【摘要】：劇院室內(nèi)空間作為承載文化交流活動(dòng)的空間載體,不僅要滿(mǎn)足人們對(duì)于空間功能、視覺(jué)審美以及人文關(guān)懷等方面的基本需求,還要契合時(shí)代所賦予它的新使命。近年來(lái),文化傳播的網(wǎng)絡(luò)化、視聽(tīng)體驗(yàn)的品質(zhì)化、劇院設(shè)備的科技化、施工建造的裝配化以及參與團(tuán)隊(duì)的多樣化不斷地要求劇院的室內(nèi)設(shè)計(jì)向著信息化、精細(xì)化、智能化、預(yù)制化、協(xié)同化的方向邁進(jìn),而傳統(tǒng)的設(shè)計(jì)方法愈發(fā)無(wú)法適應(yīng)時(shí)代發(fā)展的訴求,對(duì)劇院室內(nèi)設(shè)計(jì)方法的革新成為了當(dāng)代室內(nèi)設(shè)計(jì)師所面臨的共同挑戰(zhàn)。建筑信息模型(Building Information Modeling,簡(jiǎn)稱(chēng)BIM)技術(shù)自上個(gè)世紀(jì)70年代萌芽至今,帶領(lǐng)著整個(gè)建筑領(lǐng)域進(jìn)入到了新的發(fā)展紀(jì)元。BIM對(duì)建筑行業(yè)的改變不僅僅局限于設(shè)計(jì)工具與設(shè)計(jì)平臺(tái)的革新,更多的是對(duì)于設(shè)計(jì)方式以及設(shè)計(jì)觀念的變革,它所提供的基于全生命周期的設(shè)計(jì)思想形成了建筑信息一體化的新型數(shù)據(jù)鏈。研究基于BIM技術(shù)的劇院室內(nèi)設(shè)計(jì)方法,能夠從設(shè)計(jì)層面帶領(lǐng)劇院的室內(nèi)設(shè)計(jì)進(jìn)入到信息化的新模式,從運(yùn)維層面帶領(lǐng)其進(jìn)入到智能化的新高度。本文以劇院室內(nèi)空間為研究對(duì)象,依托BIM技術(shù)作為研究手段,采用文獻(xiàn)查閱、對(duì)比分析等研究方法,對(duì)劇院室內(nèi)空間的各個(gè)設(shè)計(jì)系統(tǒng)和傳統(tǒng)的設(shè)計(jì)方法進(jìn)行梳理、分析,同時(shí)結(jié)合問(wèn)卷調(diào)研與案例調(diào)研,綜合剖析BIM技術(shù)運(yùn)用于劇院室內(nèi)設(shè)計(jì)的適用性與應(yīng)用要點(diǎn)。隨著研究的不斷深入,作者提出了一套基于BIM技術(shù)的劇院室內(nèi)設(shè)計(jì)方法,并結(jié)合實(shí)踐,運(yùn)用研究成果指導(dǎo)完成了“商丘文化藝術(shù)中心”的劇院室內(nèi)設(shè)計(jì)項(xiàng)目,驗(yàn)證了本文提出的方法成果�；贐IM技術(shù)的劇院室內(nèi)設(shè)計(jì)方法是對(duì)傳統(tǒng)設(shè)計(jì)方法的一種創(chuàng)新,使設(shè)計(jì)師能夠更加高效、精確地進(jìn)行劇院室內(nèi)空間的協(xié)同設(shè)計(jì)工作,解決設(shè)計(jì)當(dāng)中遇到的“疑難雜癥”。與此同時(shí),在設(shè)計(jì)階段所產(chǎn)生的相關(guān)信息也可以為劇院日后運(yùn)營(yíng)階段的信息社會(huì)化共享提供可靠的數(shù)據(jù)庫(kù)支持,為促成產(chǎn)業(yè)化、一體化的新型劇院生命周期模式打下良好的基礎(chǔ)。這不僅契合了信息時(shí)代人們的需求點(diǎn),更加符合未來(lái)劇院的發(fā)展趨勢(shì)。
[Abstract]:As a space carrier carrying cultural exchange activities, the interior space of the theatre should not only meet the basic needs of space function, visual aesthetics and humanistic care, but also meet the new mission entrusted to it by the times. In recent years, the network of cultural dissemination, the quality of audio-visual experience, the science-technology of theater equipment, the assembly of construction and the diversification of participating teams require the interior design of the theater to be information-based, refined and intelligent. The direction of prefabrication and coordination is striding forward, and the traditional design method is unable to adapt to the demands of the development of the times. The innovation of the interior design method of the theater has become a common challenge to the contemporary interior designers. Building Information Model (Building Information Modeling,) technology has been springing up since the 1970s, leading the whole construction field into a new era. BIM's change to the construction industry is not limited to the innovation of design tools and design platform. For the change of design mode and design concept, it provides the whole life cycle design idea to form the new data link of building information integration. The research of theater interior design method based on BIM technology can lead the theater interior design to the new mode of information from the design level, and lead it to the new height of intelligence from the operation and maintenance level. In this paper, the theater interior space as the research object, relying on the BIM technology as a research means, using literature review, comparative analysis and other research methods, the theater interior space design system and traditional design methods to comb, analysis, At the same time, combined with questionnaire and case study, the applicability and application of BIM technology in theater interior design are analyzed. With the development of the research, the author put forward a set of interior design method based on BIM technology, and combined with practice, completed the interior design project of "Shangqiu Culture and Art Center". The results of the proposed method are verified. The interior design method of theatre based on BIM technology is an innovation to the traditional design method, which enables designers to carry out the collaborative design of theatre interior space more efficiently and accurately, and to solve the problems encountered in the design. At the same time, the relevant information generated in the design phase can also provide reliable database support for the socialization of information sharing in the later stage of the theater operation, and promote industrialization. Integration of the new theater life cycle model laid a good foundation. This not only meets the needs of people in the information age, more in line with the development trend of the future theater.
【學(xué)位授予單位】：北京建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU242.2;TU17

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