本文選題：泥漿 + 材料語(yǔ)言��； 參考：《四川美術(shù)學(xué)院》2017年碩士論文

【摘要】：陶瓷作為一種自由度較高的藝術(shù)語(yǔ)言,在現(xiàn)代藝術(shù)里處于一個(gè)相當(dāng)重要的位置,不同的陶瓷材料在的不同狀態(tài)被藝術(shù)家用不同的工藝技法制作燒成陶瓷作品承載和表達(dá)著他們的創(chuàng)作觀念;而關(guān)于陶瓷材料,區(qū)別于傳統(tǒng)陶瓷匠人把泥巴作為追求精湛工藝的制作元素,一些現(xiàn)代陶瓷藝術(shù)家們強(qiáng)調(diào)更多的則是其本身的特性以及表達(dá)它本身的藝術(shù)張力。土是陶瓷的根本,而這一材料本身具有不同的狀態(tài):有粉末狀的泥粉,流動(dòng)性較強(qiáng)的液態(tài)泥漿,適用于手工成型的半濕狀態(tài),干結(jié)后的泥塊,以及泥巴燒結(jié)成陶成瓷后的形態(tài)。文章研究的是在泥漿狀態(tài)下陶瓷泥坯成型工藝的多樣性和延伸可能;以及利用泥漿本身流動(dòng)性和依附性特點(diǎn)在與其他材料結(jié)合后所能表現(xiàn)的藝術(shù)效果,能表達(dá)的藝術(shù)張力和產(chǎn)生的藝術(shù)美感,包括材料本身的美感和材料工藝達(dá)到藝術(shù)表達(dá)所需要的的形式美。現(xiàn)代陶藝中新材料的運(yùn)用和與新材料的結(jié)合越來(lái)越多,與其他材料結(jié)合的藝術(shù)形式豐富了陶瓷藝術(shù)的表達(dá)語(yǔ)言和擴(kuò)展了陶瓷語(yǔ)境以及藝術(shù)表現(xiàn)力,是現(xiàn)代藝術(shù)背景中陶瓷藝術(shù)發(fā)展的一個(gè)方向和趨勢(shì)。陶瓷成型工藝中新材料的介入更是能夠從工藝技術(shù)可能性的提高、材料本身語(yǔ)言的更深入挖掘、材料視覺(jué)藝術(shù)表現(xiàn)力的擴(kuò)展這三個(gè)方面表達(dá)新的藝術(shù)效果和視覺(jué)美感;而在陶瓷成型的工藝過(guò)程之中,能夠更契合、更直接和更廣泛的與其他材料結(jié)合的是泥巴處于流動(dòng)性較強(qiáng)的液體狀態(tài)。泥漿較強(qiáng)的流動(dòng)性和附著性使其能更直接的與其他材料結(jié)合,同時(shí)泥漿自由美感也能通過(guò)附著材料為介質(zhì)得到表達(dá)。現(xiàn)代陶瓷藝術(shù)區(qū)別于傳統(tǒng)陶藝,已經(jīng)逐漸從著重技術(shù)和工藝追求轉(zhuǎn)向主要表達(dá)藝術(shù)觀念和藝術(shù)美感。泥漿本身的工藝特性和美能夠通過(guò)附著在其他材料上得到充分表達(dá);而其他材料也能通過(guò)與泥漿結(jié)合成型泥坯,最終通過(guò)高溫?zé)Y(jié)以陶瓷的形式自由表現(xiàn)其藝術(shù)美感;最后二者的結(jié)合提高了陶瓷成型工藝的自由度,擴(kuò)寬了陶瓷語(yǔ)言的詞匯量和表達(dá)力度,從工藝、美感、藝術(shù)性上讓陶瓷藝術(shù)得到了進(jìn)一步的解放。文章主要闡述泥漿作為材料和工藝在現(xiàn)代陶藝中扮演的角色和發(fā)揮的作用,并通過(guò)實(shí)踐作為支撐,探尋泥漿工藝之后的發(fā)展。
[Abstract]:As a kind of artistic language with high degree of freedom, ceramics is in a very important position in modern art. Different ceramic materials in different states are made by artists using different techniques to make ceramic works to carry and express their creative ideas; and with regard to ceramic materials, Different from the traditional ceramic craftsman who regards mud as the production element of the exquisite craftsmanship, some modern ceramic artists emphasize more on their own characteristics and the artistic tension of expressing themselves. Soil is the foundation of ceramics, and the material itself has different states: powdered mud, liquid mud with strong fluidity, suitable for the semi-wet state of manual molding, the block after dry solidification, and the form of clay sintered into ceramic. This paper studies the diversity and extensibility of ceramic slurry forming process under mud condition, and the artistic effect that can be expressed by combining with other materials by making use of the fluidity and dependence characteristics of the slurry itself. The artistic tension that can be expressed and the artistic aesthetic feeling produced, including the aesthetic feeling of the material itself and the formal beauty required for the artistic expression of the material technology. The application of new materials and the combination of new materials with modern ceramic art are more and more. The art forms combined with other materials enrich the expression language of ceramic art and expand the ceramic context and artistic expressiveness. It is a direction and trend of ceramic art development in the background of modern art. The intervention of new materials in ceramic forming process can express the new artistic effect and visual aesthetic feeling from three aspects: the improvement of the possibility of technology, the further excavation of the language of the material itself and the expansion of the expressive power of the visual art of the material. In the process of ceramic forming, mud is in a liquid state with strong fluidity, which is more suitable, more direct and more widely combined with other materials. Because of its strong fluidity and adhesion, the mud can be more directly combined with other materials, and the beauty of mud freedom can also be expressed through the attachment material. The modern ceramic art is different from the traditional ceramic art and has gradually changed from the emphasis on technology and technology to the main expression of artistic concepts and aesthetic sense. The process characteristics and beauty of mud itself can be fully expressed by attaching to other materials, and other materials can form mud billets by combining with mud, and finally express their artistic beauty freely through high temperature sintering in the form of ceramics. Finally, the combination of the two improves the degree of freedom of the ceramic molding process, widens the vocabulary and expression of the ceramic language, and further liberates the ceramic art from the aspects of technology, aesthetic feeling and artistry. This paper mainly describes the role and role of mud as material and technology in modern ceramic art, and explores the development of mud technology after practice as support.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J527;TQ174.62

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 黎俊霞;陶瓷藝術(shù)中綜合材料的表現(xiàn)[D];湖北美術(shù)學(xué)院;2007年

，

本文編號(hào)：1785956