本文選題：數字圖像技術 + 藝術　； 參考：《北京電影學院》2017年博士論文

【摘要】：數字圖像在現階段已經發(fā)展成為我們生活中不可分割的一部分,它的高效、快捷以及它與傳統行業(yè)互相影響的特性使得它迅速成為一種應用廣泛的圖像形式。在時代的變遷中,我們總是要面對不同的工具、不同的手段給我們這個世界帶來的視覺上、感觀上的新變化,數字圖像則是在現階段應運而生的展示手段。數字圖像作為一種媒介,它源于計算機科學,但數字圖像藝術還作為帶有數字特征的圖像藝術具有獨特的歷史發(fā)展傳承。它可以追溯到我們人類對于復制的理解以及對于傳播的渴望。區(qū)別于傳統圖像藝術門類,數字圖像藝術擁有其自身的特點。隨著計算機科技以及其相關行業(yè)的發(fā)展,數字圖像藝術借助數字手段從誕生距今也僅僅幾十年的歷史。從藝術角度上講,我們面對新手段創(chuàng)造的圖像時,對其所展現出來的魅力就提出了新的審美需求。通過對視覺上所涉及的元素加以分析歸類,以期待最終找到一條通往深入體驗的路徑。數字圖像可分為載體的部分、呈現部分、流通部分三個大方向。而這三個方向中都涉及數字技術手段演變的過程。所以研究數字圖像藝術本身也會涉及對于其使用設備與技術的研究,它為數字圖像藝術提供一種技術層面的新角度。在本篇論文中,梳理出了關于數字圖像技術與藝術發(fā)展的歷史時間縱軸。數字圖像藝術之所以能夠稱為藝術,是因為在其自身的發(fā)展變化中形成了一套有別于歷史當中其他藝術語言的特性:在重復性當中出現了重復的特性;可變性中又蘊藏著交相互動的特性;在網絡世界中易傳播性,存儲設備的易用性上,數字圖像以及數字圖像藝術都具有獨特的優(yōu)勢。我們建構的數字圖像世界是一個虛擬世界,它有易失性,為了維持顯示還需要不竭的能源。圖像屬于視覺文化研究的一個分支,它就是要在那些屬于現象的部分中尋找到其存在的意義,所以通過對于數字圖像藝術的觀察以及對于其相關聯的專業(yè)技術領域的探究,我們在其結構的內部發(fā)現了可以供我們與當下真實世界相對照的部分。我們通過類比進入到一個可以進行比較分析的新的虛擬審美當中。并且對其最終要與真實世界相混合的事實進行剖析,得出結論。思想外化與屏幕內化之間的轉換,最終形成數字圖像藝術的技術和藝術兩大部分。它緊緊地與我們所在的真實世界相連接。在研究的過程中突出強調了不同手段所帶來的不同意義。最終實現數字圖像藝術的分類,來達成我們可以深入其中探索的目的。數字圖像藝術來源于藝術家以及科學技術人員甚至是科學家的共同配合,所以它不僅在現階段提供了新的觀看方式,日后也定會在新的領域中出現更多、更新的呈現形式。我們也可以從數字圖像藝術研究的領域中去判斷未來圖像之可能。歷史在螺旋式的臺階上不斷向前,我們現在也正在以幾何級的速度向未來前進。人工智能、大數據算法的出現都為未來的數字圖像發(fā)展展現出了新的前景,就像尤瓦爾·赫拉利《未來簡史》中為我們描繪的未來世界類似,通過算法延伸出未來數字圖像和數字圖像藝術。
[Abstract]:Digital image has developed into an inseparable part of our life at this stage. Its efficiency, speed, and its interaction with the traditional industry make it a widely used image form. In the change of the times, we always have to face different tools and different means to give us the world belt. As a kind of media, digital image, as a medium, is derived from computer science, but digital image art also has a unique historical development as a digital image art. It can be traced to our human reproduction theory. Different from the traditional image art class, the digital image art has its own characteristics. With the development of computer technology and its related industries, digital image art is only a few decades since the birth of the digital image art. From the angle of art, we face the images created by new means. It puts forward a new aesthetic demand for the charm it shows. Through the analysis and classification of the elements involved in the vision, we can expect to find a path to the deep experience. The digital image can be divided into the part of the carrier, the presentation part and the circulation part of the three major directions. In these three directions all the digital technicians are involved. The study of digital image art itself also involves the study of its equipment and technology, which provides a new angle of technology for digital image art. In this paper, the longitudinal axis of the history of digital image technology and the development of art is combed. Art is because of its own development and changes in the formation of a set of characteristics different from the other art languages in history: duplication of characteristics in the repetition; variability also contains the characteristics of interactivity; in the network world, the ease of transmission, the ease of use of storage devices, digital images and digital image Art It has a unique advantage. The digital image world is a virtual world. It has the inability to maintain the energy in order to maintain the display. The image belongs to a branch of the visual culture research. It is to find the meaning of its existence in those parts of the phenomenon, so the view of the art of digital image is achieved. As well as the exploration of the field of expertise associated with it, we find in its structure the part that we can compare with the present real world. By analogy, we enter a new virtual aesthetic that can be compared and analyzed. And the fact that it is finally mixed with the real world is made. Analysis, draw a conclusion. The transformation between thought externalization and screen internalization will eventually form two parts of the technology and art of digital image art. It is closely connected with the real world in which we are located. In the process of research, the different meanings of different means are emphasized. The final realization of the classification of digital image art is to achieve me. Digital image art comes from the collaboration of artists, scientists and scientists, and even scientists, so it not only provides a new way of viewing at the present stage, but will also have more and more new forms in the new field in the future. We can also study the digital image art. The possibility of judging future images in the field. History is moving forward on the spiral steps. We are now moving forward at a geometric speed. Artificial intelligence and large data algorithms show a new prospect for the development of future digital images, like we depict us in the future brief history of M Grali. Similar to the future world, the algorithm will extend the future digital image and digital image art.
【學位授予單位】：北京電影學院
【學位級別】：博士
【學位授予年份】：2017
【分類號】：TP391.41
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本文編號：1907854