筑構(gòu)件、色彩、材質(zhì)、屋頂線條、紋飾等等運(yùn)用于現(xiàn)代建筑中,或?qū)ふ覀鹘y(tǒng)川西民居建筑形象中有代表性的意義的象征元素,將其抽象為符號運(yùn)用于創(chuàng)作之中。通過課題的調(diào)研、資料的收集整理,可以供其他研究者參考借鑒。同時,為創(chuàng)造具有川西民族特色和鮮明地域風(fēng)格的新建筑提供理論資源,也為自己今后對本課題的深入研究打下一定的基礎(chǔ)。
[Abstract]:Under the background of economic globalization, in the face of the strong impact of foreign culture, the traditional houses with regional characteristics and national culture are facing the urgent situation of gradual disappearance. Based on the study of the semiotics characteristics of the traditional residential buildings of the Han nationality in western Sichuan, this paper puts forward to generalize and classify the architectural characteristics of the houses in the west of Sichuan with the theory of semiotics. Using deconstructionism theory to deconstruct the traditional western Sichuan residential symbols, summed up the modern regional architectural design of the use of traditional western Sichuan traditional residential symbols principles and methods. It provides some theoretical basis and reference value for the inheritance and development of traditional houses in western Sichuan. This paper takes the architectural characteristics of the traditional western Sichuan residential buildings as the research object, and provides us with abundant data, experience, techniques, techniques and some creative laws for the reference of the traditional Sichuan folk houses. By using the method of literature research and field investigation, this paper studies the background of the formation of traditional houses in western Sichuan from the aspects of natural environment, history and culture, economy and so on. This paper classifies the architectural symbols of the traditional residential buildings in western Sichuan, and expounds them in detail and demonstrates them by examples. Then, it compares the modern regional architectural creation techniques and the characteristics of modern architectural materials. This paper summarizes the basic mode of modern regional architectural creation by using the traditional architectural symbols of western Sichuan residential buildings, and puts forward the use of post-modern deconstructionism to summarize and analyze the architectural symbols of traditional western Sichuan residential buildings. Based on the investigation and analysis of the existing excellent architectural design practice in Sichuan, the cultural connotation of traditional residential buildings in western Sichuan is combined with modern architectural creation and environment. This paper summarizes the application of semiotics theory and the ways and methods of modern architectural creation in Sichuan, and deeply studies how to reconstruct and combine the architectural symbols of the traditional residential buildings in western Sichuan, so as to put the traditional culture into practice. The connotation of national regional culture is embodied in the exterior of modern architecture and modern functional space, which makes the relationship between architecture and the historical environment and cultural background of western Sichuan, as well as the urban style and features, to be harmonious and unified. Finally. This paper takes the design of Chengdu Qinghua Square, Qingcheng Mountain and Chengdu Jindu Yuan Street as an example, and applies the principles and methods proposed in this paper. This paper discusses how to deeply embody the cultural connotation of the traditional western Sichuan architecture in the details of architectural components, treat the excellent national architectural culture with a positive attitude, and grasp the essence of the traditional architectural culture of the folk houses in the western part of Sichuan. The traditional and regional architectural creation ideas and methods are combined with modern architectural creation methods and modern requirements. The traditional western Sichuan residential buildings have a unique part of the architecture, such as architectural components, colors, materials, roof lines. Ornaments and so on are used in modern architecture, or looking for the representative symbolic elements in the traditional architectural images of western Sichuan folk houses, which are abstracted as symbols to be used in the creation. Through the research of the subject. The collection and arrangement of the data can be used for reference by other researchers. At the same time, it provides theoretical resources for the creation of new buildings with national characteristics and distinctive regional style in western Sichuan. It also lays a certain foundation for the further study of this subject in the future.
【學(xué)位授予單位】:西南交通大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:TU241.5

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