本文選題：D動(dòng)畫(huà)　切入點(diǎn)：圖像生產(chǎn)　出處：《南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì))》2017年03期 　論文類(lèi)型：期刊論文

【摘要】：3D動(dòng)畫(huà)誕生半個(gè)世紀(jì)以來(lái),對(duì)整個(gè)視覺(jué)行業(yè)產(chǎn)生了巨大的沖擊,并有力地重塑著人們與視覺(jué)相關(guān)的文化和生活方式。本文提出對(duì)3D動(dòng)畫(huà)本體的認(rèn)識(shí)不應(yīng)局限于"動(dòng)畫(huà)"或"活動(dòng)圖像"的范疇之內(nèi),而應(yīng)該從人類(lèi)圖像生產(chǎn)力發(fā)展的角度,將其納入一個(gè)更宏大的歷史敘事之中。文章提出,由于在實(shí)現(xiàn)原理、認(rèn)知模式、圖像-現(xiàn)實(shí)關(guān)系、媒介特性等方面與繪畫(huà)和攝影兩大傳統(tǒng)制圖手段徹底劃清了界限,3D動(dòng)畫(huà)實(shí)質(zhì)上已經(jīng)構(gòu)成了人類(lèi)所擁有的第三大最根本、最底層、最具普遍適用性的視覺(jué)生產(chǎn)方式。在此基礎(chǔ)之上,文章通過(guò)對(duì)3D動(dòng)畫(huà)內(nèi)在邏輯的分析,進(jìn)一步探析了它所帶來(lái)的全新的媒介功能,并說(shuō)明了3D動(dòng)畫(huà)在人類(lèi)視覺(jué)文明發(fā)展中所具有的歷史意義與時(shí)代價(jià)值。
[Abstract]:Since the birth of 3D animation for half a century, it has had a tremendous impact on the entire visual industry. This paper proposes that the understanding of 3D animation ontology should not be confined to the category of "animation" or "active image", but should be from the perspective of the development of human image productivity. Into a larger historical narrative. The article suggests that because of the realization of principles, cognitive patterns, image-reality relations, Media characteristics and other aspects are completely separated from the two traditional cartographic means of painting and photography. In essence, 3D animation has already constituted the third most fundamental and lowest level of human possession. Based on the analysis of the internal logic of 3D animation, the paper further analyzes the new media function it brings. It also explains the historical significance and time value of 3D animation in the development of human visual civilization.
【作者單位】： 四川大學(xué)藝術(shù)學(xué)院;
【基金】：四川大學(xué)中央高�；究蒲袠I(yè)務(wù)研究專項(xiàng)項(xiàng)目“本體與形式:動(dòng)態(tài)圖形設(shè)計(jì)研究”(skq201523)階段性研究成果
【分類(lèi)號(hào)】：TP391.41
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本文編號(hào)：1592707