本文選題：數(shù)字圖像技術(shù) + 藝術(shù)�。� 參考：《北京電影學(xué)院》2017年博士論文

【摘要】：數(shù)字圖像在現(xiàn)階段已經(jīng)發(fā)展成為我們生活中不可分割的一部分,它的高效、快捷以及它與傳統(tǒng)行業(yè)互相影響的特性使得它迅速成為一種應(yīng)用廣泛的圖像形式。在時代的變遷中,我們總是要面對不同的工具、不同的手段給我們這個世界帶來的視覺上、感觀上的新變化,數(shù)字圖像則是在現(xiàn)階段應(yīng)運而生的展示手段。數(shù)字圖像作為一種媒介,它源于計算機(jī)科學(xué),但數(shù)字圖像藝術(shù)還作為帶有數(shù)字特征的圖像藝術(shù)具有獨特的歷史發(fā)展傳承。它可以追溯到我們?nèi)祟悓τ趶?fù)制的理解以及對于傳播的渴望。區(qū)別于傳統(tǒng)圖像藝術(shù)門類,數(shù)字圖像藝術(shù)擁有其自身的特點。隨著計算機(jī)科技以及其相關(guān)行業(yè)的發(fā)展,數(shù)字圖像藝術(shù)借助數(shù)字手段從誕生距今也僅僅幾十年的歷史。從藝術(shù)角度上講,我們面對新手段創(chuàng)造的圖像時,對其所展現(xiàn)出來的魅力就提出了新的審美需求。通過對視覺上所涉及的元素加以分析歸類,以期待最終找到一條通往深入體驗的路徑。數(shù)字圖像可分為載體的部分、呈現(xiàn)部分、流通部分三個大方向。而這三個方向中都涉及數(shù)字技術(shù)手段演變的過程。所以研究數(shù)字圖像藝術(shù)本身也會涉及對于其使用設(shè)備與技術(shù)的研究,它為數(shù)字圖像藝術(shù)提供一種技術(shù)層面的新角度。在本篇論文中,梳理出了關(guān)于數(shù)字圖像技術(shù)與藝術(shù)發(fā)展的歷史時間縱軸。數(shù)字圖像藝術(shù)之所以能夠稱為藝術(shù),是因為在其自身的發(fā)展變化中形成了一套有別于歷史當(dāng)中其他藝術(shù)語言的特性:在重復(fù)性當(dāng)中出現(xiàn)了重復(fù)的特性;可變性中又蘊(yùn)藏著交相互動的特性;在網(wǎng)絡(luò)世界中易傳播性,存儲設(shè)備的易用性上,數(shù)字圖像以及數(shù)字圖像藝術(shù)都具有獨特的優(yōu)勢。我們建構(gòu)的數(shù)字圖像世界是一個虛擬世界,它有易失性,為了維持顯示還需要不竭的能源。圖像屬于視覺文化研究的一個分支,它就是要在那些屬于現(xiàn)象的部分中尋找到其存在的意義,所以通過對于數(shù)字圖像藝術(shù)的觀察以及對于其相關(guān)聯(lián)的專業(yè)技術(shù)領(lǐng)域的探究,我們在其結(jié)構(gòu)的內(nèi)部發(fā)現(xiàn)了可以供我們與當(dāng)下真實世界相對照的部分。我們通過類比進(jìn)入到一個可以進(jìn)行比較分析的新的虛擬審美當(dāng)中。并且對其最終要與真實世界相混合的事實進(jìn)行剖析,得出結(jié)論。思想外化與屏幕內(nèi)化之間的轉(zhuǎn)換,最終形成數(shù)字圖像藝術(shù)的技術(shù)和藝術(shù)兩大部分。它緊緊地與我們所在的真實世界相連接。在研究的過程中突出強(qiáng)調(diào)了不同手段所帶來的不同意義。最終實現(xiàn)數(shù)字圖像藝術(shù)的分類,來達(dá)成我們可以深入其中探索的目的。數(shù)字圖像藝術(shù)來源于藝術(shù)家以及科學(xué)技術(shù)人員甚至是科學(xué)家的共同配合,所以它不僅在現(xiàn)階段提供了新的觀看方式,日后也定會在新的領(lǐng)域中出現(xiàn)更多、更新的呈現(xiàn)形式。我們也可以從數(shù)字圖像藝術(shù)研究的領(lǐng)域中去判斷未來圖像之可能。歷史在螺旋式的臺階上不斷向前,我們現(xiàn)在也正在以幾何級的速度向未來前進(jìn)。人工智能、大數(shù)據(jù)算法的出現(xiàn)都為未來的數(shù)字圖像發(fā)展展現(xiàn)出了新的前景,就像尤瓦爾·赫拉利《未來簡史》中為我們描繪的未來世界類似,通過算法延伸出未來數(shù)字圖像和數(shù)字圖像藝術(shù)。
[Abstract]:Digital image has developed into an inseparable part of our life at this stage. Its efficiency, speed, and its interaction with the traditional industry make it a widely used image form. In the change of the times, we always have to face different tools and different means to give us the world belt. As a kind of media, digital image, as a medium, is derived from computer science, but digital image art also has a unique historical development as a digital image art. It can be traced to our human reproduction theory. Different from the traditional image art class, the digital image art has its own characteristics. With the development of computer technology and its related industries, digital image art is only a few decades since the birth of the digital image art. From the angle of art, we face the images created by new means. It puts forward a new aesthetic demand for the charm it shows. Through the analysis and classification of the elements involved in the vision, we can expect to find a path to the deep experience. The digital image can be divided into the part of the carrier, the presentation part and the circulation part of the three major directions. In these three directions all the digital technicians are involved. The study of digital image art itself also involves the study of its equipment and technology, which provides a new angle of technology for digital image art. In this paper, the longitudinal axis of the history of digital image technology and the development of art is combed. Art is because of its own development and changes in the formation of a set of characteristics different from the other art languages in history: duplication of characteristics in the repetition; variability also contains the characteristics of interactivity; in the network world, the ease of transmission, the ease of use of storage devices, digital images and digital image Art It has a unique advantage. The digital image world is a virtual world. It has the inability to maintain the energy in order to maintain the display. The image belongs to a branch of the visual culture research. It is to find the meaning of its existence in those parts of the phenomenon, so the view of the art of digital image is achieved. As well as the exploration of the field of expertise associated with it, we find in its structure the part that we can compare with the present real world. By analogy, we enter a new virtual aesthetic that can be compared and analyzed. And the fact that it is finally mixed with the real world is made. Analysis, draw a conclusion. The transformation between thought externalization and screen internalization will eventually form two parts of the technology and art of digital image art. It is closely connected with the real world in which we are located. In the process of research, the different meanings of different means are emphasized. The final realization of the classification of digital image art is to achieve me. Digital image art comes from the collaboration of artists, scientists and scientists, and even scientists, so it not only provides a new way of viewing at the present stage, but will also have more and more new forms in the new field in the future. We can also study the digital image art. The possibility of judging future images in the field. History is moving forward on the spiral steps. We are now moving forward at a geometric speed. Artificial intelligence and large data algorithms show a new prospect for the development of future digital images, like we depict us in the future brief history of M Grali. Similar to the future world, the algorithm will extend the future digital image and digital image art.
【學(xué)位授予單位】：北京電影學(xué)院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：TP391.41
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本文編號：1907854